Name: Grieg, Edward - Suite Aus Holberg's Zeit - I. Praelude - 432 Chamber Orchestra, Yanakiev by 432 Chamber Orchestra
Duration: 2 min 39 s
Description: Thee 432 Chamber Orchestra has recorded Edward Grieg's Holberg suite. We are playing in A=432 Hz concert pitch. Enjoy!

Would compressing audio from wav quality (1411 kbps) to mp3 quality (128 - 320 kbps) wreck the noticable difference between 432 and 440 tuning?

Bálsamo para os ouvidos... muito bom mesmo!

Can those tracks be bought or downloaded somewhere?

quintet for flute, percussion, piano, violin and cello

Flight Patterns

Arni Egilsson - An Olde Fashioned Basspiece

Thee 432 Chamber Orchestra has recorded Edward Grieg's Holberg suite. We are playing in A=432 Hz concert pitch. Enjoy!

Grieg, Edward - Suite Aus Holberg's Zeit - I. Praelude - 432 Chamber Orchestra, Yanakiev

Forgeryphonic for turntable and orchestra Tatsuru Arai

Plural Matrix for orchestra Tatsuru Arai

flute,viola,basson,contrabass,percussion,chembalo

Analog~Motor~Cycle for flute,viola,basson,contrabass,percussion,chembalo Tatsuru Arai

In this example, a progression of unforgiving sustained octave-doubled sawtooth chords (Csound) is played against a drum track (Native Instruments' Battery 3). The whole thing is played three times with the following variations:

1. the frequencies are tuned to the conventional equal temperament. The swirling complex beating pattern of harmonics never repeats. 

2. the equal tempered frequencies are rounded to the nearest integer number of Hz. The frequencies become harmonics of a 1 Hz fundamental and this results in a repeating beating pattern of 1 second (maximum length). 

3. this time the frequencies are harmonics of a 2 Hz fundamental and the length of the beating pattern is .5 seconds. 

Any set of steady tones can be tuned to a repeating period, for example detuned oscillators, equal tempered and microtuned pitches. The formula for quantizing the frequencies is simple to implement in a soft synth: 

frequency_new=round(period*frequency_old)/period

The accuracy of the tuning varies with the length of the period. With short periods some intervals might sound out of tune, particularly in the bass registers. Detuned oscillators might also become quantized to the same frequency if the detuning is not wide enough.  

Tempo Synced Beating

A little music that I think you'll like :)))

MeИdea

Oboe Quartet (2017)2nd Mov't.,  Lament - Hommage á J.S. Bach

This is a slightly new direction for me, I am using python to generate fractals in MIDI and importing them into Ableton to add the sounds. This is using Ableton's Operator synth and basic sounds. This is for the Disquiet open mic. Feedback is welcome, I am especially interested in pointers on how to improve my synth sounds. 

Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.

Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co (see specific URL below).

Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.

Six More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0336” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0336” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Other Details:

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, June 11, 2018. This project was posted in the late afternoon, California time, on Thursday, June 7, 2018.

Length: The length of your track is up to you.

Title/Tag: When posting your track, please include “disquiet0336” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 336th weekly Disquiet Junto project (Disquiet Junto Project 0336: Open Mic / Share a piece of music you’re working on in the interest of getting feedback) at:

https://disquiet.com/0336/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0336-open-mic/

There’s also a Junto Slack. Send your email address to twitter.com/disquiet to join in.

The image associated with this project is by Gabriel Gilder and used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/ymxsn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Composition 3 [disquiet 0336]

Turning a Medieval chant into a mellow jazz piece.

Salve Sancta Parens

We are the 432 Chamber Orchestra. 

We are a group of 14 open minded people who have decided to make a difference in the sounding environment of our music. So as our name suggests we play in concert pitch A = 432 Hz.

Our home city is Sofia, Bulgaria.

Grieg, Edward - Suite Aus Holberg's Zeit - I. Praelude - 432 Chamber Orchestra, Yanakiev

432 Chamber Orchestra

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