This song will go private shortly. Exclululusive From a section of songs that will apear in 2024.
I will comment back to anyone who post feedback.
xx Ray xx

TRUTH RAY - ASTRAL YOUTH

Metronome: 115 bpm.  (Fan-fret 1st time.)

A Waltz In A Haystack

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

Might I interest you in a bit of day light? There’s a lot of it up here sometimes.. will do my best to get it to you…

Sky Scraper Zebra

Cast of Characters:

J.J. Terrell–@j-j-terrell – drums, bass, organ, triangle, and composition

TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar

This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He even added some real triange, if you listen for it, you'll be delighted. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked Josh if he would like to add a guitar part. Josh jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded more than 20 takes of it. He finally landed on the one you hear in here now. 

  They asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.

  This was a fun, exciting collaboration, featuring just JJ and Josh, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (Eclectic Collective)

Thanks to Mr Ratzzz - @cosmic-ratzzz - for this super groove !
.... Sax comes from my side, all the other glory comes from Hendrik !

Lunatics 206 / Elements / Ratzzz & joerxworx

Liars and killers
Are not a good mix
Liar is a man who’s  never done shit
A killer stares through a man like the holes already exist.

Liars and killers
Killers and liars
The who should never co exist

Liar$ and Killer$

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triange dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavor we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops-Eclectic Collective

Africana Brass

different-faces.mp3

© 2025 WhoaProductions – All Rights Reserved
As I believe
Becomes
What and how I receive
Do I grieve?
Or deceive?
Do I blame Eve?
This illusional fear
I've held
So dear.
Shape shifting 
And burning
Twisting
And turning
Persisting
While harming
My very existence
My thinking.

[chorus]
Caught in my mind
As I signed
The dotted line
Resigned
To time.
That defines
A life
Left behind

[verse 2]
No more!
My endosphere
Is 
My divine clay
My divine hurray
Today
I will begin
To clear
The cobwebs within.

Caught in my mind
As I signed
The dotted line
Resigned
To time.
That defines
A life
Left behind

[bridge]
To clean house
Every nook
And cranny
Opens a space
Timeless and free
For me
To join with my peace.
My creativity
To shape my
Divine clay
My masterpiece
My Broadway
To return 
To child’s play
To share with the world
To bless the world.

[outro]
My ladder of love
My play dough’s Plato
To create for creation
Is my destination
Beauty’s cause
Becomes
My holy pause
To join
Extend
And appreciate
It begins 
As I sit and meditate.

As I Believe

Sais Steely Dan keyboardist Jim Beard… “Congratulations on a marvelous album JOrdon!”.

Albany’s WXET Dave Michaels sais “ JOrdon your Pixie Dust album is a masterpiece!”.

Hello magical entity... Thank you for visiting..

Three names I go by are JOrdon, Jae Ordon and Mascot’s Distance,(which I use everywhere such as Spotify, Apple, etc.).

I've written music for Taye Diggs, Ian Gillan of Deep Purple, Pete Yorn, the Gorillaz Dan the Automator, John Spencer Blues explosion’s Russel Simons and Bed Bath and Beyond.  In summer of 2022 my recording Life Whispers On was #7 on Canada’s Cashbox Radio.  Currently finishing up a musical called Humane.


I'm playing all the instruments on many tunes, ones I'm not are…Brian Allen of Lori McKenna, Christopher Cross and Robben Ford on Bass, Michael McDonald's horn section, in addition to Yutaka Uchida playing drums on some tunes and Laurent Medelgi on guitar, also Danny Zanker and Joe Bearclaw Burcaw playing bass.
Thank you for listening to my Vegan, Folk-Jazz-Rock recordings…