(¯`•._.•[~ॐ۩۞۩ Dj D'j'C ۩۞۩ॐ~]•._.•´¯)
~~(◣_◢)~~ॐ ☻~~► Pکy~~
♪♫ Ƹ̵̡Ӝ̵̨̄Ʒ ♫♪

PlayList

TRD - Spiritualization

optiloop - erinyes

Beat Herren - Delusions (with Normalize)

Day Din - Lol

optiloop - only hope

kazuki - go insane 

Champa Vs. Tree Circuit - The Self

Vial Vs. Lucid Mantra - Morning Machines

optiloop - flying elements

suria - my dear

vimana and farbo - nautilus

Champa - The Magic Mushroom (Mentalogic Remix)

Savage Circuit - Feedback Memory

tesla principle - soul river

TRD - Resurrect

-----------------------------------

Hello, good evening and good night
I created a SoundCloud group
And you're all welcome
Progress Psytrance Goa House Electro Techno D'n'B
Dj Producer electronic music all genres
https://soundcloud.com/groups/progr-psytrance-goa-house-electro-techno-dnb

I'm a little dj, mix that in his living room.
not pro, amateur underground
In fact, I'm locksmith !
But I like: good sound !

Je suis un petit dj, qui mix dans son salon.
pas pro, amateur underground
En fait, je suis serrurier !
Mais j'aime : le bon son !

D'j'C SoundCloud
https://soundcloud.com/j-c-djc

 DjC Mix  mixcloud
http://www.mixcloud.com/DjC_Mix/

Ma chaine youtube
http://www.youtube.com/channel/UCusztCOkXyb5dNZEqu1pTXg

j-c D'j'C - Google+
https://plus.google.com/u/0/102044454887483065682/posts
Facebook
https://www.facebook.com/mix.djc/about
https://www.facebook.com/pages/DjC-Sound-6tm/316623581808033?ref=hl

mix-djc.blogspot
http://mix-djc.blogspot.fr/

tumblr D'j'C
http://djcparis.tumblr.com/

♪♫♪♪♫♪d(◕‿-)b♪♫♪♪♫♪


Mix D'j'C - Progr Psytrance - N°376 .Mp3

Istoty ludzkie to jedyny gatunek zwierzat,
ktorych sie szczerze obawiam.

Śmieszą mnie teksty, że jesteśmy jak zwierzęta. 
Nie, tacy nie jesteśmy - jesteśmy dużo gorsi!


Still based in Southwestgermony ,I make IDM ,Ambiet & Produce Singer, Songwriter, Folk, Ballads and any Type of Bands...Lets collab, Folks! ^^ Representing the generation that started out using digital audio workstations with capabilities that even rich people could hardly dream of just some decade ago, there are also certain limitations to the digital sound creation compared to analog music. By today these limitations have become smaller than ever. The latest generation of virtual instruments can indeed become very hard to distingish to analog sound synthesis. Almost all recorded music nowdays is digitally rendered anyways, and just like it is pretty much impossible to notice a difference between a 96kHz and a 44kHz sampling frequency sound file, the differences and limitations are not so much in soundquality anymore, but more in controlling and influencing the sound. The speakers have basically become the instrument. I personally shifted my focus away from the limitations of the latest technical developements that always shaped the sound of the time, which led me to a quite mathematical and digital way of understandig music. I often end up calculating certain timings and frequencies based on a mathematical approach of variations and harmonics to see what that may sound like. That for example led me to discover the incredible coincidence that my bodysize of 1,85m is the only spectrum where 185cm wavelenght translates to 185Hz around room air temperature and i worked with the golden ratio that is acually not yet really part of conventional music though it actually sounds similar to the octave in a way interestingly enough. Musictheory is after all a pretty small, limited and lucid subject as far as our logical, basically only mathematical, understanding of music really goes. I expect future developements in that realm of mathematical musictheory. Most of my music is opimized to be played on high quality systems at high volumes to get the most out of high end gear. I always love to push the euquipment, soundsystem or acoustics available atm to its limits! Many people have been complaning about the clean, sterile and in a way dead sound of the digital matrix thas has taken over music a while ago, but in my humble opinion there is also new creative potential, especially also in including analog, as well as random generated signals that i like to use a lot. When i make a track, most of the time i start with the bass harmonics that usually shape the core and already define the musical concept. I often have very little in mind in the beginning, but as i jam out a certain mood developes and i freely associate concepts that i then try to somehow translate into the signal, as well as just fooling around and exploring the unexpected of course. Usually i'm mostly interested in things that just sound musical, interesting, intelligent, advanced and mighty. I'm trying to find an efficient and minimalistic defining essence while leaving as much wild, uncontrollable, but musical and harmonic chaos as possible blank in pursuit of a rather pleasant mood. I'm always looking for other musicians to form a psychedelic band!!!

̿̿ ̿̿ ̿ ̿'̿'\̵͇̿̿\з=d(◣‿◢)b=ε/̵͇̿̿/'̿'̿ ̿ ̿̿
OPEN FOR BOOKING ( Private message ) 
on soundcloud or
https://www.facebook.com/mix.djc
bouking.dj.djc@gmail.com
, .-~ •*'¨¯¨'*•~-.¸--.¸-~•*'¨¯¨'*•~-.¸
pour la participation au frais de "Mix D'j'C"
Donation Paypal : 
https://paypal.me/djcparis?country.x=FR&locale.x=fr_FR
˙•٠•●ૐ●•٠•˙ ૐ ˙•٠•●ૐ●•٠•˙
                     ٩(●̮̃•)۶

**PLEASE NOTE THAT THIS SITE IS NO LONGER CHECKED BUT WE STILL APPRECIATE YOU DROPPING IN**.  SKÅDA ARE A SINGER SONGWRITING DUO.  ON HERE IS A SELECTION OF CATCHY, ELECTRONIC POP APPEALING TO ALL AGES.

SKÅDA means "to look" in Swedish.  Alex lives in Finland and Carl is based in England.    

Alex and Carl believe music can be holistic and should bring out the best in people.  They have been influenced by the likes of ABBA/ Beatles/Carpenters/Clannad/Dusty Springfield/Enya/Human League/Kylie/Lightning Seeds/Marc Almond/St Etienne.