This is the result of my first contact with an Access Virus Ti2. I recorded live two layers with the keyboard keeping a minimalistic approach in mind.

Eno's Little Nightmare • Ernesto Schmied

Dubstep version of Harald Genzmer's "In the evening" (fragment) for bass recorder and electronic. My own elaboration upon the initial bars of the original for solo recorder mixed with electronic rhythms and effects.
Photograph by myself :=)

In the evening • H.Genzmer/E.Schmied

San Franciso's Applicant kindly crafted this remix/rework of my track "Umoth", bringing to the fore elements hidden and buried underneath. Here's the original track: https://soundcloud.com/encym/gy02umoth24

Thanks for reworking my tune in such a profound and sensitive manner, turning it upside down for a completely different angle!

Be sure to check out Applicant's work here: https://soundcloud.com/applicant

Umoth [Applicant Remix]

Spring

Spring (synth performance)

something different

Marco Lucchi : harmonium
*
playing with https://soundcloud.com/r369improv/rt040825bc

Sakura 桜 w/r369improv

Skimmer w  Guido Lusetti

Golden Eternity (Marco Lucchi)Clean rework Henrik Meierkord

This is the first track I made using my newly built Big Dumb Sequencer by @isaac-beers. The first three rows of the sequencer control the pitch of the kick/bass and three NLC FM OP sine oscillators (triads/lead). The fourth row triggers the hi-hat, the fifth the snare, and the sixth modulates the NLC MORE cowbell's delay rate (XAOC Sarajewo). The gate row triggers the cowbell and the reset after 10 steps. I controlled the Weston B2 kick and sidechain envelope with another trigger sequencer and my master clock (PNW).

Like Water

Trickle

For years I have been exploring ways of composing for Buchla Music Easel and the Japanese Shakuhachi bamboo flute.  None have satisfied me until this morning.  This is a sketch and hopefully a catalyst for more composition.

042019 at Noisebug (Live Set)

Yumi Iwaki