Here is the full recording of a sunday evening at trouw. Imagine a couple of hundred people in a dark basement, a journey reaching all the corners of the room, from bottom to the top.... catch the vibe.

***

Recorded with the gentle support of RBMA Radio.

http://www.rbmaradio.com/shows/hunee-live-at-trouw

Hunee - Live at Trouw (ADE Closing Night - October 2013)

JADE LI - LIVE @NAM - PT 1

Hi Everybody, 

Here is as a free download for you, the Paris Acid City Club edit of Bohannon’s let’s start the dance, a mash up of different versions and remixes, for maximum club effect. 

Enjoy !

Free Download

[FREE DL] Bohannon — Let's Start The Dance (Klubbergang Club Edit)

With the heartbreaking news of Danielle Moore’s death, it only seemed appropriate to dedicate Paper Air Waves to her. It is a two hour celebration of love, joy and music that shines a light on an incredible talent and amazing human being. Keep on dancing xx

1. The Bionics - Love Chains
2. Crazy P - Scrap The Book
3. Danielle Moore - I Feel For You
4. Flash Atkins - Make Your Move feat. Danielle Moore
5. Crazy P - Something More
6. The Revenge - Just Be Good To Me feat. Danielle Moore
7. Crazy P - Stop Space Return
8. Crazy P - SOS
9. Crazy P - Hear My Song
10. Crazy Penis - Give It Up
11. The Bionics - Song and Dance
12. Crazy Penis - Do It Good (Crazy P’s ‘We Found The Parts’ Mix)
13. Hot Toddy - Freekend (Ron Basejam Mix)
14. Crazy P - Wishing For
15. Crazy P - You Started Something
16. Crazy P - The Come On
17. Crazy P - Witch Doctor
18. The Bionics - Time To Get It Right (The Bionics Remix)
19. Crazy P - If Life Could Be This Way
20. Crazy Penis - Keep On (Daniel Wang & Brennan Green Mix)
21. Crazy P - You Got The Love
22. Prince - Sign ‘O The Times

Paper Air Waves - Sept. 24 - Danielle Moore Tribute

SWS002 - Sweet Tooth T 'She Can't Love You / Feel The Same', the second release on the new Super Weird Substance label - release date July 6th 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-002
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Greg Wilson club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MvNt2fcqMhM

When disco was declared dead in 1979, dance music was forced back underground, leading to one of its most creative periods. Moving into the eighties, post-disco producers were allowed to explore the new technologies emerging at the time with little corrupting influence from the mainstream and New York became a hub for the new electro-funk and boogie sounds.

Having built his reputation playing the latest US dance imports at Wigan Pier and Manchester’s Legend and Haçienda in the early eighties, DJ Greg Wilson is indebted to that sound and has paid homage to many of the cult hits of the era through his reworks and edits.

Greg had originally intended to edit Chemise’s 1982 underground cut 'She Can’t Love You', cherry picking the best parts from the original and dub mix. However this proved unsatisfactory, so instead he decided to take on a full cover, approaching Tyrrell; the guy who did such a brilliant job of recreating Massive Attack and the Rolling Stones - mashed up with Amerie - on his 2005 P.T.A release, which Greg then reconstructed into 'Two Sides of Sympathy', one of his most enduring edits.

Having recorded the backing track back in 2011, he needed to find the right vocalist. His first thoughts were to approach Adeline Michele, the singer from Brooklyn disco outfit, Escort. This never materialised and, apart from a fleeting fancy for recording it with NYC based Lady Miss Kier, formerly of Deee-Lite, the track was put in mothballs for a couple of years, until he dug it out just a few months ago to play it to The Reynolds, who’d sang so superbly on his track 'Summer Came My Way'. Katherine Reynolds took on the lead and Greg instantly knew the song had found its voice. Not only that, Katherine also expertly weaved lyrics from Triple X’s 1999 'Feel The Same' into the track to give it a new twist.

Greg road-tested the recording in a club for the first time in London last December and it’s since become a crowd favourite - the release is greatly anticipated by DJs and dancers alike. Kermit Leveridge, who has worked with The Reynolds on his Blind Arcade project chipped in with the rap section the girls add and also features on a further mix of 'She Can’t Love You', this time coupled with his own 'C’mon Sway' lyrics. Sweet Tooth T is a project channeling the hallowed sounds of New York in the early eighties but - like with Greg’s DJ sets - the sounds from this groovacious past have been reimagined in a contemporary manner.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Sweet Tooth T 'She Can't Love You / Feel The Same' - Greg Wilson Club Mix

Contrary to the misinformed UK rap didn’t start with Dizzy Rascal, The Streets & Stormzy

Neither was it always an inferior emulation of its US counterparts. The UK took musical influences from diverse sources inspired by the countries uniquely diverse spectrum of international cultures, embryonic influential moments that transformed into multiple worldwide musical phenomenons, hugely successful genres that could only of been forged in the UK. 

The evolution of rap in the UK is a complex and fascinating story, many of its first commercial releases might of been novelties or pop hit records but a parallel strong & passionate underground scene developed via events, clubs, magazines and nationwide specialist Rap radio shows, Hip Hop in the UK was a transformative colour blind unifying force. 

Although  much of it was ignored outside of the UK, Early British rap from across all regions of the country created many landmark timeless anthems that still sound as fresh and urgent today as they did when first released, equally as relevant as seminal revered releases from the same era across the pond, they deserve more respect and attention. 

I’ve tried to include as many of my favourite tracks from 1980-1996 as possible in this mix. In chronological order, but by no means definitive, I’m fully aware I’ve missed out loads of other great records, (and added some curveballs simply to infuriate purists) so my apologises to those legends & pioneers I didn’t feature. 

Also I’m certainly no turntablist so please don’t expect cutting, scratching or masterfully theatric blends, I’ll leave that to the experts. 

Apologies for playing Ian Dury during tracks from 1981, it was originally released in 1979 so really should have started the mix. 

Enjoy!

NB : Original broadcast as 3 parts on Noods Radio in 2025, this is an extended version of those mixes featuring bonus tracks not in the original Mixes.

UK RAP / 1979-1995 - Classics, Oddities + Novelties - NOODS RADIO

De-Lite - Wild Times (Mayday Mix)

Deep n dirty disco vibes inspired by the legenday Pikes Hotel and the infamous Dj Harvey. 2 things you seriously have to experience!!

DISCO BALEARICA (21)  Inspired by the legendary Pikes & the infamous Dj Harvey

60 mins guest mix for Melodic Distraction Radio

Tracklisting:

A Sunny Day In Glasgow - Wake Up Pretty - Notenuf Records
Dauwd - Lydia - Kompakt 
Percussions - KHLHI - Text Records
Brame & Hamo - Lamaj (Original Mix) - Dirt Crew Recordings
FYI Chris - Need I Say More - Rhythm Section International
Fantastic Man - Galactic Ecstasy - Kitjen Label
The Chemical Brothers - Free Yourself (Paranoid London Remix) - EMI
Robert Hood - Dancer - Hot Creations
I:Cube - Disco Cubizm (Daft Punk Remix) - Versatile Records
Osunlade - Momma’s Groove (Jimpster’s Hip Replacement Mix) - Yoruba People’s Music
Dwayne Jensen - My People (Original Mix) - Third Ear Recording
Chaos in The CBD - Come Together (Original Mix) - In Dust We Trust

60 mins guest mix for Melodic Distraction Radio

Written and produced by Gerald. 
Remixed by Frankie Knuckles
Percussion overdubs by David Morales for Def Mix Productions. 
Licensed from Rham Records England. 
℗ 1988 

60 mins guest mix for Melodic Distraction Radio

JADE LI

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