Written/co produced by Ivana Carrescia
Produced/Mixed by Dan Chen
Mastered by Redredpaw

Limited Edition 10" Vinyl
 http://store.bestfitrecordings.com/products/505675-eddi-front

Buy EP on iTunes

"EF" EP

plist3

Mine

Dreams

Spring 2013

nuovi ascolti

Eddi Front

January

SXSW 2013

Attila by Crane Angels

Brand new track from Deep Sea Diver's upcoming record "History Speaks"

Visit www.thedeepseadiver.bandcamp.com to purchase the full length record 
Avail now on vinyl and digital download

"You Go Running" - Deep Sea Diver

Charlotte Gainsbourg, "Anna" (Moonlight Matters Remix)

We recorded this with Natural Child at their studio in East Nashville. Seth Murray and Wes Traylor co-produced it!

Come On feat. Jessi Darlin

Can't wait to share my first ever album 'QUEEN OF THE CLOUDS' with you all!!!

PRE-ORDER: po.st/PreorderQOTCItunes

ME
www.facebook.com/tovelo
www.instagram.com/iamtovelo
www.twitter.com/iamtovelo

Queen Of The Clouds

Love Ballad

Recorded in a home studio in Brisbane, Engineered/ Produced/ Bass by Sean Caskey inspired by Thomas Stevenson 


Artwork by Daniel Petchey 

FUCK IT

FREE DOWNLOAD AT http://hamacide.bandcamp.com/album/you-me-ep

Hamacide + ChaCha
Vocals: ChaCha
 Remixes: Lightswitch, Jared Turinsky, Downstate
Artwork: Lily Xiao
http://hamacide.com
Release date: Feb 26, 2012 

1. You Me (Original)-Hamacide+ChaCha<You Me> EP 2012

Buy it now: http://smarturl.it/AnAwesomeWave

An Awesome Wave

Something Good

Buy track on iTunes

GIGANTIC

Puedes encontrar "Like a Vampire" en el disco de Aliment "Holy Slap", disponible en LP+Mp3, CD y Digital en mailorder@lacastanya.com

Aliment se consolidan como una de las bandas más interesantes del panorama punk rock estatal con la colección de zurriagazos que es "Holy Slap". Once canciones grabadas con los puños apretados y la frente sudorosa que los emparentan con bandas contemporáneas amigas de la melodía y el descontrol como Thee Oh Sees, Jay Reatard o Wavves y referentes más antiguos como Adolescents, Circle Jerks o incluso The Sonics. Once  viscerales composiciones que se acercan y se alejan de la luz alternativamente, te agitan el pelo como si fueras en un descapotable y que te ponen mariposas en el estómago. Canciones que hablan de mí y de ti, y de ellas. Ese estado mental que te envalentona y te hace pedir otro Gin Tonic más cuando casi no puedes decir tu nombre. Quizá dentro de veinte años pediremos una horchata; ahora queremos escuchar a Aliment.


- - - 


You can find "Like a Vampire" in the Aliment album "Holy Slap" available on LP+Mp3, CD and Digital via mailorder@lacastanya.com

Aliment confirm themselves as one of the most interesting bands in the Spanish punk rock scene with the collection of mind blowing slaps-in-your-face that is "Holy Slap". Eleven songs recorded with their fists firmly clenched and sweat in their foreheads that connect them directly with melody and frenzy friendly contemporary bands such as Thee Oh Sees, Jay Reatard or Wavves as well as more vintage influences such as Adolescents, Circle Jerks and even The Sonics. Eleven gut drenched tracks that alternatively come close to and run away from the light, shake your hair like you were speeding in a convertible and bring butterflies to your stomach. Songs that talk about you and me, and about them ladies. They put you in that state of mind that fills you with courage and makes you ask for another gin and tonic when you can hardly say your own name any more. Maybe in 20 years time we’ll drink sarsaparilla; right now we want to listen to Aliment.

Aliment - Like a Vampire

TEXAS

Dev & I <333

UK: Everything Is Embarrassing EP out April 8, pre-order now at smarturl.it/SKYEEITUNES

Buy Ghost EP

Everything Is Embarrassing

SUPERHERO STYLE

Gran Sol - Storm

debut 7" record available here: http://no-re.co/rdings

download the A side 'Champagne' for free:
http://soundcloud.com/norecordings/002a

http://empressof.me

http://twitter.com/empressoff

http://youtube.com/mpressof

Don't Tell Me

Matthew E. White 
"Big Inner" LP/CD/DIG
Out January 2013 in Europe on Hometapes and Spacebomb.
www.matthewewhite.com
www.home-tapes.com
www.spacebombrecords.com

Like all of us, Matthew E. White was born into a constructed world. His unfolded out of the mingled sands of Virginia Beach and Manila, the youngest son in a family that raised him barefoot between the blurred racket of that far eastern jungle city and the backyard lightning-bug-hum of a trimmed southern lawn. His first moves, from picking up a basketball to picking up a guitar, were cast in the dual glow of these latitudes. Something between them taught him to love. Something between them taught him to time travel. Here began the lessons of Big Inner.

On that day in August, when the earth shifted into the shape of Matthew E. White, there was so much to listen to, so much to put your heart into, already. The dusts of the Delta had swirled into Rock and Roll. Alan Lomax's recordings sat in a big building in Washington, DC. Lee Perry had built The Black Ark in his backyard in Kingston. Somebody else lived in Big Pink. Mac Rebennack was Dr. John. King Tubby was dubbing. Terry Riley was overdubbing. Sly Stone had hit #1. Randy Newman's Sail Away was a decade old. Caetano Veloso had just turned 40. Muddy Waters was just about gone. Jimmy Cliff had sung "Many Rivers to Cross." So had Harry Nilsson. White shared this common inheritance. He stitched his own flag out of it.

And so it begins with "One of These Days," looking in, up, and over in its declarations of love. It's waking up next to someone. It's feeling the wood of the church pew on your back. This is your introduction to Matthew E. White and the world of Spacebomb; he's convincing you to stay the night. You give me joy like a fountain deep down in my soul. You can hear him breathe in. The first time around, White only hums the chorus. Hums it. Plants it in your head as it blooms in his. Strings enter like a siren. The guitar only talks when it has something to say. The choir lets you know you're not alone. Overdubbed woodwinds and muted brass like it on top, dancing around the embers of the bass line. Whether you're a woman or man, White's mournful, get-it-on voice may be all you can hear: I don’t want to live a day longer than you, so let’s meet the Lord together. You can call it soul music if you want. It's his soul and it's his music. 

Big Inner is told in seven songs that mingle memory with the rawness of any given human moment. The references — from the lyrics that echo the common conditions of love, death, seeking, and finding, to open tributes to artists like Washington Phillips, Allen Toussaint, Jorge Ben, Jimmy Cliff, and Randy Newman — are their own scavenger hunt through history and through White's place in it. "Big Love," the album's whopping second track, evolves the serenade of the opener into an all-out field holler. The vibe is farmed by Trey Pollard's cinematic string arrangement, Megafaun's Phil Cook on near-frantic keys, baritone sax squawks, pacemaking congas, and the first appearance of a burning White guitar solo. I am a barracuda, I am a hurricane. You don't need the seven-voice choir chasing White's voice to make you believe it, but it sure doesn't hurt.

For a record so personal, built on such code, it's never been a secret. Inseparable from Matthew E. White is Spacebomb — the process, the sound, the spirit, and the record label which White's debut launches. A gifted jazz arranger and exceptional guitarist, White is joined by bassist Cameron Ralston (the Wise) and drummer Pinson Chanselle (the Mighty) in the formation of the Spacebomb House Band. You won't forget those names. This core group, multiplied by horns, strings, and a choir (all culled from and roused by the venerable landscape of Richmond, Virginia), was captured to tape in White's own tricked-out attic on the west side of town. This is Spacebomb: an inimitable House Band, a producer, and a unified crew of arrangers and musicians join with an artist and cut a record — with staggering results. White assumed the actor-director role for Big Inner; it's the first Spacebomb album, the playbook and the highlight reel all at once, for a colossal series of upcoming albums from Natalie Prass, Karl Blau, Joe Westerlund (Megafaun), and Ivan Howard (The Rosebuds, Gayngs). A conductor in every sense of the word, an ambitious new label and a solo album were an easy segue from White's well-known post as the leader of the avant-garde jazz band Fight the Big Bull. 

As you swing into "Will You Love Me," you're a goner. Big Inner is an album of firsts, for White and for our place in time. He trades his guitar in for piano. He coos into the piano mic on the first take, a hunch that turns into an ice-breaker for the tingling dirge of "Gone Away." Written on the night of his young cousin's death, it walks the line between worldly gloom and heavenly lightness — and questions the validity of both. As on the rest of the album, White arranged the horns; they speak volumes beyond the limitation of his earthbound vocabulary.

The album culminates in the riverbed of "Brazos," a parable for the whole of Big Inner. Take every story you've heard, every note that's shaken your bones, every sunrise, and every friend you've got — and run. Like the rest of Big Inner, this closing track stands at full attention, the Spacebomb House Band, Horns, Strings, and Choir waiting their turn to kindle a flame that lights up the endless desert. Like every man before him, Matthew E. White is leaving a mark on the landscape. It's there, on records. It's there, on stage. But, like rare few, what Big Inner has brought to its glistening surface is what very well might be right inside of you.

-Sara Padgett Heathcott, Hometapes

Matthew E. White "Big Love"

Demo track. May appear on a mix tape somewhere, sometime soon...but for now, enjoy.

Care Less

INTO MY ARMS (Nick Cave Cover)

A Train Is Coming

thx n <3 to lil dragon n dem
did this back in may but it's never gonna get released sooo fuck it

www.facebook.com/pages/Shlohmo/21…843565?ref=br_tf
www.twitter.com/shlohmo

@wedidit-collective

Little Dragon - Sunshine (Shlohmo Remix)

Holly Herndon - Dilato

Purchase from RVNG: http://smarturl.it/hh-movement-rvng
Purchase from Bandcamp: http://smarturl.it/hh-movement-bcamp
Purchase from iTunes: http://smarturl.it/hh-movement-itunes
Purchase from Amazon: http://smarturl.it/hh-movement-amazon

www.igetrvng.com
www.hollyherndon.com

Support the Artist

Holly Herndon - Dilato

Track 1 from Electric Kid Violet's debut EP, "The Coldest Eyes EP", released 1st December 2012.

The full EP is now available as a free download at ElectricKidViolet.com

Be That

Track 2 (and title track) from Electric Kid Violet's debut EP, "The Coldest Eyes EP", released 1st December 2012.

The full EP is now available as a free download at ElectricKidViolet.com

Coldest Eyes

Track 4 & the outro track from Electric Kid Violet's debut EP, "The Coldest Eyes EP", released 1st December 2012. 

The full EP is now available as a free download at ElectricKidViolet.com


Lyrics


Play

Verse 1
A little bit of complication, a price so short
A whole lot of temptation, can't control
And I don't really want to call ya
Make a fool, of myself
But I do want to get to know ya
Just haven't figured that part out

Pre-chorus
I'm choking up, I'm choking
I'm choking, hoping, you don't notice
Focused on every word you've spoken, open
Anywhere you go I'll go there, yeah

Chorus
Oooh I wanna play ya
Wanna be your man, no peter pan alright
And under all these layers
Is a man that might kinda like
It's how I look in your eyes of course
As far as I'm concerned I'm all yours
Oooh I wanna play ya
I'll make the plays, you make the call

Verse 2
A whole lot of complications
The further in I get
Hey, and all these conversations
Running through my head
I'm digging myself deeper
But I don't know another way
I wanna make you my feature
So I guess I've got something to say

Pre-chorus
I'm choking up, I'm choking
I'm choking, hoping, you don't notice
Focused on every word you've spoken, open
Anywhere you go I'll go there, yeah

Chorus
Oooh I wanna play ya
Wanna be your man, no peter pan alright
And under all these layers
Is a man that might kinda like
It's how I look in your eyes of course
As far as I'm concerned I'm all yours
Oooh I wanna play ya
I'll make the plays, you make the call

Stop

Coming out the SY, a kid with dreams
Nightmares are right there, the lacerations
Cutting me all up, I don't fit the scene
Apologies a part of me, won't cash the pay check
Tell that to the other half that wants the Ray Ban's
Conflicted, gifted, statistically
Not a chance to get very far in this fast car
Wouldn't even start, getting out of the car park
Heartbroken in more ways than one
Don't know why I never blaze one up
Everything says I was meant to fold
But can't afford more holes in this beaten soul
I'm impatient but that don't mean
I don't know what it takes, the gives no meaning
I'm keeping my head, no guillotine
And it seems, it's always the simple things
Like my ad-libs all over this instrumental
You look but don't touch, unless I let you
These other dudes, they all cut from a stencil
But I'm a be the man, and still be gentle
My mental stability ain't what it once was
I don't know, I just do what it does cuz
I make the rules now, can't cool down
Unusual is the usual
Upside down like west is right
And yeah we the best in sight
Classics cooking, we gon get the kai
And I promise you man, we gon get the sky
With a fresh haircut that I'm rocking yeah
Some new CD's that we're copping yeah
The beginning of the end's a long ways away
So I'd rather think of this as the opposite

Play/Stop

Download the No Strings EP here: http://smarturl.it/nostringsep?IQid=sc
Watch the video here: http://smarturl.it/NoStringsVideo?IQid=sc

http://www.chloehowl.com/
twitter.com/chloehowl
www.facebook.com/chloehowlofficial

Be the first to hear more from Chlöe by joining the newsletter here: http://www.chloehowl.com/

iTunes

No Strings [clip]

"The Boy or the Boot" 

Website:  http://www.sacredbonesrecords.com/collections/var
Facebook: https://www.facebook.com/varvarvarvarvarvar/

Vår - The Boy or the Boot

Music written and performed by Jimmy LaValle
Words written and performed by Mark Kozelek
This is our collaboration.

"Perils from the Sea" to be released April 30, 2013 - Caldo Verde Records

www.caldoverderecords.com
www.thealbumleaf.com
www.sunkilmoon.com
www.facebook.com/sunkilmoonthealbumleaf

What Happened to my Brother

Mixed by Ash Workman (Metronomy/Summer Camp/Klaxons) at The Premises Studios, London, November 2012. Mastered by Matt Colton at Alchemy.

Mitzi's debut album 'Truly Alive' will be released on Feb 19, 2013 in North America via Future Classic.

www.facebook.com/mitziband
www.hellomitzi.com
www.facebook.com/futureclassic
www.futureclassic.com.au

Management: nathan@futureclassic.com.au
Press: matthew@terrorbird.com
Bookings UK/Euro: ali@elasticartists.net

Meet The Band

All I Heard

Have you been deprogrammed? Reach out:  ivanaxl @ protonmail dot com

INTO MY ARMS (Nick Cave Cover)

IVANA XL / EDDI FRONT