Tony Gallardo / @elmariayjose
Monterrey, MX
https://linktr.ee/tonygallardo

Support / Download

02. La Jararaca - Tony Gallardo

˚₊‧꒰ა “This Is How We Break Your Toxic Positivity” ໒꒱ ‧₊˚

Second compilation of a “This Is How We Break…” series focused on breaks and bass music to enlighten our emerging electronic scene from France and abroad.

Based on the free interpretation of the ‘breakbeat’ genre, the breadcrumb trail of this second compilation is the theme “from happy to dark” (or the other way) to celebrate the fluctuation of emotions whether positive or negative. Over-cultivated positivism implies the rejection and the covering up of negative emotions… This compilation is here to reminds you to live fully your emotions and only think about what’s best for you. It’s OK not to always look on the bright side of things. Be gentle to yourself.

૮꒰ ˶• ༝ •˶꒱ა ♡ ૮₍•᷄ ࡇ •᷅₎ა

Curation by Djina, Elrob and Emo Kitty.

Thanks again to all our talented friends and artists for their trust and amazing contribution to this project.

Artwork by Miel Divin
Graphic design by Elrob
Mastering by Lorenzo Targhetta

Chewlie Feat. Li - Breakwell

La historia de un amor

SWU FM PODCAST

Josi Devil - 09 July 2024

PUMP STARS VOL. 1

Ariel Zetina Ft. Del Hale - Stay In My Time, Cher!

Golce’s quest aims to redefine the boundaries of today’s mainstream music, oscillating between different genres such as dubstep, DnB, grime, jungle, and noise. Their sets are characterized by dark and dissonant compositions, layered noise, and intricately crafted club music esthetics.


Golce @ Kiosk Radio 09.02.2025

Support : https://futureemotions.bandcamp.com/album/future-emotions-v-a-3

Zana - maybe, the end...

Full set spinned from Mictlan’s The LAB on 05/02/25.

THE LAB (MICTLĀN SET ‘25)

Brimaudi - THE UPTAKE ( Original Mix ) (v2)

Clever Content

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

Text by Pabli Balcazar

1973

Debería Dejar

DJ | an acquired taste. 
╴ ╵ ╷ ╸ ╹ ╻ ╼ ╽ ╾ ╿ ╼

THE LAB (MICTLĀN SET ‘25)

JULLS