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To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Miles Ahead | NYC • MIA • KIN • LDN • TYO • JHB • RJ

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Stars aligned when Nick Pereira and Jean-Claude Brown (aka Prof) met at Rude World Records and discovered their shared passion for all things music. Together they are the formidable production and DJ Duo known as The Rude Boys. 

These talented individuals combine their backgrounds in Western Classical Music to create unique sounds with explosive results. Nick’s unstoppable lyrics and melodies and Prof’s continuous ideas on fresh beats, is a concrete combination to expect big things from them going forward. Their style has become familiar with audiences as a “house and danced” based duo, but their bank of works spans everything from Dutch and Electro house, to Afro-deep, Tech and Hip Hop. 

To date, they have had the pleasure of working alongside artists such as Jimmy Nevis, Dean Fuel, Andy Carr, Roger Goode, Grimehouse, MIC Turner, Matthew O’Connell and more.

Nick Pereira

Nick is a classically trained pianist/jazz trumpeter and a talented DJ and songwriter. He has a reputable background in the music industry which includes him working alongside artists such as Dean Fuel, Andy Carr, Roger Goode and Jimmy Nevis (just to name a few). Coupling this, he went onto study a BSc Physiotherapy at Stellenbosch University. His Rude World adventure dates back to the early days of the then clothing retailer, “Rusty World”; Nick fulfilled the role as the Brand Ambassador and Official DJ for the brand. The synergy between the two evolved into Nick becoming the labels Executive Producer as well as one half of The Rude Boys. 

Jean-Claude Brown aka Prof

JC studied Audio Production at SAE Institute Cape Town after which he was assigned by Rude World Records as the Chief Engineer which includes all Music Production, Recording, Mixing and Mastering. He has worked closely with all Rude World artists and has fondly received the title of “Prof” as he is ALL about the music and the other half of The Rude Boys.

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