Just two mates, who love spinnin' a tune
@olliechauhan
@tommyee

We're an artist management company, record label & music publisher with offices in Los Angeles and Sydney. Est 2014.
Hit us up: contact@futureclassic.com

本音 (True Feelings)

Business / Licensing Enquiries: info@kayakmusic.net

imaginging things
https://linktr.ee/hellohonne

#Stranger ft. Elliphant out now: http://smarturl.it/Stranger.PD

"Peking Duk not only tastes good, but it sounds even better” – Tommy Trash

Management/Remixes/Enquiries: 
ben@myriadmgmt.com

Aus/NZ Bookings: 
guven@vitaartists.com

North/South America Bookings:
rob@spinartistagency.com

Asia Bookings:
robb@supermodifiedagency.com

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

From music to theatre, gaming to comedy, podcasting to design, Montaigne defies the limitations often placed on artists, embracing a life of creative exploration. Their work is not constrained by medium, instead finding freedom in crossing boundaries and merging art forms, a reflection of the solace they found in vibrant worlds and stories throughout their childhood.

Their career is a testament to this creative polymathy. Montaigne’s collaborations with icons like David Byrne, their representation of Australia in Eurovision, multiple ARIA awards, and a recent Grammy nomination for Stray Gods: The Roleplaying Musical showcase the breadth of their talent. These accolades merely scratch the surface of Montaigne’s expansive artistic world, a small peek at the depth of their creativity.

At the heart of Montaigne’s career is a dedication to complex, multi-faceted expression. They embody a DIY ethos, one that sees them unafraid to forge their own path in an industry often restrictive of individuality. This drive for independence extends beyond the music industry, deeply influencing their entire creative practice. Though highly collaborative, Montaigne has honed their production skills, unlocking a new medium to materialise the nuances of their ideas.

Montaigne’s creative work is both deeply personal and outwardly adventurous, rooted in their lived experience and their unique worldview. Their artistry is as much a reflection of their personal journey, grappling with estrangement, survival, and the nuances of human relationships, as it is an ode to the mediums that shaped them. It is this rich intersection of introspection and external storytelling that defines Montaigne’s career. Their music and art pop sensibility is playful yet profound, marked by colourful instrumentation, adventurous melodies, and a vocal range that is both theatrical and deeply emotional. Their work, in essence, is a journey. One that invites listeners into a world where the lines between reality and fantasy blur, and where every note is an exploration of identity, resilience, and the human condition.

Via platforms like Discord, YouTube, and Twitch, along with their newly launched 'Tank Time with Montaigne' podcast, featuring conversations with artists like Ninajirachi, Ben Lee, and Donatachi, and their innovative 'Beautiful Trial Show' where artists and comedians test new material with select fans, Montaigne’s deep dedication to their community creates a feedback loop that fuels their passion and sparks new creative projects.

Montaigne’s career is a testament to their unwavering commitment to creativity in all its forms, an artist who refuses to be boxed in, finding beauty in the unknown and embracing the complexity of every step along the way.

'P4M' out now.

www.cosmosmidnight.com

We are twins from Sydney

MGMT :
tom@astralpeople.com 

Bookings
AUS / NZ:
Steel Hanf / Gabby Bortolot
steel@proxyagency.co / gabby@proxyagency.co

North America:
Alex Becket / Evan Greenberg
alex.becket@caa.com / evan.greenberg@caa.com

UK / Europe:
James Tones
james@motherartists.com

Asia:
August Cohlmia
august@alchemistasia.com

Jacqui Hart is following