Name: Do Like You Wanna Do by Stricknice in Weekly Wave
Duration: 5 min 4 s
Description: Just an old man getting crazy with his looper pedal

cool groove...even though bright but so~~dope...love tripy riffs so much! super work,my friend🔥👍

Really a fantastic atmosphere here, my friend! Magical Grooves. Sublime production. )))

Fabulous mate! Funky and fun, ain't nobody not nodding their head to this! 🌶️🌶️🌶️🌶️🌶️

sometimes I wish the people do more dancing instead of fighting, your music and this in particular has this kind invitation

Hey man, love this innovative rhythm, especially as expressed by your bass. Also, love how this builds with the different instruments trickling in. Such a catchy melodic line, too! Your vocals are perfect for the vibe, too. Hey man, amazing work here!

Weekly Wave

Hope - Music & Lyrics by MJ-Brewer, Music by TexMex Shaman, Music/Vocal Design & Arrangement by REKHA - IYERN [Fe] | YT VID

YT: https://www.youtube.com/watch?v=7qXb0RfnkTI&list=PLAj4QK9fs02a2N3tcglhgXj9zYHkZ1RBQ&index=76

Lead Guitar, Mandolin, Arrangement, Mix & Mastering - TexMex Shaman
Rhythm Guitar, Composition, Arrangement & Lyrics - MJ-Brewer
Music/Vocal Design & Arrangement (All lead & backing harmonies) - REKHA - IYERN [Fe] 
Cover Art Design: AI Generated by MJ-Brewer | Additional Graphics REKHA- IYERN [Fe]
Lyric Video by TexMex Shaman Coming Soon on YT: 

Hope - Music & Lyrics by Mark Jackson

Well I hope someday that you know how it feels to be lost going nowhere
Well I hope someday that you know how it feels to see the people stare
I’ve been stripped of my pride, my heart opened wide
Lord knows what’s inside but Ihope someday to find it
I must confess, I’ve been so stressed, my life is a mess 
You know I don’t even seem to mind it

Well I hope someday somebody comes to save me, but I doubt they ever will
I hope someday somebody comes to save me, just take me away from here
I shouldn’t lie it’s so hard to try to say goodbye you know everybody needs a friend
It’s a crazy thing what the bad times can bring, a birds broken wings, it’ll never fly again

Well I hope someday that people will say that I did I did my very best
I hope someday that people will say I always, I always seem to make them laugh
Through sickness and health, poor times and wealth, each hand that I’m dealt, I always try to stay the same. Through thick and through thin I bounce back again, I lose then I win, and I’m always ready to play the game

Oh yeah, hoping things will be fine someday
Hoping things will be fine someday
Hoping things will be fine someday



Hope-final-master021225

Hope

Hope - Music & Lyrics/MJ-Brewer, Music/TexMex Shaman, Music/Vocal Arrangement/REKHA - IYERN [Fe]

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

https://soundcloud.com/plex-auchta - bass guitar and drums
lil' spaceman - beatbox and vocals

susie's got an uzi

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 2

Just an old man getting crazy with his looper pedal

Do Like You Wanna Do

Lyrics
Sons and daughters braved the rain
Sorry story told again. 
Of the winners and losers that crossed the lines
And the connoisseurs with their fine wines
Tempted by - the shoals of ice
Tempered by the exotic spice
That flavors the wind and lifts the sails
That rides through waves as the North Wind wails
Ain’t no body know
Where the money goes
Ain’t no body know
oppressive power grows

Ain’t no funny games
Drunk on sunny days
Ain’t no funny games
Drunk on sunny days

Looking up for mercy from the stone…
All alone
Walking the plank and keelhauled …
on your own
 
Ain’t misbehaving- better walk in line
Snitches get stitches before their time
Picking those pockets only get so far
Matches light the fire that sets it off. 

He was a cow in calf better have a laugh
They were hoping that he’d become their money bags
Sharing empty shelves cob web caught the fly
Maybe he’ll think twice before taking my advice. 

Shattered lives
Shadowed lies
Better tell the truth
Before you look the fool
No one knows
Where it grows
In an Online kissing booth
A Smile without a tooth. 

Hitting up the walls ….
in the bathroom
Markings on the wall claimed….
They had you

With the  ground underneath
We take that generational trip

Of materialistic wealth and shallow thoughts about 
Their drip. 

And the flow never grows
 as we wonder why we’ve lost
 our grip.

Our love for the red wood forest 
it brings us to the chorus

Ain’t no body know
Where the money goes

If this is what we lose,
 it puts us to the screws

Ain’t no body know
oppressive power grows

Ain’t misbehaving- better walk in line
Snitches get stitches before their time
Picking those pockets only get so far
Matches light the fire that sets it off.

Dreams of the Byzantines

No Funny Games

good morning, honey

Villain within my mind
Stirring the pot
Villain, trouble come
Spoil the fun

Blindside will knock me off
This treacherous game
When I’m gone
Real fun, it’s only begun

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Weight up there, torch I carry
All I’ve lost
Destruction left
Along the path I take

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Slipping through my hand
Million dollars blowing across the beach

We can plan it out to run
Run it out
Only plan that’s sure to make it 
To fruition, distant in the mirror

Slipping through my hand
Million dollars blowing across the beach


Alliances And Plots

Single Use And Recycled: Guitars, Songwriter
Rob Olsson: Bass, Lyrics/Vocals

You only love me when I
Do what you want me to 
Got this weight on my shoulder
Don’t want to be a martyr

Blooms in full flourish
Fold away at night
Out in summer air
Out in summer air

Can we talk about the fact that
You want to be free
You’re capable at any time
Break your bonds and run away

What you’re giving, only some of
What I want to take
Take it all for myself
Life turns on a dime

Blooms in full flourish
Fold away at night
Out in summer air
Out in summer air

Can we talk about the fact that
You want to be free
You’re capable at any time
Break your bonds and run away

You out in summer air
Prowling in my garden
Turn my back, you run away
Don’t know what you’ll encounter

You only love me when I
Do what you want me to 
Got this weight on my shoulder
Don’t want to be a martyr

Blooms in full flourish
Fold away at night
Out in summer air
Out in summer air

Life can turn on a dime
Turn on a dime
Life can turn on a dime

Blooms In Full Flourish w/Single Use And Recycled

House in Motion (Rehearsal)

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Well’s track Glycerine with Llanpsych guitar

GLYCERINE - with WELL

Invisible Agony

248 - Chant

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

No matter where music takes me creatively i feel like it always brings me back to myself. Thanks to anybody stopping thru to check out my music, here to share so free DL on all of my music.

Do Like You Wanna Do

Stricknice

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