CROSSOVER (EP) OUT NOW - https://duasaleh.lnk.to/CROSSOVER
via @againstgiants

LYRICS
I got them buzzing like a bee 
Now they do meet and greet 
I got them bumping at the beach 
Sand grazing at they feet 
I got them buzzing like a bee 
Honey they gon wanna’ drink me 

Sensual feeling 
Oops just brought down the ceiling 
Sequential healing now she want too, revealing 
Tell me the meaning 
Honey of all your dealings 
Suddenly I’m feeling 
Suddenly I’m feeling 

Hot

Through my focal  
I see light 
Oh it bites 
Extra bright 
All my diamonds 
Extra white 
Sike
They get them

I got them buzzing like a bee 
Now they do meet and greet 
I got them bumping at the beach 
Sand grazing at they feet 
I got them buzzing like a bee 
Honey they gon wanna drink me 
I got them buzzing like a bee 
Now they all wanna see

Sensual feeling 
Oops just brought down the ceiling 
Sequential healing 
Now she want too, revealing 
Tell me the meaning 
Honey of all your dealings 
Suddenly I’m feeling 
Suddenly I’m feeling 

Hot

Through my focal  
I see light 
Oh it bites 
Extra bright 
All my diamonds 
Extra white 
Sike
They get them

I got them buzzing through they feet 
Now they do meet and greet 
I got them bumping at the beach 
Sand grazing all they heat
I got them buzzing like a bee 
Honey they gon wanna drink me 
I got them buzzing like a bee 
Now they all wanna see

CROSSOVER

buzzin

Stream/Buy

Age Of Ascent

made this for boiler but boiler didnt happen

https://stonieblue.bandcamp.com/album/these-were-for-h-town-boiler

free download

Not A Stain Edit 145bpm

Join Edward George [The Strangeness of Dub] and Dhanveer Singh Brar [Teklife, Ghettoville, Eski] for the first of three live journeys into the mesmerising and troubling sound world of D’Angelo’s Voodoo. Released in 2000, this album marked the apex and perhaps limit of his musical career, and by extension, the apex of RnB, Soul, and Funk’s impact on American society since the 1960s.

With curtains drawn and nothing on screen, the cinema will serve as an environment for close listening to the sounds and ideas flowing out of what is arguably Black American music’s most generative encounter with the wider diaspora.

Sound provided by Pavilion’s new speaker system which will soon be available for creative and community use.

Listening to D’Angelo is a three part project commissioned by performance, possession + automation, a three-year project funded by the Arts and Humanities Research Council (AHRC) 
www.possessionautomation.co.uk

Edward George is the co-founder of Black Audio Film Collective, the writer and broadcaster behind the radio series ‘The Strangeness of Dub’ (Morley College Radio), and the host of Sound of Music (Threads Radio). He is also part of the multimedia duo Flow Motion, and the electronic music group Hallucinator. George’s ‘The Strangeness of Dub’ dives into reggae, dub, versions and versioning, drawing on critical theory, social history, and a deep and a wide cross-genre musical selection. His live music collaborations include the improvised music group, The X Ray Hextet and turntablist Mariam Rezaei. In November 2023, George was the recipient of a Paul Hamlyn Foundation artist award. He lives and works in London.

Dhanveer Singh Brar is a writer, researcher, and teacher focussing on questions of race, culture, aesthetics, politics and theory from the mid-twentieth century to the present. He has published two books, Beefy’s Tune (Dean Blunt Edit) (The 87 Press), and Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early Twenty-First Century (Goldsmiths Press). Dhanveer is also member of two research and performance projects, “Le Mardi Gras Listening Collective” (with Louis Moreno, Stefano Harney, Fred Moten, Fumi Okiji, Paul Rekret and Ronald Rose-Antoinette) and “Lovers Discourse” (with Edward George). He works as a Lecturer in Black British History at the University of Leeds.

Edward George: Listening to D’Angelo. Hearing Voodoo – Part 1: 'Africa Is My Descent'

Tuff Times Never Last

Over / Reprise

Joy Guidry’s new album, 5 Prayers, is an intuitive convergence of sound, spirit, and radical self-expression. As a deeply respected artist in the experimental and avant-garde music spaces, Guidry continues to push sonic boundaries while remaining deeply connected to Black sonic traditions. Moving away from free-jazz, 5 Prayers moves towards an ambient space.
This album is informed by a deep introspective. The resulting work is a manifestation of self-exploration and liberation, resonating with audiences seeking authenticity, vulnerability, and transcendence in music.

CAUT!0N party

DJ Itzy Bitzyy

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