please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

Roommate began as a Kent Lambert solo project in NYC in 2000 and has been an ever-mutating Chicago band since 2004. The fourth Roommate album MAKE LIKE was released in June 2015. 
https://roommate.bandcamp.com/album/make-like

word magix; media art historian; independent researcher; archivist; artist; computer witchcraft with h3x3n; no-input-mixer lover, databender


Radius is an experimental radio broadcast platform established in 2010 in Chicago, Illinois, United States. Radius produces, exhibits, and distributes work by radio and transmission artists from around the world.

Radius features a new project monthly with statements by artists who use radio as a primary element in their work. Radius provides artists with live and experimental formats in radio programming. The goal is to support work that engages the tonal and public spaces of the electromagnetic spectrum.

glitch art pioneer and sound producer. data sound, post-mashup, and other electronic sounds.

if i've deleted a track from here, you can almost definitely dl it free from my bandcamp.

Roth Mobot is the Chicago based circuit bent duo of Tommy Stephenson and Patrick McCarthy. Roth Mobot's "recursive jazz" controls the random juxtaposition of improvised dark ambient drones, languid melodies, randomly generated rhythms, percussive accidents, the humorous language of toys, and common discarded electronic audio and video devices. They never play the same piece twice, only rehearse in front of a live audience, and always bring new devices "hot off the workbench" to every gig.

Host of Coppice (since 2009) and Nestor (since 2018)

Leonardson is a composer, radio artist, sound designer, instrument inventor, improviser, visual artist, and teacher, who has devoted a majority of his professional career to unorthodox approaches to sound and its instrumentation, with a broad understanding of texture, atmosphere and micro-tones. As a practicing artist and educator he has an interest in the elusive lines that separate art media and disciplines; the promise of technology to enable new possibilities in art, discovering connections between physical action, sensory perception, and ideas.

Leonardson performs regularly on the Springboard, an electroacoustic percussion instrument made from readily available materials. Applying his percussion skills and a piezo pickup to coil springs, wood, plastic combs, and rubber bands he creates rich tones and timbres that, in the words of Nicolas Collins, “evoke the sound world of a Balinese Gamelan orchestra.” Others compare these sounds to industrial vibrations and animal voices. 

j_connolly is following