There are people and memories that we cherish anywhere we go. There are snapshots of our lives that stay with us in some shape regardless of the path we choose. All of these fuzzy recollections have a soundtrack that scores the scene, and someone like Kaptan knows how to keep the moment together through a golden light. His self-described genre is “Shimmery Indie-Pop”, and while that works on the surface, it barely does his songs justice. The songs are personal Rorschach tests: depending on how you hear them, each lyric takes the shape relative to the listener. Some songs contain outright joy, and it’s sublime in tracks like “Anywhere We Go” and “Jump”, and there are also existential pulls in “Numbers” and “Let Go”. He’s also been heard everywhere from Chevy commercials to McDonald’s ads in the 2016 Summer Olympics, which is a testament to the relatability and straight-up catchiness of all of his releases. Nostalgia plays such a large role in our lives, and in Kaptan’s world, he keeps it safe while also helping us push toward the future.

Email: kaptanmgmt@gmail.com
Contact: andrew@prouddadcreative.com

Psych-pop from Bristol
info@cousinkula.com
http://www.cousinkula.com

It’s Kapee-chee. It’s Ben Beetham (guitars, vocals), Eddie Lewis (bass), George Macdonald (drums) and Jack Wilson (vocals, guitars). Four twentysomethings with big personalities from Hastings who’ve been making music together for over half their lives, in various configurations. Working in pubs, construction, motorcycle trade, anything. Driving nightshifts just to keep playing. Eight years of non-stop graft. “The bands that make it are the ones that don’t give up,” says Eddie. “We’ve sacrificed everything. Normal jobs, settling down, we put our lives completely on hold for our dreams.”

And the four have dreamed up something special as Kid Kapichi. A behemoth of a band on and off stage thanks to the Hastings scene that nurtured them, until they got their big break from Frank Carter - he invited them to play his birthday party then join him on a major tour. Their best songs explore racism, in-work poverty, mental health, violence, frustration and all-consuming love with honesty and humour. All their songs come studded with barbed wire hooks, bristling with the juddering shock of lived experience, the cathartic thrill of a balled-up fist relaxing into an air punch.

After putting out debut album This Time Next Year independently in 2021, the band recently signed their first proper deal for follow-up Here’s What You Could Have Won. Deserved reward for all that graft. These 11 new songs are an excellent showcase for the band’s bigger, punchier, ‘beat punk’ sound, produced with Dom Craik from Nothing But Thieves. 

Comeback single New England in January 2022 is their most explicitly political song yet, with a searing guest verse from Bob Vylan. It’s a brutal dissection of the xenophobic Little England mentality. They followed it with Partygate polemic Party At No. 10, praised by Liam Gallagher on Twitter, which they tried to debut with a busking performance outside the nation’s most infamous rave venue - before being dissuaded by Downing Street’s armed police. That won’t stop Kid Kapichi for long, though, as they’re touring the new album around the UK and Europe well into next year. Get involved.

Jack Saunders 6 is following