i'm not your babysitter (demo)

After almost two years pause, we are back to present you the Japanese artist Supire and his debut album on Mozyk! Joining him with two remixes are the label resident The Ghost Of 3.13 and our new friend from Athens - Tenebral Cortex.

We experimented and took the cassette tape packaging to the next level with our new custom glow in the dark cases.

Album teaser mix:
https://soundcloud.com/mozyknet/supire-lustre-mozyk021

Supire
https://nhspire.bandcamp.com
https://youtube.com/channel/UCVKezz3ad-E75BMCNCCYHvA/
https://twitter.com/NH_supaia
https://soundcloud.com/nh_supaia
https://mozyk.sptfy.com/supire

The Ghost Of 3.13
https://theghostof313.bandcamp.com
https://soundcloud.com/the-ghost-of-3-13

Tenebral Cortex
https://geometriccorruption.bandcamp.com/album/arduous-recursion
https://soundcloud.com/tenebralcortex

Artwork by Droon
https://droon.org

Lustre

Supire - Lustre (Tenebral Cortex remix)

SERALP01: Satellite Era presents “Escapism” - a collection of archival tracks written in 2021-2023 by Evan Magoni, best known as gonima.

Out now on all major platforms: https://ffm.to/seralp01

"Inevitable State" - premiered by Inverted Audio: https://inverted-audio.com/premiere-gonima-inevitable-state

"Escapism" premiered by Rendah Mag: https://rendahmag.com/article/gonima-satellite-era

Over three years since the conception of our record label, we are proud to finally unveil our first full-length album - one that is truly held close to our hearts. It is only right that we welcome one of our biggest inspirations and dearest friends over the years for his inaugural solo release on the imprint.

Since our discovery of Montreal-based producer gonima a half-decade ago, we were certain that we wanted him to be part of what would eventually become Satellite Era. His sound felt incredibly familiar to us as connoisseurs of ambient and electronica, yet distinct enough to be easily identifiable. Fans of Telefon Tel Aviv, Lusine, Mr. Projectile, and other landmarks in this rustic realm will feel right at home. He effortlessly combines warm and emotive sounds from the early-2000s golden-age of in-home listening music with stuttering percussion frequently heard in glitch-centric subgenres. The byproduct of this, along with a splash of clever song arrangement and chord progression, is what gonima’s renowned formula consists of.

With a clear nod to yesteryear’s wave of ambient and electronica, “Escapism” captures the essence of what made that era so pivotal, while enhancing its sound with modern elements and an effort to portray a storytelling experience. The album taps into duality with a contrast between clean, high-fidelity sounds and gritty low-end that is meant to elevate the listening experience through physicality. It is unafraid to recycle some of gonima’s signature production characteristics: uplifting songs drenched in lush, nostalgic tones that are occasionally met with the chaos of digitized drums. Avid fans of his discography will surely recognize his sonic presence in tracks like “Monostable” and “Imminence,” where saturated pads add a fuzzy coating of sound upon his typically pristine production. Each song feels multilayered, with hidden artifacts existing in between; it revives the curiosity of dusty electronics met with precision. 

Although most of “Escapism” seems cohesive and builds off its centralized theme, there are a few instances that allow the listener to step away and appreciate a diverse sense of improvisation: the live guitar in “Turning,” the spaced-out vocals in “Sculpt3-spaces,” and the use of real drum breaks in “Inevitable State” all contribute to this feeling. These small moments are important in building lore, while also showcasing gonima’s newfound curiosity for stepping out of his established processes. As the album begins to decompress, we are met with a slower pace, more repetition, and the inevitable conclusion to a once expanding world. “Doors Of The Mind” utilizes an odd time signature to deliver moody melodic sequences met with shuffling drums. “Places, Things” sprinkles wholesome piano keys over a glitchy, low-tempo hip-hop beat. The outro of the album is a wind tunnel of ambiance that leaves it entirely open for interpretation.

“Escapism” can be best described as the love story between two foundational aspects of a human’s life: imagination and reality. It expresses the necessity of both sides to coincide peacefully, without relying on each other to function properly. It is unmeant to replace the challenges and ruggedness of reality; the beauty lies within its imperfections. Its immersion is amplified by a vessel of imagination only existing in this outlandish space. It leaves behind a meaningful relic of gonima’s best and most confident work to date.

What entices you to close your eyes? What healing sounds surround you in your dreams?

BUY / STREAM

gonima - Sculpt3-spaces

la mort aura tes yeux — dominica dies

A&A continues its mixfile series with nuanced club explorations by Vienna based music producer and evo-natura label head xato.
++++(@iamxato)

xato (est. 2018) is the moniker of the Greek, Vienna-based artist, producer and audio engineer Ioannis Nafpliotis (b. 2000). 

With a diverse palette of sounds, he debuted in 2020 with “State of Dismay”, an ambient/drone EP released on Himera’s boutique collective, “GoodbyeForever”. Entering 2024, he released a club essential EP "Emotional Burner" on DJ Loser's label “Magdalena’s Apathy”, featuring Atlanta's finest 645AR, his adisipated drone EP "Irrational Fear" via "evo-natura", featuring bod [包家巷] and the catastrophic bass / leftfield EP "Stories with no fairy tales" via "xyx", featuring Klahrk.

His work involves sound synthesis and manipulative resampling from personal sound design
sessions and field recordings, fusing club, hip-hop & avant-garde elements.

xato is the owner of the avant-garde label “evo-natura” and electronic club collective “xyx”.

++++

A&A: xato [14]

PISO (Originals)

Rupaul Decombow (v2)

@st_grimes

Carlo Alberto Madoglio aka st.grimes is a musician, producer and multidisciplinary artist based in Milan (IT). With Eurosport, debut EP and first contribution to Austrian label Ashida Park, st.grimes took us on the perfect polyrhythmic journey by synthesizing all his influences into a genre-bending release. His latest productions, SOLO CON TE and High Speed Eurostar, are filled with nods to abandoned rave and eurodance sounds and an obsessive attention to fast percussions. They look inward while inviting the listener to disregard any genre-defining listening conventions.

Since 2021 his music has appeared on labels and platforms such as Pitchfork, Boiler Room, NTS, Rinse FM, C.T.M, Ashida Park, Fritto Fm, Dublab, Fact Magazine, among others. He shared the stage around Europe with some of the most celebrated contemporary electronic acts like CRRDR, Miss Jay, Nahshi, EL PLVYBXY, Rattlesnakke, Ice Eyes, Vibrisse, etc.

ENDLESS, his latest single, was released by Estonian based record label and event series: Shelter

The track is featured in the label’s latest compilation Mizgîn along with productions by Emma dj, Brodinski, Swan Meat, Bungalovv, Nahash and many more.

In the Room 004 w/ st.grimes

jardim_da_estrela_⋆｡°☆

https://lastboss.bandcamp.com/track/guild-acid-mix-200bpm

4/4
200bpm

GUILD (Acid Mix)

GUILD

GUILD (Acid Mix 200bpm)

Little edit I made to celebrate Charli xcx giving us brat summer.

https://hypeddit.com/itshe/constantrepeatitsheedit

CONSTANT REPEAT - ITSHE EDIT ♡FREE DOWNLOAD♡

ITSHE