Name: Hiraeth (Instrumental) by J. van Dijk
Duration: 3 min 44 s
Description: This track is made by Hilde Helder-van Dijk and Jeroen van Dijk-Helder.

Beautiful acoustic guitar sound. Very relaxing 👍

Really great acoustic guitars! Invites you to dream.

Very pleasant, nicely captured, played with thought.

In the heart of a world where music genres blend and transform, I stand as an artist who treasures the essence of post-rock. My journey through the realms of electronic and rock music has been an initiation of the world of the music industry. Yet, as I release my new track, it's a homecoming to the profound and personal style of post-rock that truly defines me. This piece isn't just another song; it's a testament to my evolution as an artist. It reflects a return to my roots, embodying the intricate layers and emotional depth of post-rock music. It's an invitation to lose oneself in the expansive soundscape I've created, where each note and silence tells a story. As you listen, I hope you find within this music a reflection of your own journeys, emotions, and dreams. Join me in this adventure, and let's explore the depths and heights of what music can be when it's crafted with passion and sincerity.

Resilience

Study @ 22

Study #22

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🌟 Indulge in the irresistible allure of "Tango Insuperable" by XyXa, a tantalizing journey through the passionate rhythms and intricate melodies of the tango. From its enigmatic beginnings to its exhilarating climax, this composition promises a riveting experience from start to finish.

As the music unfolds, listeners are drawn into a world of intrigue and mystery, where every note is laden with anticipation. The rhythm pulses with a sense of urgency, beckoning the audience to join the dance of shadows and light.

Amidst the swirling melodies and complex rhythms, "Tango Insuperable" paints a vivid and dynamic picture, weaving together layers of emotion and intensity. The music is a tapestry of contrasts, with moments of quiet contemplation juxtaposed against bursts of fiery passion.

Yet, as the composition reaches its zenith, all doubts and hesitations are cast aside in a breathtaking culmination of sound and emotion. The tango reaches its full glory, sweeping listeners off their feet in a whirlwind of exhilaration and ecstasy.

Join us on this exhilarating voyage and let "Tango Insuperable" by XyXa captivate your senses and ignite your spirit with its irresistible charm and undeniable allure. 💃🎶

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Free Download

Tango Insuperable

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

strawberry vanilla  and a family package of hankies...
the ultimate tools in cases of masochistic self-destruction...
melancholy as the ultimate goal 
and me and myself 
under a  dome of tinted glass 
lookin outside 
and watching 
a world of fish...

It`s Been a While...

Infinity

This track is made by Hilde Helder-van Dijk and Jeroen van Dijk-Helder.

Hiraeth (Instrumental)

I met a lady in the meads,
       Full beautiful—a faery’s child,
Her hair was long, her foot was light,
       And her eyes were wild.

She took me to her Elfin grot,
       And there she wept and sighed full sore,
And there I shut her wild wild eyes
       With kisses four.

And there she lullèd me asleep,
       And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
       On the cold hill side.

John Keats

Hiraeth (Instrumental)

J. van Dijk

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