Bookings - nick.cave@teamwass.com
Americas - zberkowitz@teamwass.com
Contact - hayley@patricktopping.co.uk
Demos - tstack.app/trick

Patrick Topping, the UK’s esteemed DJ, producer, and engineer, has risen to become a globally renowned tastemaker in electronic music. With a career spanning over a decade, his record label and event series, Trick, has now surpassed 100 releases and hosted multiple festivals in Tenerife, Newcastle, and Budapest. Trick has also held residencies, events, or hosted stages at some of the world’s most prestigious clubs and venues, including DC10, Creamfields, The Warehouse Project, EDC Orlando, PICA Melbourne, Concourse Project Austin and many more. 2025 marks his third year as a resident at the legendary Ibiza club Hï, and also a refocus on the house, tech-house, and techno genres where he first made his name.

From humble beginnings, his first-ever DJ set was in a working men’s club in Newcastle in 2009, followed by years of promoting events, DJing locally, and studying music production. This led to his breakthrough moment in 2013 with a release on Jamie Jones’ Hottrax label and becoming a Paradise resident until 2019. He has been more or less constantly touring the world for 12 years now, playing huge festivals such as Tomorrowland, Glastonbury, Coachella, EDC Vegas, Awakenings, and Ultra—as well as many influential clubs along the way. In 2022, he won Best British DJ in DJ Mag’s Best of British Awards, adding to an impressive list of accolades including: Tech House DJ of the Year (2018), Track of the Season for “Forget” (2014), Newcomer DJ (2014) at the DJ Awards Ibiza, and DJ Mag’s Tune of the Year in 2014 for “Forget.”

As a recording artist, Patrick has now released over 100 original tracks and remixes, with “Be Sharp Say Nowt” (2017) going on to become certified silver in the UK in 2021. Known for pioneering new sounds within house, techno, and British dance music, he is one of the most versatile tastemaker DJs and producers in electronic music. His music is grounded in Chicago house and Detroit techno, yet always looking to innovate. Patrick has worked with pioneers of these genres, including multiple collaborations with Chicago’s Green Velvet—such as their 2014 smash “Voicemail,” “Mad Motion” (2024), “Shining,” and “When Is Now” (2015). He’s also done remix swaps with Chicago legend the late Paul Johnson and collaborated with Detroit icon Kevin Saunderson on “Frisk,” which featured on the official soundtrack to the 2022 film The Batman. Crossing over into pop, he has also remixed high-profile artists including The Streets, Sam Fender, Robyn, and Calvin Harris.

His ascension through the international DJ ranks has been matched by his shrewdness and passion for spotting and championing emerging talent. In 2019, he launched his influential label and event series, Trick, which has become one of the most popular underground dance music brands. Curated by Patrick himself, Trick has provided a platform for breakthrough acts such as Ewan McVicar, Ben Hemsley, Hannah Laing, and many more. Its loyal fanbase has become one of the most passionate communities in dance music, with fans proudly sporting the brand’s lightning bolt on merchandise—and even tattoos—at events across the UK and beyond.

With an exciting release schedule ahead and still driven by the same raw energy that first inspired him as a raver, Patrick Topping continues to live his dream while staying grounded. A hardworking, humble, and visionary artist, he remains a key contributor to club culture—whether behind the decks, in the studio, or uplifting the next generation of talent.

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Co-owned by Jamie Jones and Lee Foss, groundbreaking independent dance label Hot Creations has gained global notoriety in recent years through pioneering a new and unique sound born of its founders deep affinity with old disco records and soulful beats. 2013 will see the duo take their label to even greater planes upon the major label release of their band Hot Natured’s truly unique debut album and a mile long waiting list of incredible music from incredibly successful talent such as Digitaria, Greg Pidcock, Richy Ahmed, Robert James and wAFF.

For consideration for release on Hot Creations and Hottrax, please upload demos here for review: https://tstack.app/hotcreations

Sign up to our newsletter an receive a free 3 track EP here - http://www.hotcreations.com

Independent record label owned by Adam Beyer.

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

SIMON ADAMS entered into the world of house and tribal rhythms in 2000 . Inspired by the beats of Spanish house, he mixes new funky sounds to tribal rhythms and creates his experience by working on the decks in some of the most famous nightclubs across Italy and Europe such as,

Il Muretto(IT),Mr. Charlie(IT), Ambasada Gavioli (SLO), Hollywood (IT), Papaya(HR), Kalypso(HR) Inbox(SLO),Boujis(London), China White (London), Embassy(London), Vendome(London), Fabrik (AU),Odissea (IT), Amnesia Milano (IT), Mantra(IT), Supersonic(IT) Barokko(HU), Piranha(HR), 

etc etc. Although he has been on the turntables of legendary clubs, he still plays in Trieste, the Italian city that helped him to launch his career.

He has supported the best DJs from around the world on the decks, including, ERICK MORILLO, ROGER SANCHEZ, DAVID MORALES, NIC FANCIULLI, PETE TONG, ERIC PRYDZ, MICHEL CLEIS, ARGY, DERRICK MAY, MARTIN SOLVEIG, BOB SINCLAIR, CASSIUS, CLAPTONE, ALEX NERI, DENNIS FERRER, MARCO BAILEY, CHRIS LIEBING, SAM PAGANINI, BLACK COFFEE, LUCA AGNELLI, VALENTINO KANZYANI, DJ SNEAK and many more! 

labels:
On Circle Music II Material Series II King Street II Flashmob Rec II Salted Music Guesthouse Music II Fogbank II City Soul Recording II SAFE II Hotfingers II Bedroom Muzik II Soulman Music II Undercool Production II Olatu Recording II Cube II Natura Viva II Ocean Trax

CONTACT:
Management/Worldwide Bookings: 
Alberto Bragado alberto@prime-culture.com

MANAGEMENT
phil@threesixzero.com
mm@threesixzero.com

BOOKING
WW (excl. North & South America): 
dave.blackgrove@teamwass.com
North & South America: 
bshprits@teamwass.com

Hot Since 82

Yokshire based DJ & Producer.

@KneeDeepInSound

Management: Jamesd@anglomanagement.co.uk
Bookings: SHogan@wmeentertainment.com
North, Central and South America:
andrew@liaisonartists.com
mariesa@liaisonartists.com

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