Me he vuelto a reencontrar con esta pieza por casualidad y sigo pensando que es alucinante. Gracias por compartirla!

Great! Man i need to lean into my VHO more.. thought of selling it - but after this piece!

Wolf- Collaborative piece with Sonja Mutić
Performance: Ensemble Cairn, Figures Project, Jan. 21

Wolf

mimeodroplets and besprinclouds

Modular Synths
(principally Verbos Harmonic Oscillators)
Edit: Logic
2014

Dhrupad: para Éliane Radigue

Empty Garage I

One - Live at Instant Music Day, Zaal 100 (Amsterdam)- Duet Claudàtor

https://cassandramiller.wordpress.com/2015/05/10/about-bach/

This string quartet is an expansion of a solo work for viola (of the same name) which was commissioned by philanthropist Daniel Cooper for violist Pemi Paull. It’s a piece about process, about Pemi’s musicality, about Bach of course, and in the end, about the Quatuor Bozzini.

I first took a recording of a short phrase (the first phrase in major) of the famous Chaconne from Bach’s Partita no. 2, performed live by Pemi. I then meticulously transcribed the recording with the help of some software — this is a process I’ve developed over some years to apprehend the exact rhythmic musicality of a performance, capturing as well various artifacts such as the viola’s upper partials as they change within each bow-stroke.

The opening of the piece is simply this transcribed phrase of Bach, with a harmony of my own making, which turns the phrase into a gently jaunty chorale. From there the phrase goes through a somewhat inaudible process that is simply let to run, until it runs itself out. It’s a constant meandering, a non-developmental piece in an extreme sense. My interest (and freedom) in exploring such a simple form comes directly from working with the Quatuor Bozzini, and this string quartet version is a souvenir of gratitude for years of great inspiration.

About Bach

About Bach, Quatuor Bozzini, premiere, excerpt: last 6 minutes (2015)

Having fun with Henk Zwerver (guitar)in amsterdam. Sarah Claman on Violin and Pau Sola on cello.

Duet Claudàtor + Henk Zwerver

First diffused through Hydra, Harvard University 15th Dec. 2018.
VLF radio, number stations, analog synth, raw electricity.
Mix- please listen on headphones or monitors :-)

Starfish Prime (Headphones/Loudspeaker Listening)

Diskoan - Sueño Ingrávido 
Quédate en CALMA vol. 2

@Diskoan, member of a_mal_gam_a, has prepared its audiovisual session under the concept of weightless dream. In his set he goes through a polyhedral journey into passages ranging from chamber music to the most accurate experimentation. 

You can download the entire file (audio + video HQ) from our new site: calmamadrid.es

These are the instructions to create your own “Cámara de Escucha” (listening chammber):

1 - Downloading of the file from our website
2 - Preparation of the listening chamber. 

A room in the dark is needed, with a good stereo sound system and a TV monitor, computer or projector, where the videos can be projected.

In the ideal listening position, the head should be at the height of the speakers, in a frontal position and centred between the left and right speakers. The use of headphones is also recommended.

We suggest: sitting on the floor, on a sofa, or in a comfortable place; and watching the video on a TV, or computer screen

How to proceed: Choose the best moment, alone or in company, adapt the space, relax and disconnect.

We invite you to share the experience with us, write to: calma.club.madrid@gmail.com

////

Diskoan - Sueño Ingrávido - Quédate en CALMA vol. 2

LIVE
Festival SONIKAS 2020 (MADRID)
20 / 12 / 2020
Foto: Adolfo G. Yagüe - www.ccapitalia.net

JAVIER PIÑANGO - LIVE - SONIKAS 2020

yuki

website: http://www.jlmaire.com/
email:joseluis.maire@gmail.com

Dhrupad: para Éliane Radigue

J.L. Maire

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