Compilation from the first years of the Seminal Records label.

00:00 Alexandre Fenerich- A morte do compositor de terno https://seminalrecords.bandcamp.com/album/m-sica-eletroac-stica-10-anos

06:56 DFA- No canto dos olhos 
https://seminalrecords.bandcamp.com/album/os-que-falam-quando-sozinhos

13:04 Henrique Iwao- centered 
https://seminalrecords.bandcamp.com/album/naoaaacm-redux

15:21 Isabel Nogueira- Dreams 
https://seminalrecords.bandcamp.com/album/voicing

16:49 aka Mortuário- a3 Vanya 
https://seminalrecords.bandcamp.com/album/c32

18:50 Nome Morto- Ilha de Paquetá https://seminalrecords.bandcamp.com/album/expurgo

22:46 Abneg- laoev 
https://seminalrecords.bandcamp.com/album/abjeto

28:30 bella/rohrer- n 
https://seminalrecords.bandcamp.com/album/in-on

35:52 J.-P. Caron/Marcos Campello- sem título https://seminalrecords.bandcamp.com/album/oco-2

45:24 Victim!- Cortina 
https://seminalrecords.bandcamp.com/album/pupila

51:12 Marco Scarassatti- Rios Enclausurados 1 (edit) https://seminalrecords.bandcamp.com/album/rios-enclausurados

54:32 Renata Roman- Linea Y Galo 
https://seminalrecords.bandcamp.com/album/oye

57:32 Hugo Medeiros, Henrique Vaz, Marcelo Campello e Albertu Silva- Σκιάποδες 
https://seminalrecords.bandcamp.com/album/bestiarum

61:01 Paulo Dantas- AkihabaraKodenmacho https://seminalrecords.bandcamp.com/album/cidade-arquip-lago

64:24 Quasicrystal- Transformative 
https://seminalrecords.bandcamp.com/album/q-c

67:58 Vulgar Débil- I  
https://seminalrecords.bandcamp.com/album/a-flauta-de-p

70:10 Stefan Prins, Peter Jacquemyn, Matthias Koole- 07:30 https://seminalrecords.bandcamp.com/album/m-rmore-e-murta

77:18 Thiago Miazzo- A-01 
https://seminalrecords.bandcamp.com/album/volume-1

80:27 Yersiniose- Degredo  
https://seminalrecords.bandcamp.com/album/1911

86:28 Verjault- Epilogue 
https://seminalrecords.bandcamp.com/album/brainflesh

Mixtape Seminal

tplgy.1: our rituals, not as brutal as theirs (live at Audio Rebel)

We’re incredibly honoured to be joined by Ray Brassier, a hugely formative thinker for both of us and one of the most important philosophers of the past 20 years. We talk about his upcoming book Fatelessness: Freedom and Fatality After Marx and, the contemporary condition of The Wretched of the Earth. Ray also gives an absolutely brilliant takedown of Nick Land and the speculative inhuman. Hope you enjoy it.

SD46 w/Ray Brassier - Beyond Extinction Lies Communism

Mosaico

2003
Piano: Marina Spoladore
Dedicada a Késia Decoté

Peça para Piano

Modelos

2002
Ofelex: Bianca Gismonti / Claudia Castelo Branco; Olavo Vianna / Vitor Neves; Marcos Campello / Paulo Dantas; Daniel Ângelo / Rodrigo Cicchelli Velloso 

Perspectiva

2003
Flauta: Pauxy Gentil Nunes; violão: Paulo Pedrassolli

Transformações (versão Um Sopro Novo)

Icon, for orchestra 



score:

- Saturate a given sound space.


comments to the score

1. We understand by sound space any interval delimited by a frequency x and another frequency higher or lower than x. 

The sound space in question must first be selected taking into consideration the extensions of the instruments that comprise the orchestra.

2. The order "saturate" should be understood as an attempt to occupy all frequencies closed between preset limits (high and low).

To facilitate the implementation of this order, the instruments used in the orchestra should be able to play microtones.

2.1. The musicians should listen to the texture that is sounding, seeking to fill empty spaces, that is, spaces which are not already occupied by a sound.

The frequencies proposed by the instruments must be sustained for longer or shorter periods of time, after which one can exchange one’s sound, always obeying the logic stated above.

3. The order proposed in the score is impossible.

The musical space comprised within a frequential interval can always be further divided, resulting in the existence of new empty spaces:
The space cannot be saturated.

From the point of view of the performing musician, the work must be an experience of this impossibility. From the point of view of the listener, it is a long cluster with internal timbral exchanges.


The work should last long enough.


J.-P. Caron
2006/2009


.........................................

2012 version:
Claudio Cabral- guitar
Magno Caliman- guitar
Marcos Campello- guitar
J.-P. Caron- amplified viola and voice
Paulo Dantas- tenor saxofone
Rafael Fortes- tenor saxofone
Henrique Iwao- electronics
Rafael Sarpa- voice
Carlos Eduardo Soares- guitar
Felipe Pacheco Ventura- amplified violin
Felipe Zenicola- bass guitar


Mixed by Felipe Zenicola and J.-P. Caron

Ícone (2012 version)

J.-P. Caron

https://www.youtube.com/watch?v=bBtnBYARkcE

