https://itunes.apple.com/gb/album/burning-heart-single/id940620591
Latest single from Beats Working re-released 2021

Burning Heart

Burning Heart by Beats Working (John Hardman)

After9 Pt.2

City Girls 
Instagram: https://www.instagram.com/citygirls/
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Devante B
Instagram: https://www.instagram.com/devadidit/
SoundCloud: https://soundcloud.com/devadidit

Background Art by Waterfall Acrylics: https://instagram.com/waterfallacrylics?igshid=1lj9h4iuhz288

The Tipsy Turtle
Twitter: https://twitter.com/tipsytrrtle
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#CityGirls #ActUp #Remix #Chillhop #YungMiami #actupchallenge #FreeJT #QualityControl #GirlCode #QC

city girls - act up (devante b remix)

Unda Cova Luva

You can heard to the old version of "Floraison" here: https://soundcloud.com/user-407534243/floraison-feat-amanda-sanderson

Lyrics, music, vocal and illustration: Lukowig https://soundcloud.com/user-407534243/tracks https://www.facebook.com/Lukowig/ https://twitter.com/Lukowig
Guitar and bass: Agapite https://soundcloud.com/agapite/tracks
Vocal and translation of lyrics: Amanda Sanderson https://soundcloud.com/phoebeelena/tracks
Vocal recordings for Amanda's vocals : Kevin Pope https://soundcloud.com/wiggy13/tracks
Thank you very much to Agapite and to Amanda Sanderson for their magnificent performance!
 
Paroles, musique, chant et illustration : Lukowig https://soundcloud.com/user-407534243/tracks https://www.facebook.com/Lukowig/ https://twitter.com/Lukowig
Guitare et basse: Agapite https://soundcloud.com/agapite/tracks
Chant et traduction des paroles : Amanda Sanderson https://soundcloud.com/phoebeelena/tracks
Prise de son pour la voix d'Amanda : Kevin Pope https://soundcloud.com/wiggy13/tracks
Merci infiniment à Agapite et à Amanda Sanderson pour leur magnifique performance !
 
Floraison
 
Morne saison
nulle floraison
aucun chant
aucun son
 
Dans la serre tout en fleurs
(je) cueille des fleurs (je) cueille des fleurs
fraîches
fraîches
Dans la serre tout en fleurs
sur ce lit de mousse mon cœur
recompose-toi (recompose-moi)
 
Je te serre
Tu me serres
Je te cueille
Tu me cueilles
Je t'effleure
Tu m'effleures
Rêche
 
Ce sursaut épouse tes peurs
surexpose-toi
Ce sursaut épouse mes peurs
surexpose-moi
 
Dans la serre tout en fleurs
dans mon (ton) cercueil tant de fleurs
sèches
sèches
Dans la serre tout en fleurs
sur ce lit s'émousse mon (ton) corps
décompose-moi (décompose-toi)
 
Morte raison
nulle oraison
juste un chant
juste un son
 
--------------
 
Flowering
 
Dismal season
no flowering
no singing
no sound
 
In the greenhouse
all blossoming
I/you gather fresh, fresh flowers
In the greenhouse
I/you gather fresh, fresh flowers
on this bed of moss my sweetheart
recompose yourself/myself
 
I hold you, you hold me
I pick you/you pick me
I touch you/ you touch me
harsh
 
This start mirrors your fears
overexposes you
This start mirrors my fears
overexposes me
 
In the greenhouse picking fresh, fresh flowers
this foam bed my sweetheart
recompose yourself/myself
In the greenhouse all in bloom
In my/your coffin so many dry, dry flowers
In the greenhouse
all is blossoming
on this bed my body wilts
 
Dead reason
hopeless prayer
just a song
just a sound

Floraison

Floraison (New version!) [ feat. Agapite and Amanda Sanderson ]

There is a place in the harbour where I used to sit and watch the ocean. One day when I was wishing I was someplace else I thought about the harbour and the song just came that way. The vocal is a bit shakey but that's just me when I have to sing without holding a guitar!

Someday

I don't own these beats, but I do own the lyrics :)

"Bounce2" Freestyle by IzzyBRUH 12.3.2020.mp3

Out Now on Spotify & All major Platforms!

It has taken a couple years for me to realize that when you lose someone you love, you never really stop thinking about them. But, the way you think about them changes. That absence doesn't always get filled with sad memories and disbelief. Instead you begin to remember all of the beautiful and good memories you had. The moments you shared together, not the time you spent apart.

It takes time to heal and to properly mourn. And I couldn't have done a lot of that without my family and most of all my wonderful girlfriend Christina. She has been supportive and understanding since we first met and she has even been kind enough to help me write and perform this song. I don't know where I would be without her. This song took a little over a year and half to take shape, and I hope that this track reflects that process and the healing it provided.

Credits:
Music/Songwriting: Ben Hwang and Christina Bang
Singing/Main Vocal Samples: Christina Bang
Mixing: Ben Hwang
Mastering: Erwin Maas (https://www.emastering.eu/)

lost in thoughts of you

An instrumental I created a few years ago,  completely revamped and re-recorded with better gear/tech that I didn't have back then.

What Lies Ahead?

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - IV. Sunrise

Sun Trio - Mvt. IV. Sunrise

MoonChild (Ft. Amelia)

she/her,  taurus ♉,  Boricua 🇵🇷, your next fav rapper 😁 Let me know what you think!!

Don't forget to LIKE, COMMENT, and REPOST on your fav tracks <3

insta: @izzybruh_
