Your 2021 Playback

Anne-F Jacques/Takamitsu Ohta, Oto to Secchi

section of a sound work constructed from sound recordings made with\in a WWII bunker

2020-21

Les Horribles Travailleurs

Photo made during a recording session

WWII bunker - Sound work 1

Telekom Electronic Beats Hungary releases its second compilation album on 10  Jun 2022 full of skillful local talents on it, in the genres of POP, CLUB and EXPERIMENTAL. We couldn't have imagined that 900+ tracks would be submitted to our competition, keeping our judges up late into the night for days. It turned out, however, that the internal combustion engine of musical ideas is not at all limited to a few dozen people in our small little homeland: talent seems to be making its way in 2022, too, even if mass consumption or commercial radio stations have no interest in facilitating it. This new Electronic Beats compilation, available on all streaming platforms, is a celebration of these talents.

@savmart

XPERI22 by Telekom Electronic Beats

savmart - novi sad

Ivan Čkonjević_el. guitar
Roberto Vodanović Čopor_cover
Rec. in Novi Sad (2012)

1_imp

Belgrade, September 21, 2018.
composed: Slobodan Mandic
acoustic guitar: Slobodan Mandic

bGDADC Tuning

Isecanje ivica

Slobodan Jukić-Sloxxx, rezident Dubine.org, aktivni član Public Pee organizacije, i mnogih drugih projekata, čovek koji neumorljivo radi i stvara iz dana u dan. Poslednjih nekoliko godina isključivo radi live setove,ali je ovog puta snimio poseban mix za nas malo drugačiji nego što se od njega očekuje inače.

Slobodan Jukic - Sloxxx, resident on Dubine.org, active member of Public Pee organization, as well as may other projects, a man that works relentlessly and keeps creating day by day. Last few years he plays exclusively live sets, but this time he has recorded a special mix for us, a bit different from what is usually expected from him.
                                                                                                                    
https://soundcloud.com/sloxxx-com
https://www.facebook.com/Sloxxx-8500698022/

Tracklist;

1. Raime - Exist In The Repeat of Practice
2. Years Of Denial - Here in the Gut 
2. Maenad Veyl - Make Them Remember
3. Nuel - Caustic
4. Years Of Denial - Metal Wave (Broken English Club Remix)
5. Maenad Veyl - Sotto Gli Occhi di Tutti
6. Avatism - Gnosis
7. Black Merlin - Mechanic
8. Tuff Sherm - Smugglers Bureau 
9. Ninos Du Brasil - Algo ou Alguém Entre as Árvores
10. CUB - Seeing From Above
11. Ancient Methods - Else (Ugandan Methods Mix)
12. Poison Arrow - If You Don't Love Me (Vocal mix)

Sloxxx - Dubine Podcast #001

Ensemble the Restrictions + Zsolt Sőrés
K.Stockhausen: Kurzwellen(excerpt)
Recorded live at the Academy of Arts
Novi Sad, 27.10.2018.

Karlheinz Stockhausen: Kurzwellen (excerpt)

Live at Izba, Novi Sad, 28. 2. 2019.
Concert "So much to unlearn", remembering Scratch orchestra
Improvisation rites

Join the battle, try to avoid casualties

Concert "Fur kommende Zeiten"
9. 7. 2018.
Lokal, Novi Sad

Ernő Király - Flora 3

Nadia Ratsimandresy - ondes martenot, Paul Pigon bclt, Annecy 2016

Nadia And Paul Normalized

Solo clt/basset horn at Nymus Live, Härnosand, April 2019

Agenbyte of Inwit

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

from 20th Century, released May 17, 2014
https://edaskew.bandcamp.com/album/20th-century

The 20th Century

DOB Gallery Belgrade October 13th >>> sound installation for the exhibition of drawings and paintings by Simonida Rajčević
http://simonidasimonida.com/

Strelice >>> Arrows >>> exhibition by Simonida Rajčević

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

---------------------------------------------------
For more please point your cursor to:
http://www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/
---------------------------------------------------

Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

Manja Ristić: Sonic Ontology of Negligence (stereo version of an 8 channel sound exhibition)

Ivan Čkonjević is guitarist from Subotica (Serbia).

He is founder of Orkestar Gradovi utočišta.
Besides playing solo, he was active as member of post-rock band Ana Never (2004-2010) and collective Belgrade Noise Society(2006-2010). He performs as guest in Jesenji orkestar Daniela Kovača. 
Over the years, Ivan collaborated with numerous musicians, film makers and poets.

With Vladimir Rašković, Marina Džukljev and Filip Đurović, Ivan organises evenings of improvised music called Improstor (more info: http://improstor.blogspot.com ).

1_imp

Ivan Čkonjević

Related tracks