Introducing a brand new label of mutant, fusioneering styles from Edinburgh's Firecracker Recordings!

The maiden voyage by Healing Force Project traverses further and deeper into the wormhole that was first explored in his Gravitational Lensing EP on Firecracker.

A full panoply of bubbling, semi-submerged, electro-acoustic abstraction, lysergic drones and oblique, polymetric time signatures recalling the work of Italian avant-jazz outfit Gruppo d’Improvvisazione while simultaneously picking up distant echoes from 'Pangaea' era Miles Davis, 23 Skidoo, Source Direct, Squarepusher, The Heliocentrics, This Heat and Mosquitoes.

'Fizz-cracking drum machines and sparring breakbeats knitted with eyes-shut chord progressions and a seemingly mystic sampler that spits pure magick vibes'.

This is electrified, psychozoic jazz fusion for tomorrow's unlocked vortices!

All music by Healing Force Project aka Antonio Marini (https://soundcloud.com/h_f_p)

Artwork by Drew Miller (https://drewmillerstudio.com)

Released End of June 2021

Pre-order here https://tendingthevoid.bandcamp.com/album/future-form-functionless

TTVO.ID001 Healing Force Project - Future Form, Functionless (Clips)

Premier of Que Sakamoto & NT - Kurutterune, featured in HEAR0052, the first release of 2022 from HEARec!
“HEAR0052 comes packed with a diverse showcase of dance music. From slow paced tracks, hypnotizing psychedelic vibes to full-on Trance and high energy Techno. We are thrilled to present this year's compilation, one that has been long in the working, and to welcome a fine mixture of HEARec constant artists as well as a fresh roster of new artists and friends.
A diverse proposal of refreshing and haunting tracks, and the as we like them here at HEARec. The art is a depiction from our main designer Sergio Salazar, always ensuring.
After a little climb over the Bolivian Andes, we are enthusiastic to have Que Sakamoto on a release. The Japanese musician is properly respected among its fellow artists and serves a gem entitled ‘Kurutterune’. The track is a volatile journey, off-the-grid kicks lead the vessel and are accompanied by cosmic synths to complement the party”.

[Premier] Que sakamoto & NT-Kurutterune From Hear Rec [16.02.2022]

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/cliff-dalton-we-are-the-little-ones-legowelt-remix-ldi-records
* Watch on YouTube: https://youtu.be/m9LyH-g2Xxo
* Pre-order: https://ldirecords.com/blue-city/

LDI Records serves up a celebration of The Hague's famous electro sound with native Cliff Dalton aka Sander Evers behind four originals and fellow West Coast legends Legowelt and Rude66 both remixing.

Cliff Dalton is a relatively new project from a long-time Dutch music great. Sander Evers is the drummer in psychedelic stoner rock band Monomyth and has played with other notable groups including 35007 and Gomer Pyle. Next to those projects, he has always had his ear tuned into the region's enduring electro scene and now offers up his own fresh take on it. The EP's title refers to the fact that all these artists are bound by geography but is also a nod to the fact that The Hague is the largest Dutch city by the sea.

The opener 'We Are The Little Ones' is about an evil robot factory in a futuristic dystopian city. It is a coruscated electro-funk workout with crisp analogue drums and nimble bass overlaid with withering sci-fi melodies. 'We Don't Need A Real World' is a superbly cinematic eight-minute excursion with widescreen synth work taking you to the stars as you ride an elastic bassline. The majestic 'City Under The Sea' then layers up neck-snapping snares with cosmic arps and plunging bass and 'Cleopatra's Matrix' soundtracks an ancient Egyptian city with its mystic leads and eerie pads luring you into a late-night electro trance.

West Coast pin-up and hugely prolific electronic innovator Legowelt remixes 'We Are The Little Ones'. His version has plenty of his textbook intrigue, lo-fi texture and magical synth charm, and finally key Bunker Records associate Rude 66 flips 'City Under The Sea' into a snaking dub rhythm with hypnotic acid lines and seductive vocal whispers woven in deep.

The Blue City EP is a timeless package of West Coast electro direct from the source.

Blue City

PREMIERE: Cliff Dalton - We Are The Little Ones (Legowelt Remix)

The German philosopher Hermann Schmitz defines as vagueness the basic perceptive condition for describing the concept of atmosphere, and the spatial model within which it can be experienced. The space of feeling - a space by definition devoid of surfaces and animated by numerous semi-entities - is able to involve the individual immediately, bodily and affective, for being characterized by intrinsic properties such as indeterminacy and impermanence.

To clarify the spatial character of feelings understood as atmosphere, Schmitz adopts the analogy with the acoustic model explaining its ability to act despite the impossibility of defining a quantifiable spatial model. Vago Spazio del Ritmo - volume 1 is the first chapter of a path dedicated to the indefinite that surrounds us and that becomes a refuge, only experienced via sensations.

12 artists have vaguely wandered among new unexplored atmospheres, pushing the boundaries that define the dimension of listening and dancefloor, paying homage to the leftfield hemisphere in a non-linear and unexpected journey that will bring us to experience the unexplored forms of our emotions.

https://soundcloud.com/lamusalamusa
https://soundcloud.com/details-sound

PREMIERE⚡️Lamusa II - La Mecànica [Details Sound]

29june untitled1 sesh

Track taken from the "Shades Of Acid" EP on Who Is Paula.

Get it here: 

Bandcamp: https://whoispaula.bandcamp.com/album/shades-of-acid
Clone: https://bit.ly/3WF0HzP
Deejay: https://bit.ly/3vACa2Y
Decks: https://bit.ly/3Z8wUB8
Juno: https://bit.ly/3jOdT6U

WIP on SoundCloud: https://soundcloud.com/who-is-paula

Preview for the full EP: https://soundcloud.com/who-is-paula/wip003-vertical67-shades-of-acid-snippets

Paula took a trip. And as she was walking on clouds, beautiful clouds, hovering through kaleidoscopic forests and gliding through multicolored reefs, she couldn’t help but cry. In glee, in absolute enchantment. And when she had to leave, all that was left were Shades of Acid. And dry tears, tears of joy.

Shades Of Acid

Soleil Acid

Forthcoming: https://www.delsinrecords.com/release/6250/
Digital Pre-Order: https://chaindata.bandcamp.com/album/inside

Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A —who is also known as Mohlao— and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts.

Inside

VC-118A - PCB

Buy @ Delsin Shop

Young Sören from Bielefeld fills the a side under his Vector 93 alias.

Born Free 38 - A1 - Vector 93 - Yucutan Sweeps

We’re accustomed to hearing releases from Central Processing Unit which veritably fly out the traps. Indeed, you could spend hours listing all the great uptempo club tracks that have dropped via the Sheffield label down the years, rambunctious rollers from artists like DMX Krew and 96 Back. However, there is another side to the CPU sound, one that is slower, more considered and owes plenty to downtempo and 90s electronica.

Paul Blackford is a producer who has long embodied these two facets of CPU’s output. On one hand you have his 2014 label debut The League Of Shadows, a set of fizzing IDM-techno innovations which remains highly sought-after to this day; on the other there is Light Years, the cool and collected return to CPU that Blackford made three years later. The latter record, with its painterly synth work and neck-snapping drums, remains a touchstone for Blackford’s latest CPU release, a new twelve-track LP entitled Betamax.

While the tempos of Betamax may be rather relaxed, the sonic palette used here very much links up with CPU’s other drops. It is one forged in the forward-thinking electronic styles of the 1990s - Drexciyan electro, Boards Of Canada’s wistful electronica and the boundary-pushing IDM of Rephlex Records. Mind you, this is also one of the first CPU drops to draw a little from another side of the traxx - though Betamax may not be as schooled in plunderphonics as DJ Food or Nightmares On Wax, there is something in the lilt of these beats which obliquely doffs its cap to those old breaks.

Betamax proves yet again that Blackford is adept at experimenting and incorporating new influences across the course of a record without disrupting its vibe. As well as standing adjacent to the machine-funk sound that has long been a cornerstone of electro, Light Years was an LP in which subtle nods to G-Funk and P-Funk could be discerned in the rhythmic programming. These influences are felt once more on Betamax cuts such as ‘Far From Home’ and ‘Fortress’ - the former comes off like an after-hours take on Space Dimension Controller, or maybe even Daft Punk’s ‘Something About Us’. Meanwhile a space-age, slightly alien quality enters the production in the album’s final third, something signposted by aptly-titled highlight ‘The Nasa Beat’. 

While Paul Blackford’s Betamax may switch the pace up for Central Processing Unit, the album’s richly-harmonious electro-hop sound proves a fine foil to the label’s more high-octane releases.

RIYL: Boards Of Canada, Bochum Welt, Luke Vibert, Steven Rutter, Space Dimension Controller

Betamax

Paul Blackford - Betamax

In the absence of careless vibey nights, the memories of dancing together are fading. Meeting friends feels like an expedition to a neighboring galaxy. In a time of the limits and isolation, music now more than ever is taking us places, carving a refuge, or spicing up our days.
Today we are happily premiering a dose of futuristic nostalgia presenting as a melodic, shimmering electro. Stitched together by electro-funk beats and deeply emotional soundscapes, A-side track “Density Wave” is a perfect energy boost launching the mind into the hoverboard riding reality.
Three-track EP is the first release on the new label Plant43 Recordings coming from a renowned UK producer, graphic designer, illustrator, and co-founder of London’s Bleep43 crew Emile Facey. Through over 20 years of production, Plant43 developed a uniquely recognizable style with a string of releases on respected scene favorites such as Central Processing Unit, Frustrated Funk, Semantica, Shipwrec, and Cultivated Electronics, among others.
Plant43 “Density Wave” is out on July 6th via Plant43 Recordings.

write up by Elena Lisovin: https://soundcloud.com/elena-lisovin

Plant43 on SoundCloud: https://soundcloud.com/plant43
Plant43 on FB: https://www.facebook.com/plant43electro/

https://www.itsdelayed.com

pre-order

PREMIERE: Plant43 - Density Wave [Plant43 Recordings]

River Yarra’s flaunts his signature palette of amphibious, minimalist squelch to reinterpret Ausecuma Beats.

'Keleh (River Yarra's Situationist Rework)' is out July 24th on Music In Exile.

Pre-order: bit.ly/3eO4Hao

@riveryarra
@musicinexileau

Premiere: River Yarra - Gnome Broth [Music In Exile]

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.

PREMIERE: Plant43 - Density Wave [Plant43 Recordings]

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