Producer/Dj

Producer/Dj

I draw inspiration from my Lebanese roots, blending the vibrant essence of Middle Eastern rhythms into both my productions and DJ sets. Whether in the studio or behind the decks, I aim to create hypnotic, high energy experiences that keep the dancefloor moving. With pulsating beats, intricate sound design, and a touch of mystique, I invite listeners to lose themselves in the music.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Bookings > taina@outlined-am.com
N+S America > nicole@muisca.la
AU/NZ > stix@undrctrl.com
Promos > amotikpromo@gmail.com


Since moving to Berlin in 2014, UK-born DJ and producer Anil Chawla, aka Amotik, has carved out a distinct place in modern techno. Known for his versatile, layered closing sets that emphasise atmospheric storytelling through tension and release, he has built a reputation as a dynamic figure both in the DJ booth and the studio.

In recent years, Amotik has expanded his artistic scope. He launched AMTK+, a sub-label providing a platform for like-minded artists with a shared musical vision. He also collaborated with Answer Code Request on a bass-heavy record for Delsin, giving both artists space to explore their UK and breaks roots. Most recently, he showcased a lighter side with select house sets at Panorama Bar in Berlin, Merge in New York, and Radion in Amsterdam. His touring schedule has taken him to iconic venues such as Berghain, Fold, De School, and Khidi, while he maintains residencies at the revered Goethebunker in Essen and Pax-Romana in Amsterdam.

Alongside notable releases on labels like 47, BPitch, and Figure, Amotik's critically acclaimed albums Vistār and Patanjali have further cemented his reputation as a visionary producer, earning praise from Mixmag and Groove Magazine. 2025 marks the 10th anniversary of his self-titled imprint - not just a milestone, but a testament to perseverance, proving that consistency, dedication, and staying true to one’s sound can shape a lasting career in an ever-evolving scene.

\\ 😋😋 FRESH-ACID-DISCO-BOOGIE-EXCELLENCE 😋😋 // Head in the clouds, one boot in the mud.
Resident •Noble Savage•Tbilisi, Cervo•Zermatt
Head Honcho at @tegelboys
BOOKING  --> JOEL@WILD-MOUNTAIN-HONEY.ORG

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Hazy Pockets née Joel Isaac Black 
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Joel Isaac Black or Mister Hazy Pockets (as his faithful converts know him) is first and foremost a soul-man. He’s up to get down. He is a psychic selector and dance music deejay of wide renown, an electric presence, an old-soul music preacher inviting you to the kingdom of heaven in the kick drum. He is a grinning cowboy, sometimes a wizard, but perhaps most importantly, a gentleman with a deadly instinct for turning a party on its head and putting pep in the step of the stiffest statues in the room. — Hazy Pockets means select cuts of sublime acid- funk-liquid-disco-boogie, robo-sleaze, icy-hot body-beat, blissful Balearic mechanics, a glorious romp delivered with subtle winks and deliberate bounce...with an altogether human funkiness shaking it all loose.

Monthly Berlin Party &amp; Record Label

12"s and digital store: https://cocktaildamoremusic.bandcamp.com/

For demos and enquiries: cocktaildamore@gmail.com

For booking Discodromo: matt@thepool-london.com

Follow my new Alias Noaidi over here: 
https://soundcloud.com/noaidiofficial
https://soundcloud.com/under_oath_records

Hjertman (PAAHTIMO Helsinki, Bunker Hki, SE) 

Short version: Thrives in breakbeat techno soundscapes too late.

Singer, songwriter and keyboard whiz Snax, aka Paul Bonomo, began a life of performance in the suburbs of Washington DC, moving on to San Francisco, New York and now Berlin. Along the way, he founded the gay art rock band Fagbash, and was one half of disco-pop band Captain Comatose.
Soon after arriving in Berlin, Snax began producing his solo releases from the ground up, writing and performing mostly all instruments and vocals himself. In 2004 came the release of the electronic soul manifesto From The Rocking Chair To The Stage (Mental Groove). Fall 2006 saw Snax sound incorporating more acoustic elements on his second long-player Love Pollution (TNT/Four Music), described by Snax as being “about love, loss, bitchiness and finally redemption.” The remix for the single, ‘Honeymoon’s Over’ by Konrad Black was hailed by many as the anthem of Summer 2007. Returning to his electronic funk roots, Snax released two EP’s on UK’s defDrive followed by Special Guest Star, the flagship release on his own label, Random Records. Reflecting on his rich and rewarding career and the myriad creative interactions he’s experienced, Snax founded the House Of Snaxine. To them he dedicated Up And Coming Children (Random Records) in 2010; an exciting return to form with an eye to the future. 
Snax’s performances and DJ sets deliver provocation, sleaze and fun. The result is a direct connection with the audience. His various collaborators  have included Jamie Lidell, Peaches, Joey Arias and Terranova to name a few. Upon supporting The Scissor Sisters throughout Europe as their opening act, Snax was described be front man Jake Shears as “a one man fro freak show not to be missed.”
Currently, Snax is completing his fourth album, running his label and establishing his house music alter ego, Box Office Poison.

BOOKINGS : agathe@klsbookings.com
@body-language-berlin resident
@vitaminamilano resident
1/2 of @hi-keyz
INQUIRIES : bpm131bpm@gmail.com

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Dee Jay Jack is following