Nothing Disappears (From The Universe), Everything Gets Lost

Nothing Disappears, Everything Gets Lost

Astrazeneka - Euphoriot @ Raxxxhaus 18.10.25 - Liveset Extract

Instruments used:
– Chromaplane by Koma Elektronik
– SOMA Laboratory COSMOS
– Meris Ottobit jr.
– Eventide Space Reverb
– EarthQuaker Devices Avalanche Run V2

The Chrome

Label: CMND CTRL Recordings

Artist: Meddu (@user-57691000)
Title: CTRL088
Release Date: Friday, November 7th, 2025
Format: Digital
CAT#: CTRL088

Tracklist:

01.Choque de Voluntades.
02.Destello Salvaje
03.Ciclos de Resonancia.
04.Ciclos de Resonancia.(Alexander Kowalski Remix) (@alexanderkowalski)
05. Bajo el Manto


Buy on Bandcamp

Meddu (Feat. Alexander Kowalski Remix) [CTRL088] Previews

anniversary fester 02

Live in Seattle - Modular on the Spot May 31, 2025

This is a bass focussed set so let your neighbours have some fun!

Cast (in Modular):
    Shapeshifter (Intellijel)
    Polygogo (E-RM)
    DOC (Rides In The Storm)
    Ensemble Oscillator (4ms)
    Plaits (Mutable Instruments)
    A-110 (Doepfer)
    Fondation (Noise Reap) 

Drums: 
    Basilimus Iteritas
    Drumazon 2 (D16)
    Koala for Samples (Alpha Base, 606)  
+  some Fieldrecordings of a rainy day

Initially inspiration was a complex delay feedback patch wich is uses for some transitions now.

https://www.youtube.com/watch?v=mjfcrM28e2Y


Photo by: Orange 'Ear
https://orange-ear.de

Paradox Sessions (Live Modular Bass - 106 > 127 > 86 > 137bpm)

DAwless livetrack mit nem moog labyrinth als sequenzer und für Percussion. unterstütz durch tr8s,DFAM (Clone) Roland se02, Behringer Neutron, mackifx12,zoom ms-70cdr

DAWless Livejam 06.12.25.

santas snack

unkle fester anniversary_03

Subharmonicon driving a modular patch and Exosphere

Sturmic

Desobediente

Assembly

I thought I'd set a challenge for myself while learning the Intellijel Atlantix by making a track with 100% sounds created with the module. From percussion, bass, pads, and chords, to textural effects, everything was created with the Atlantix and recorded into Ableton where I layered sounds and built out an arrangement. 

Added some slight compression and reverb/delay to certain tracks using Valhalla Delay, VintageVerb, and FutureVerb.

I'll take another pass at this track to sub out some sounds — particularly the chords, as I don't like how they sit in the mix, and sequencing and recording each note of the chord individually and layering in Ableton was a faff.

Overall, enjoyed the experiment and learnt a lot about what the Atlantix is capable of! Constraints breed creativity.

Modular Sessions — Atlantix Dub

kalamity K

Circuit Thrace (master 1)

Clowntempo Live Vol. 74

The  Mind, The Body, The Soul é um set que leva o ouvinte a uma viagem ao mundo onírico, repleto de batidas que ressoam na alma e trazem a  tona a a sincronia entre corpo, mente e alma ao momento presente!

THE MIND, THE BODY, THE SOUL

JMT DNVO through the Walrus JANUS [distortion+tremelo] and the JOMOX T Resonator II [multi-fx- I was using the reverb setting]. The 4MS modular with the Korg SQ-1 is creating the plodding rhythm, it reminded me of John Carpenters THING soundtrack and inspired the whole session. Thank you for listening.

Live video: https://youtu.be/rg_UeNbk_RQ?si=YGXJu4pFVhYcYnYc

Drone/Noise set [DNVO-1 + 4MS Modular]

Rob Gourley explores two distinct but complementary territories. Night Cinema excavates cinematic atmospheres, chopping French film dialogue, soul samples, and noir orchestration into trip-hop that sounds like surveillance footage left running in empty European hotels. His debut EP "Ciné Mort" is five pieces of beautiful decay: melancholic, shadowy, haunted by forgotten reels.

Slow Carrier moves into more patient terrain, where modular synth patches unfold without urgency. Here, Gourley designs slowly evolving soundscapes—textural, ambient, meditative. Where Night Cinema samples the past, Slow Carrier generates the present moment.
Both projects share an exploratory ethos: prioritizing atmosphere, embracing analog imperfection, and letting sounds breathe. One digs through archives, the other builds from voltage. Together, they map the space between memory and transmission.

Gathering what strays by day, folding it into unspoken order by night. A keeper of pieces no eye can count. I dream for you.

All music is created entirely by human hands and mind — no AI is used in any aspect of the process. 

Follow me on Instagram! Putting together a community, and there is much to discover.

I drop my latest releases there, post cool music-related stuff, and share my favorite tracks curated as Amok Sun.

Dear stars, thank for being part of the journey! If you want to support me, please spread the word. 
Sending all my love to you! 🫶🌞

___
Bio

Amok Sun is the moniker of Silviu Iosif, a UK-based independent music artist and visual designer. His sound fuses emotional depth with precision engineering—where IDM, techno, and drum & bass collide with design-level detail. With roots in alternative and psychedelic rock, Amok Sun now explores the cutting edge of modern electronic music.

A former UX designer and researcher, Silviu approaches music like a system—structured, conceptual, and self-contained. He handles every aspect himself, from composition to visuals, crafting a unified artistic identity.

Recent highlights include Held by Silence, Pathfinder (with Spacey Panda), and the full-length 233°C. He’s released with TITAN Music (Melbourne) and Berlin’s Beta-Time Records—continuing to push underground electronic music into new terrain.

Playlists: @wubatom
Pitch your tracks: @guayisla

🔊 queerfeminist tekno collective from Berlin 🏳️‍🌈
NEXT: 💥💜 coming soon - be prepared :P 🖤💥

CREW:
@fuchsitek
@jule_bambule
@Kabayito
@ketraeda
@maarteng-rengdengdeng
@PowPow_23
Tinka

US-based Brandon Riley, aka B. Riley, has been rising force in the global Techno scene with releases on CLR, MOOD, DkN Selections, Alleanza, Stripped Digital, Noise Records, Analytic Trail, Rawsery, Diffuse Reality, Crash!, and Brandon's well-respected label CMND CTRL.  His unique blend of hard-hitting hypnotic sounds has earned the respect of many of his peers in the industry.   For more information on Brandon's latest projects please visit the linktree below.

R010R [pronounced: roh-ter] : hybrid genre electronic music
New LP 2023 "Total Disinformation Awareness"
https://electroaggressionrecords.bandcamp.com/album/total-disinformation-awareness
2016 LP "Unyielding"
http://basicunitproductions.bandcamp.com/album/unyielding


Mexican Producer based in Germany.
Drummy & light Melodic basslines with a touch of Latin rhythmic variations. 
Having fun by producing is my constant rule and make people laugh my goal.


Music Producer from Italy
Member of PCM, Broken and Frontera (with Baffo Banfi)

Melbourne-based designer who's be stepping into the world of modular synthesis.

Lucas is the name behind Nixon, a Brazilian artist based in São Paulo, active as a DJ and producer in the Underground scene.

Weird tones on the way to their mission

**************************************
27.01.2026
Lauschangriff

26.12.2025
Alien Beach X-Mess

04.12.2025
Neue Zukunft

20.09.2025
Drugstore (Rockhaus)

08.06.2025
BMS54 (Crack Bellmer)

31.05.2025
Flux Noise Rave (TuD Berlin)

02.05.2025
HB55 (Sellerie Weekend)

08.03.2025
BMS48 Neulant

30.04.2024 21:00
Crack Belmer

12.08.2023 19:45
Funkwerke Open Air ⚡️ Techno Tanz Konzert

04.06.2023 21:10
Funkwerke Vol.3

10.09.2022
Neukölln

14.08.2022 00:00
Neulewin

21.06.2022
Schlesisches Tor

My musical journey began in a castle, somewhere between bohemian dreams and raw concrete.
As an unnamed duo of art students, we spent our nights in the adjoining 40-square-meter bunker from World War II - no mobile phones, no internet, just cold stone, tangled power cables, and torn-up grunge riffs.
After that band ended in 1995, a whole new world of electronic sounds opened up for me and endless loops spun through sleepless nights.

Then came Berlin, and with it, new possibilities.
There’s this saying: "If you remember the ’90s, you weren’t really there."

At some point, I drifted into other things and put music aside for a while.
Until that memorable week in the park, just before COVID: I met a philosophy professor from New York, touring Europe, who tried to numb his post-op pain with red wine and oxycodone. He kept talking about his dream of recording a song. So I took him in, got some mics and an interface, and after a week, we had produced his love song—radio-ready and brimming with lovely magic.

That spark led me back to my own path: In search of new and inspiring sounds, I discovered the Elements by Mutable Instruments and dove headfirst into the world of modular synthesis. Ever since, I’ve been stuck deep in the rabbit hole - when it comes to choosing between new shoes and a new VCA, music usually wins.

Then, in 2022: a roadside, a spontaneous party, everything I owned that could run on 9 volts in my bag. My first live performance - improvised, raw, honest. What’s grown and evolved from there, I call:
"Weird tones on the way to their mission"

Have Fun with my music, so I will have 😉

New tracks tagged #Modular