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Sounds by @avsluta 🌸
Visions by @marcomaldarella 💫

Buy Music Club: https://www.buymusic.club/list/ie-introspective-electronics-w-avsluta-x-netil-radio-jul-25

TRACKLIST:

Dan Thorman – DYSB
Michele Di Martino – RE.75°05′59.91″S 123°19′57.38″E
Soria – Albatross
SØS Gunver Ryberg – The Presence_Eurydike
Danny – Leaf B
Michel Banabila – Aunt Nadira
Sanjib – Angel's Entrance
HVL – Cycle 8th Reprise
Purelink – First Iota (feat. Angelina Nonaj)
Biosphere – The Way Of Time (On And On)
Massi NPL – Hong Kong
funcionário – corrente
DJ Trystero – Untitled 9
N Kramer & Magnus Bang Olsen – Limbic Fresco
rookas – Flamma
Quiem – Sun At Paral-lel
perila – give it all
Purelink – Yoke
Krystian Shek – Never Complain (Dub Mix)
Sanjib – No Space No Time
Danny – Leaf A
Christian Duka – Crescere

Introspective Electronics w/ Avsluta x Netil Radio | Jul 25

Track: Passable Channel
Artist(s): Dajusch
Ep Name: Downtown Dubs
Label: Patent
Catalog: PATENT001
Release Date: 10.10.2025
Format: Vinyl & Digital
Genre: Electronic
Style: Techno
Mastering: Paul Mac 
Artwork: Patent

Artist links: 
Soundcloud: https://soundcloud.com/dajusch
Bandcamp: - 
Instagram: https://www.instagram.com/dajusch/


Label links:
Bandcamp: https://patent1.bandcamp.com
Instagram: https://www.instagram.com/patent.music/

Delayed with... Hagva

The next instalment in our series comes from ANNX, recorded at Corsica Studios during the @snoozeafters night in collaboration with @crescent-london. It drifts through ambient soundscapes, nature-tinged downtempo, dubbed-out grooves, and irresistibly slow, squelchy basslines.

ANNX's mix is also available to watch on YouTube: https://youtu.be/A4BwYA85LCc

Inspired by cities and dancefloors where she's lived and explored, ANNX’s unique seductive sound echos within her psychedelic selections across trance, prog, psy, techno, tech house, bass and more. 

Her distinct sound has gained her global visibility appearing on club and festival line-ups in the UK, France and Mexico including Gloria at Macadam, SinXcensura in Mexico and she is a resident DJ at Above Below Festival. 

Anna’s commitment to the scene goes beyond the booth, she carefully identifies niche sounds that are missing in the UK and has become a staple for psychedelic music on London's club circuit. In 2021, she founded Whomp, a non-profit party in London which she now co-runs with Lora Mipsum. In 2023, she started a brand-new project perspectives• with lighting designer Nicole Gordon. Most recently, she joined the Above Below music team. 

All is in flux. Nothing remains still.

ANNX:
https://soundcloud.com/annx-anna-whomp
https://www.instagram.com/annx.arw

Ebbs & Flows:
https://soundcloud.com/ebbsandflows
https://www.instagram.com/_ebbs_flows

YouTube

FlowCast #006 | ANNX @ Corsica Studios

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

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Read

Delayed x Mostra: Robert Henke presents Dust

@sunchase

Na Nich returns to his roots after a series of successful releases on respected labels such as Delsin, Semantica, On Board, and Fur:ther Sessions. The Ukrainian producer’s latest EP pays tribute to his foundation in broken beats and bass music — the core of his craft before adopting the Na Nich moniker.
Co-founder of Rhythm Büro and formerly known as Sunchase, Oleksandr Pavlenko shifted from his decades-long bass music career towards house and techno about ten years ago. Yet those early influences never truly disappeared. On Your Curves, Oleksandr skillfully blends his bass-heavy legacy with the sonic palettes characteristic of his later work, merging two worlds into a cohesive sound.
The A-side opens with ‘Unfulfilled Expectations’, a deep roller rich with bass textures and mellow synths. It’s followed by ‘Everything’, a slow burner infused with ’90s vibes, featuring old-school vocal samples and a drum pattern reminiscent of UK garage. On the flip side, ‘Rain Inside’ delivers the EP’s grooviest moment, with broken beats crafted for the dancefloor and an intimate, close-your-eyes 4 a.m. mood. The title track, ‘Your Curves’, closes the EP with a deep and melancholic atmosphere.
This release stands out amid contemporary offerings, reminding listeners that essence always triumphs over form.

Cat number: RB011
Label: Rhythm Büro
Artist: Na Nich
Title: Your Curves EP
Release date (bandcamp, all formats): 19 Sep 2025
Release date (other platforms, vinyl): 19 Sep 2025
Release date (other platforms, digital): 26 Sep 2025

Tracklist:
A1 - Unfulfilled Expectations
A2 - Everything
B1 - Rain Inside
B2 - Your Curves



Na Nich - Your Curves EP [ Rhythm Büro 011 ]

The first thing you notice in Beau Beaumont’s Delayed with mix isn’t aggression or volume, but control. Each layer slots into place with a clarity that leaves no room for drift. It’s techno in high resolution - grooves stretched to their limit, shifts measured with care, a ride that never collapses under its own weight.

That clarity comes from experience. Years spent running one of the UK’s most forward-thinking parties, building an independent label Meine Nacht, and diving into modular synthesis have sharpened Beau’s ear for pacing and design. Her work ranges from NTS residencies to commissions for Nike and the WDR Studio for Electronic Music. Still, it’s this same multidisciplinary edge that you hear here, surgical mixing, grooves that never stagnate, and a sense of movement that feels both human and machine. This is propulsion without fatigue: a set built to carry you, wherever you are.

https://soundcloud.com/beausoundart
https://www.instagram.com/beausoundart

Write up by @gilleswasserman

Follow us on social media:
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Delayed with... Beau Beaumont

Chapter 2 of my artistic journey is here. With this album called "what is" we embark on an explorative journey with one clear goal: pushing the envelope.

This album builds the sonic foundation onto which I will build to bring emotions and stories from my home studio to your ears.

It's been four years since I started producing and this wouldn't have been possible.
Big thanks to my friends on the discord, my teachers, and everyone who is participating in this journey.
It gives me hope.


Mastering by: Mattias Fridell @fridell
Picture by: Melissa

what is house

Osmura w/ basic chanel 32

Perpendicular Festival unravels as one continuous thread, bending and reforming across days and nights until the sense of time itself begins to dissolve. From Friday afternoon to the first pale hints of Monday light, the forest carries a constant flux of sound, shifting from floor-focused intensity to moments of near-weightless suspension. The turning point comes when the moon hovers over the DJ booth on the main stage and the current draws inward: La Cabaña, a wooden cabin hidden among the pines, becomes the gathering place for music at its most unguarded and exploratory. Here, reality softens, and performances take the shape of dreams.

It was in these hours between Friday and Saturday that STBL opened the portal. His set arrived quietly, almost imperceptibly, whispers in the air, static drifting like dust in moonlight. Slowly, harmonies began to shimmer and unfold, shadowed by pads that seemed to stretch toward some unreachable horizon. Beneath it all, a subtle rumble grew, reassuring, like company long imagined finally appearing at your side. Nothing felt rushed; each sound seemed to wait for the moment it was meant to reveal itself.  

The power of the set lies in its restraint, in the way it suspended time and quietly rewrote it in the minds of those present. A moment like this resists fading; it lingers, carried forward as a story that will be told again and again.

https://soundcloud.com/stable-mechanism
https://www.instagram.com/stbl/
https://soundcloud.com/espacio-perpendicular

Write up by @gilleswasserman

Follow us on social media:
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Delayed x Perpendicular: STBL (live)

Sundays are for…

All of us. As each year passes, I appreciate more and more the mental haven that has developed. A space to relax, a platform to create. Focusing on moods and sounds that we listen to recover and unwind. Deeply personal, and a sonic window into the soul, the variety of guest mixes, and emotions covers the spectrum. I am so humbled to be able to release each and every entry.

This September marks 6 years of Sundays. The musical journey continues, and evolves, so too does the visual. Simple, and abstract. Bridging the digital and analog realms, the art continues to change and match energy. A sine wave in all its glory, nothing less, nothing more. A comfort in its identity, a comfort in its simplicity.

Enjoy the mix, this is my yearly ‘moment’ if you will, to let the hair down, and indulge.

Much love and admiration,

mixed and compiled with love by hue | @huedj
september 2025

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Sundays are for... [Sep/25]

The fire at the center of the floor was more signal than warmth against the countryside chill. Sparks shot upward into the night as dancers circled around, bodies locked into the pulse spilling from the booth. Above Below Festival thrives on these elemental juxtapositions: a rural valley transformed into a site of intensity, a cocoon-like booth channeling waves of sound that felt larger than the space itself. With every kick drum, the edges of the night blurred, and for hours the crowd existed in a suspended orbit around light, heat, and rhythm.

It was here that Timesplitters, Jake and Pat, took hold. Their set drove forward on cavernous bass, but the force alone wasn’t what bound the floor; it was the shifting mid-range voices, synth lines and melodic sequences mutating like smoke from the fire, wrapping dancers in a narrative of tension and release. They approached the set less as selectors and more as authors, tracing the night with a balance of discipline and wildness. Despite their name, there was no split in time, only the sense of one continuous current, shared in firelight, smiles, and unbroken motion.


https://soundcloud.com/timesplittersmusic
https://soundcloud.com/abovebelowfestival


Write up by @gilleswasserman 

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Delayed x Above Below: Timesplitters

Parc de Forets, 06h00. Playing towards sunrise.
Thanks Lefto for the invitation <3

No Radio, No Lefto w/ Ridoe @ Kiosk Radio 28.09.2025

Obsession
Written & Produced by Dario Desaer 
Mastered by Joe Farr
Artwork by Julie van der Vaart
Layout by Sam Londero
Cat. No. MAS-003
For. Digital
© — ℗ 2025 MASSA-BETOGING

Dario Desaer | Cruising

The night had turned cold by the time Camu began, but inside La Cabaña, everything felt suspended: warm light, still bodies, a low hum stretching through wood and pine. People settled into corners, wrapped in layers, quieted by the vibration that marked the start. The music felt transmitted, its slow-moving drones drifting through the wooden walls and into the forest beyond. The sound rolled out like fog under moonlight, patient, opaque, its motion too subtle to measure. It was music to dissolve into.
Minutes became air. The cabin started to tremble. Camu’s sense of space was uncanny, each drone a line drawn in mist, each pause a small release of gravity. Later came the fragments: field recordings, faint acapellas, echoes of the forest replayed from another world. By then, the cabin no longer felt grounded. It was a stationary vessel, hovering somewhere between the trees and the stars, surrounded by invisible energy. Somewhere, just beyond the clearing, Pablo’s bass murmured like thunder in a parallel world. When silence finally returned, it wasn’t emptiness; it was the echo of what had passed through.

tracklist:

Submersion – One
William Basinski + Richard Chartier – Aurora Liminalis
Kreng + Svarte Greiner – The Night Hag
Oren Ambarchi – Wednesday
TVS – BlackMS
Owl – Entheogen Riddim (feat. Clearlight)
Toki Fuko – Depo (Destination Two)
Sonmi451 – Steady Drop
placa – destination limbo
Phill Niblock, Anna Clementi, Thomas Stern – Zound Delta 2 (Alternative Version)
Carmen Villain – Silver
Bass Communion – Loss (Side 2)
Eleh – Pulsing Study Of 7 Sine Waves Part Two
Arrowounds – Sulking Vessels Beneath The Great Murmuration
Jan Jelinek – Social Engineering 3 (ALERT!)
Moritz Von Oswald – Luminoso (Original Mix)
Joachim Spieth Markus Guentner – Scope (Abul Mogard Rework)
Muslimgauze – Bedouin In Mercedes A5
Varuna – (a trip to) Masdar (hems version)

https://soundcloud.com/javier-camunas
https://www.instagram.com/kamunas/

https://www.instagram.com/espacio.perpendicular/
https://soundcloud.com/espacio-perpendicular

Write up by @gilleswasserman

Follow us on social media:
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Delayed x Perpendicular: Camu

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.

Delayed with... Beau Beaumont

Delayed

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