Sounds like from some thriller/action trailer. Magnificent! :)

Good dynamic piece! It doesn't sound like unfinished at all, but if you think you can make a better soundtrack of this, then please do so.

You truly have a unique and experimental style, I really like this piece!

Great stuff: your music is captivating. What sound libraries are you usiing?

So many great writers entering this competition! Here is my first version. Stems used: Percussion, Solo Trumpet, Solo Vocal. Started off by trying out the rhythm of the percussion motif over a different time signature and developed in to what I would imagine an exploration or an adventure around the globe to sound like. I think the vocal track lends itself well to a powerful piece of music (like the original).

Please vote for this track here:
www.hanszimmerwantsyou.com/tracks/1787
My other entries can be found here:
www.hanszimmerwantsyou.com/tracks/2691
www.hanszimmerwantsyou.com/tracks/4284
www.hanszimmerwantsyou.com/tracks/3612
www.hanszimmerwantsyou.com/tracks/2122
www.hanszimmerwantsyou.com/tracks/2254
www.hanszimmerwantsyou.com/tracks/4598
www.hanszimmerwantsyou.com/tracks/1985
www.hanszimmerwantsyou.com/tracks/5825
www.hanszimmerwantsyou.com/tracks/2258
www.hanszimmerwantsyou.com/tracks/6365
www.hanszimmerwantsyou.com/tracks/6224

Planet Earth (Bleeding Fingers)

My first attempt at writing something with Cinesamples CineBrass 

CineActionBrass - Cinebrass

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Creation - By Piotr Musial

Colin O'Malley - Desiderata

Action cue (2012, excerpt)

A Heavy action type cue to demonstrate the dark and gritty vibe in Spitfire Audio's new Albion 3 ICENI sample library. 

The Pirate Island - Albion 3 ICENI

A cue written for an advertisement created by my good friends over at Hive Division.

Action cue (2012, excerpt)

Jack Broadist

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