The piece of music was born out of a bricolage of piano part by Ivano Bersini (digital piano Kurzweil ka-120) and the addition of a sound effects.
I used Audacity.

Mastered with Sunroof at 50pct (SoundCloud).

Sound effect:
* https://pixabay.com/it/sound-effects/angelic-choir-6793/
* https://pixabay.com/it/sound-effects/explosion-drop-6879/
* https://pixabay.com/it/sound-effects/creepy-music-box-6169/
* https://pixabay.com/it/sound-effects/the-clock-strickes-twelve-o39clock-nature-sounds-7806/
* https://pixabay.com/it/sound-effects/type-writing-6834/
* https://pixabay.com/it/sound-effects/old-camera-flash-6800/
* https://pixabay.com/it/sound-effects/dark-loops-034-simple-mix-version-2-efect-80-bpm-7116/

Photo by https://pixabay.com/images/id-2879946/
Cover art by Ivano Bersini

Spotify

In the heart of a world where music genres blend and transform, I stand as an artist who treasures the essence of post-rock. My journey through the realms of electronic and rock music has been an initiation of the world of the music industry. Yet, as I release my new track, it's a homecoming to the profound and personal style of post-rock that truly defines me. This piece isn't just another song; it's a testament to my evolution as an artist. It reflects a return to my roots, embodying the intricate layers and emotional depth of post-rock music. It's an invitation to lose oneself in the expansive soundscape I've created, where each note and silence tells a story. As you listen, I hope you find within this music a reflection of your own journeys, emotions, and dreams. Join me in this adventure, and let's explore the depths and heights of what music can be when it's crafted with passion and sincerity.

Resilience

The Driver says:
Keep your eyes on the road that you ride on, stay on, and don't be a fool to dream your time away.

Guitar solo by the great Rob Kleiss

Pot Barley

The Driver

Suburban Bicycle Gang - Change

2024

Tyson

This is a release that I am very happy with! It was the result a real fruitful collaboration with the great Ian Collins (UK), who did the production, percussion and additional vocals and instruments and Duncan Butler (brass section). This is the story about a girl who stopped living her dreams because they are too big. The song has a soft beginning, then more and more instruments and vocals are added. The brass band part, which adds a bit of irony to this sad story, sets the final.

Hole In The Sky

Hole in the Sky - Pot Barley, Ian Collins, Duncan Butler

Guitar, Bass and Keys by Robert Grigg
https://youtu.be/qSZCQp7VYgQ?si=bz27OvoSxkMsZd3I

Snail Trail

Just Us

All parts by Robert Grigg except Drums by FrogBot Beats
https://www.youtube.com/@FrogBotBeats

JazzMucho

"FourThirtySeven" from Siegfried Jünger's album "A World That Turns Away" is cinematic background music. With a blend of piano and synth, it creates a mesmerizing atmosphere. The track's ethereal textures and rhythmic patterns guide listeners through mysterious landscapes, evoking introspection and exploration. Perfect for cinematic storytelling, it captures the beauty of introspective moments with its emotive depth.

FourThirtySeven - Siegfried Jünger - Cinematic Background Music

I was born in Brescia on the third of October, 1974.

I write and publish poems and piano music. I made all the published tracks myself.
(For poetry:
I have previously published: The Sunlight – Poetry in the Heart of the night/Playing in the Garden – Virginia and Me/A new Journey/Within ourselves, beyond the stars/Soul and Pleasure – Eros Poetry/Memories/Eyes Heart Soul/Metamorfosi Metamorfosis Metamorfoses Metamorphosis Метаморфоз/Fiabe incendiarie Cuentos incendiarios Зажигательные сказки Incendiary Tales/Lilith/Images/Light/Impressions/Carillon (Fable poems Favole poesie)/Visioni/Bagliori dorati/Resplandores dorados/Bellezza Belleza/Caterina/Anima/Soul/Poesie d'amore/Emozioni/Rose fiorite/Sensazioni/Viaggio onirico /Cerotti per l’anima/Poesie di ferro bruciato/The future does gymnastics.

“Between winter and paradise” was written by Fátima Rocío Peralta García. I also contributed to the creation of an Akkuaria anthology.

In particular, I was awarded third prize ex aequo at the first annual “Tribute to Emilio Greco” Literary Award on 18 December, 2010, in Catania and at the International Competition of Poetry, Prose, Figurative Arts La Finestra Eterea, I received 2nd place for both single poem of the 2015 edition and the 2017 Lilith edition, and 4th place in the 2019 edition for Carillon.

On 24 November 2018 in Forte dei Marmi, I received a diploma of honour with mention of commendation for Lilith and the single poem “Canzone” at the International “Buonarroti” Awards – 4th Edition; in the next edition, on November 30, 2019, I received the Poetry Prize for kids for Carillon.

For Carillon, again, on November 24, 2019, I received the Premio Leandro Polverini 1st place in the dream poetry category with the following reasons:

the entire collection is traversed by a happy tension towards the good, terrestrially consisting in the friction exerted by the living descending towards that ineluctable and always imminent future, which obeys entropic law. In the texts, phonic influences run and intertwine, the beyond-sky and beyond-time that offer us much more than an extraordinary expressive ability of the Brescian author and his evident predisposition in capturing dreamlike, subtle, and mysterious sensations.

(The president of the jury Luciano Catella).

In 2014, I conceived and organized the first annual International Literary Contest POESIE NEL PAGO DELLA MITRIA as a perfect way to rediscover the beauty inherent in every human heart by visiting a sacred place.

Poetry represents one of the ways of going deep into the very essence of ourselves while dwelling on everyday experience, and thanks as well to receiving daily feedback from other people.

Now

Ivano Bersini

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