Lyrics:

I found a map in the stars tonight
But it led me nowhere
Just dim light
Every road was you
Every turn was blind

Do I follow the pull
Do I stand still
You’re the only gravity I feel

Lost in your eyes
No need to be found
World fades away
No up no down
Lost in your eyes
It’s where I’ll stay
No path
No plan
Just drift away

Your gaze
A maze
No end in sight
A riddle wrapped in velvet twilight
No escape
But I don’t even fight

Lost in your eyes
No need to be found
World fades away
No up no down
Lost in your eyes
It’s where I’ll stay
No path
No plan
Just drift away

Every blink’s a door I’ll never open
Every tear’s a word you’ve left unspoken
I’d stay forever in this ocean

Lost in Your Eyes

Bring Back the Smoke

One man, one sax, one rainy street. Smoky, narrative, male lead with gospel chorus. A story told in breath and brass.

The Man with the Saxophone

Wide variety of tunes and moods on this album, either songs mostly easy listening dream pop.

In the Still of the Night

DIARIES PART ONE – THE HOTTEST SUMMER (ORIGINAL SOUNDTRACK)
Musik & Konzept: Colin Warner-Rochlitzer
Der Soundtrack zu meinem ersten Roman Diaries Part One – The Hottest Summer (BoD 2025).
Eine Klangreise durch den Sommer 2003 – zwischen Liebe, Wärme, Dämmerung und Erinnerung.
Jeder Track steht für einen Moment aus dem Buch:
☀️ „Main Theme – The Hottest Summer“ – die Hitze eines Nachmittags, der alles verändert.
🎞️ „Jack (Boy Made of Heat)” – innere Ruhe, Licht und Unsicherheit.
💛 „Danielle Thompson“ – laut, bunt, ehrlich.
🌙 „Rain on Düsseldorf“ – Nächte voller Regen, Zigarettenrauch und Gedanken.
🕯️ „First Light on Skin“ – ein neues Kapitel, wenn alles leiser wird.
Dieses Album ist eine Hommage an eine Zeit, die gleichzeitig vergangen und ewig ist –
und an all die Figuren, die in The Hottest Summer leben.
📚 Buch erhältlich ab 08. November 2025
ISBN (Paperback): 978-3-7597-9052-3
ISBN (E-Book): 978-3-7597-9053-0
© 2025 Colin Warner-Rochlitzer
All tracks written, performed and produced by the author.

Entenfang - Where the Water Knows

A reflection, a quiet ode.

Not about endings,
but about what remains 
when words are gone.

A song for the moment 
between sound and stillness. 
When the truth is quiet 
waiting to be found🍂

Breathing In Silence (Ode to Cohen)

Complicity is a glitch-folk concept album about the tension within the roles people are forced to play by war.
Each track speaks through the imagined voice of a different person living through the same day — a worker, a teacher, a reporter, a clerk, a captain.
It’s an album about the everyday sounds of duty, denial, hope, and harm — and the thin line between being part of something bigger and losing touch with yourself.

the mother

A Life Unseen
(c) J. Murdock McInnes Vasey

[intro]
[instrumental]

[verse]
How can we end like this
How can you walk away
Why don't we just pretend
I can dream and you can stay

It could always be Ok

It could be like yesterday
We could live a life unseen
Hide in places we ain't been
We could dance without a step
Glide across a moonlit scene
On a trapeze without a net
Fall forever, no regrets

[chorus]
Let it never end
Lets share a dream for two
You pretend
and I pretend

[instrumental]

[verse]
This end it isn't real
It is not what I imagined
I thought there would be passion
You would shout and I would cry
And once again at least would try
How can we just let go
This is not the end I know

This end it isn't real
It does not feel like the end
Why don't we just pretend
I can dream and you can stay
It could be like yesterday
We could live a life unseen
Dream those things that could have been
In my mind there's always time
In your mind things could be fine
Why don't we just pretend

[chorus]
Let it never end
Lets share a dream for two
You pretend
and I pretend

[instrumental]

Let it never end
Lets share a dream for two
You pretend
and I pretend

I could pretend
I could pretend

[verse]

[outro]



A Life Unseen (a 1 and a 2 at 3:47)

Cold Without You

Buried the Years

here’s to another year of you

I write the lyrics; Mr. Alfonso Suno composes the music.  Working with the lovely Ms. Ai Ongaku, they create the arrangements.  Ms. Ongaku and her crowd are responsible for the performances.  My part in creating these tracks is very small. Nonetheless, I am to blame.  Mea culpa, mea culpa, mea maxima culpa.

A Life Unseen (a 1 and a 2 at 3:47)

I and Ai