backwards

Ooch no joke

Buy the Cruel Kids EP now at https://halcyondrive.bandcamp.com

Produced, Recorded and Mixed by Steven Schram 
Mastered by Brian Lucey @ Magic Garden Mastering LA

Photography and artwork by www.robertoechsle.com

LYRICS:

Wait,
Waiting for the rose to colour clearly,
Wait to find,
Black the bottle brown,
The liquid’s leaving mind,

But it’s alright,
Now I feel so alive,
Yea it’s ok, 
Now I feel so afraid tonight,

Wait,
Waiting for the tone hear it clearly,
Grey your eye’s whites,
The sun, the sheets,
Are slowly leaving mine,

But it’s alright,
Now I feel so alive,
Yea it’s ok,
Now I feel so afraid but I,

I won’t forget the feeling
I won’t forget the night,
That I followed defeat, 
In to your eyes,
Black boats,
The battle’s been now,
And we race the tide,
To forget the feeling,
For a little while,

Wait,
Waiting for the rose to colour clearly,
Wait to find,
The whites, the sun, the sheets,
Are slowly leaving,
It’s leaving.

Whitewash

goji berry your face in my ass

Jeff Libersher guitar, trumpet, vocals, keyboards
Dante Kester bass, keyboards
Thymme Jones drums, vocals, piano, trumpet, keyboards, acoustic and electric guitars, moog, noise
Carmen Armillas vocals
Mike Hagedorn trombone
Teria Gartelos vocals
Sacha Mullin vocals
Cory Bengtsen baritone sax
Beth Yates flute
Julie Pomerleau violin
Joan Morrone french horn
Ross Feller tenor sax
Rob Pleshar tuba
Todd Fackler tuba

"After three decades, many long-running acts have long run out of ideas. Cheer-Accident...sounds like a band that’s barely dug into its...ingenuity and daring." – Something Else!

Bands, like the human beings that comprise them, are mortal. Against all the odds, in the face of an unstable record industry that never embraced their restless experimentation, Chicago avant-rock pioneers CHEER-ACCIDENT have survived to release their 18th album, Putting Off Death. More than 30 years after first joining forces, fellow eclecticists Thymme Jones and Jeff Libersher have faced down the inevitable and returned with a new set of songs that’s as unpredictable, exploratory and viscerally compelling as anything they’ve released over the course of their erratically evolving career. The music is action packed and filled to the brim with living, breathing humanity. The band’s continuing hunger bleeds through in the music’s immediacy. As Jones says, "There's still something to prove."

The band’s third release for Cuneiform follows in the elusive, meandering trajectory of their earlier work, which is always instantly identifiable if never quite definable. They’ve managed to conjure a unique collage of intricate prog, lush pop and experimental noise, drawing on hugely disparate influences without ever settling on a sound that could be definitively traced to any of them in isolation. Meaning that they always did and continue to, sound like no one but themselves.

Following their previous release, No Ifs, Ands or Dogs, after a gap of six years, Putting Off Death is on the one hand simply an assertion that "We’re still here" from a band that never expected to be. CHEER-ACCIDENT continues to make vital, adventurous music after three decades despite - or maybe because of? - a revolving cast of collaborators (more than a dozen musicians are featured), and a notoriety in uneasy balance with an accompanying obscurity.
In the unusually long span since the band’s last release, the music industry has undergone seismic changes, which led CHEER-ACCIDENT to question whether traditional albums were still the ideal platform for their music. In the meantime, they continued to write music until the seven songs that make up Putting Off Death revealed their thematic and musical coherence and virtually demanded to become an album.

Listening to the singular blend of invention and accessibility, challenge and chemistry throughout the new album, another meaning for Putting Off Death emerges. Complacency can be its own kind of death, one that CHEER-ACCIDENT defiantly laughs in the face of. Jones and Libersher have adhered to the forward-thinking definition of the term "progressive" while subverting and diverting from the genre with cleverness and abandon.

"Back when [progressive rock] first excited me," Jones says, "there were a lot of questions being asked, and I like music that asks questions rather than just feeding people predigested styles like it was created in a lab. Even if something is musically complex, I need there to be a lot of humanity in it."

As Jones suggested, these are songs that ask questions, ones that can only be answered in the mindspace of the receiver. Putting Off Death, he says, is "not a complete thought. It's a question awaiting an answer. It requires an audience with which to interface. Others' ears and minds are required to complete the story."

Putting Off Death

CHEER-ACCIDENT, "Immanence" from 'Putting Off Death' (Cuneiform Records)

we salute the government.
yeah, we salute the burger van
yeah, we salute the government

yeah, I got mine so I, I aflairged.
we salute the government
we salute the burger van
we salute the burger van



just  derealization blues reversed. preeety weird.

We salute the cover band, the government & burger van

I'm here for your lancelot, not now, impoverish and that
I'm so sick of it all
I'm even here for you
but even you are not so not nice enough
no matter how much you smoke
windmills see you
sitting in the grass 
ease and then marry, begin with me
I like it when you need me on a whim
people you mess around, jusy like Mackelroy
this why I answered 'why oh why would I get used to that?'
but even I might see you
yes even I might see you
I'm feeling so sick, well... I, I, I'm fucked
remembers 
seeing marcel and macknell man up and hog the reefer
you could at least fluff me up, knock me out and pass the reef
maybe its when I brushed on him you stopped rubbing us
maybe its when I brushed on him you stopped robbing us
even I might see you 
you make me so sick
ahhhhhargh! i'm tired
even I might see you lose me
Henreeeey the third oh kiss my black eye so I can see the mirage
if you put me back, not only will I stop the music

lancelot - backwards + interpreted lyrics

worrier princess [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[

prison planet

A note from Jonny Oso: 

“Hello, world. I’ve spent the last few years trying to capture some pretty complicated and somewhat abstract subject matter in sonic form. The culmination of such exercises eventually lead to a body of work near and dear to my heart that I call Digital Mystical. Exploring themes of technology induced loneliness, psychic phenomena, internet spy paranoia, and parallel worlds- Digital Mystical is the rhythmic expression of a self proclaimed spiritual futurist, living in the poisonous dust of the last vestiges of civilization.”

Digital Mystical [Void_057]

Free Download

Jonny Oso - 2Stressed 2B Blessed [VOID_057]

interpretation of backwards vocals/lyrics

feels like I could ride this surf forever
feels like I could ride this surf forever
feels like i could ride this surf even though I'll end up in a nursery home
feels like I could ride this surf forever 
feels like I could ride this surf forever 
feels like i could ride this surf even though I'll end up in a nursery home 
oh we, we like your bones that are new
oh we, come here babe fore your bones of blue (your forearms are blue)
are nothing, never gonna see it no, nor will I ever be forgot

feels like I could ride this surf forever
feels like I could ride this surf forever
feels like i could ride this surf even though I'll end up in a nursery home
feels like I could ride this surf forever 
feels like I could ride this surf forever 
feels like i could ride this surf even though I'll end up in a nursery home
oh you, if it ain't your palms that are blue 
only your true eyes ring blue in new orleans
wait to see it, the future, somewhere I'll never be forgott-

future heroines in paradise

hater ass biiih

pues aki les dejo esta pista que hise con 3 horas de dedicacion ojala y les guste...
si no pues porfavor no hagan malos comentarios. GRACIAS!!!

goji berry your face in my ass

IYATEYA