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OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Making Beats & Rhymes since 1995
C2C ・ Hocus Pocus・On And On
・・・・・・
Management :
yann@onandon-records.com

Label :
http://www.onandon-records.com

Fresh on the scene, Cooper brings a fiery spirit and a massive voice to the turn table. The songs on her self titled album draw from her love of old Soul and Motown records and her 60's and 70's Rock n Roll influences. She has written a fervid kaleidoscope of colorful songs with a dramatic and passionate flair. 

It has been a year and a half since Cooper packed up her VW van in Portland OR and made the quest to Nashville TN to pursue her life long dreams in the music industry. The flame haired songstress had paid dues in Portland playing in several bands, acting in local productions, and bar-tending at a seedy rock n roll strip club.  It was time to take a shot at recording her songs and forming a road band in music city. After months of knocking on doors, typical hard luck, and sleeping on an air mattress in a 60's hotel room-turned studio apartment, Cooper was able to make some headway.  She began working with Nashville producer David Norris, and writing the record she had always wanted to make. She assembled a twelve piece soul band in both Nashville and Portland and began rehearsing both.  Cooper played her first gig in Nashville opening for the Queen of Rock and Roll herself: Wanda Jackson, at a birthday bash held for fashion icon Manuel. Her music caught the ear of music industry notables and she recorded her full length album at one of Nashville's top recording studios: The Tracking Room.  The album was produced by David Norris and Mixed and Mastered for Vinyl by Grammy Winning engineer, Charles Yingling. 



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