Interview from Susanne Barta about the "Liftboys" performance @ Transart 13 (german language)

2013 "Liftboys" Interview

Lo-fi harsh noise project of the experimental sounddecomposer KOMPRIPIOTR. The aleatory gains centre stage in this cacophonic tsunami. Inspiration for this ecstatic and intense noise-experience is the bloodwonder of the martyr San Gennaro, patron of Naples. This track is composed in realtime in 13 chapters from the evocation till the elevation.

Gennarinos Ear Bleeding

This 26'40'' track is mirroring the idea of Gregorio Bardini to bring in musical form the armenian genocide. We performed it live at Festival di Musica Sacra 2010 of Trento e Bolzano (Gregorio Bardini: flauto/ottavino/flauto bulgaro, KOMPRIPIOTR: live electronics, Emanuele Zottino: synthesizer. On the physical limited edition CD release on marble packaging (released under LaGrind Noire) there is also a 3'44'' remix made by Zolf & Saturn.

Ode To Lepsus

Track 11 of the audiobook "Der Traumfänger oder Joachim Mustermanns Second live". Words written and read by Brigitte Knapp.

Die stumme Radiosprecherin

Cave

The call of the wild won't be heard, uffff

All frequencies are busy, bloody humans!

Buried in Drones and from which the broken gramophone groans beneath are the chimes of hell played by a voice that tells you what was once ours.

Credits: 
K - Percussion, Synths, Sequencing, Sampling, and Programming

The Blakstar Experience - Hemlock

Ominous drones flow with Sonic Artifacts with Dark atmospheric ambience crawling beneath the heavy drones. Recommended to listen to while walking alone on a dark night.

Credits:
K - Percussion, Synths, Sequencing, Sampling, and Programming

The Blakstar Experience - Dead Letters

Dark atmospheric drones beneath a melancholic piano medley while cymbals swell, drone, and resonate for the death of a dead texan.
 
K - Cymbow, Percussion, Synths, Sequencing, Sampling, and Programming

Feat:
Kyle Steenveld - Piano

The Blakstar Experience - Dead Texan

As the percussion signals the coming storm. Horns blast in the distance while sonic artifacts live in the darkness amongst layers of sound.

Credits: Percussion, Synths, Sequencing, Sampling, and Programming

Permafrost

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