MANIFESTO 4.-1: 

MUTATING FLOWS OF HYDRAULIC CYBERMESH ACCELERATE TOWARDS A SMOOTH SPACE SO SATURATED IT REMAKES ITSELF INTO SOMETHING ELSE..

A MANIFESTO. THIS IS A MANIFESTO. I'VE BEEN WAITING FOR THE ANTI-AUTHORITARIAN CYBERREVOLUTION TO COME SINCE THE 90S BUT IT NEVER DID. A DELEUZO-GUATTARIAN NIGHTMARE UNFOLDS THROUGH THE BOUNDLESS PROLIFERATION OF FACES EVERYWHERE; NEVER BEFORE HAS THE DESPOTIC POWER OF THE SIGNIFIER BEEN STRONGER. 

THE STORY GOES LIKE THIS: LOCKED IN, PHASED OUT. METRIC REALITY PROLIFERATES EVERYWHERE; KEEP TIME, SNAP TO GRID, FINE TUNE. BENEATH THE GRID ITSELF LIES A DENSELY HIERARCHICAL NETWORK OF BIUNIVOCALIZED DECISION-MAKING FUNDAMENTALS, EXPRESSION MADE UP OF A SERIES OF LEARNED DECISIONS, A CRITICAL MAP OF 1S AND 0S.

OR...

MUTATING FLOWS OF HYDRAULIC CYBERMESH ACCELERATE TOWARDS A SMOOTH SPACE SO SATURATED IT REMAKES ITSELF INTO SOMETHING ELSE.......

10.∂su¨sˆø8a9su¨øˆ∂∆8u¨∂´

https://probablevoltages.bandcamp.com/album/headliners

HEADLINERS [excerpt-album link in desc]

𝒹𝑒𝓂𝑜::¨∆√ -𝕄ℙ𝟛.３２ＢＩＴ.𝘚𝘜𝘉𝘵-√¡∞

melody

mastered by @oratoricalorator
cover art by @ellie_modron_kurfwen

https://tandy.bandcamp.com/album/5

✨WINNER OF THE 2023 PCOTANDY B.O.N.E.S Competition✨

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ᴅɪᴀʟɪɴɢ ɪɴ:: R¢к°‚°‚°‚°‚°‚°⌠nerMIDIVOX#5...√nerbĮvbl°°m‚°‚°‚°‚°‚°‚°
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вOoŦloαDŤ̸̙͖͑̃งē__ᯅ̸͍̗̭̯̩̩̰̊⌯̵̢͉̩͓̝̞͈͊̀̉̉̔̈̂́Şഒ໓ēഒ✦ഒtktktk﹆ഒ✦ഒ﹆ꉂ̵̖̣̅͘̚
ēຟຟคţ̵̠̗͊̑́͌̆ͅiβimᛕ̴̨̧̩͇̜̭̯̪̞͚̄͒͆̆̂̕͝ т̵͕̿̐̂̂͜ḳ̵̶̨̛̝͍͍̯͓̭̜̺̥̜̗̏́́̆̅̂̀̿̔́̌̅̿́̚̚͜͠ͅͅķ̶̶̨͓̭̜̺̥̜̗̊̓̂̈́̀̑̔́̌̅̿́̚͜͝͠ͅķ̶̊̓̂̈́̀̑͝ẗ̵̨̼̮丅̸͍̗̭̯̩̩̰̊K̵̢͉̩͓̝̞͈͊̀̉̉̔̈̂́şI໓ēiβiM
i๒ιM̵̷̧̖̣͎͎̳̩̖̘̫̭̺̅͗̓̄͆͘̚͝.̴̧̇̓̒͌ν̷̡̰̠̪̗̞̮͔͚̓̑͌̌̆т̶̡̰̺͔̑͛̊͛͒̔̈́͆̒̾.̴̧̇̓̒͌v̷̡̰̠̪̗̞̮͔͚̓̑͌̌̆T̶̡̰̺͔̑͛̊͛͒̔̈́͆̒̾.̴̧̇̓̒͌ν̷̶̡̡̰̠̪̗̞̮͔͚̰̺͔̓̑͌̌̆̑͛̊͛͒̔̈́͆̒̾.̴̶̧̡̰̺͔̇̓̒͌̑͛̊͛͒̔̈́͆̒̾.̴̧̇̓̒͌ν̷̶̡̡̰̠̪̗̞̮͔͚̰̺͔̓̑͌̌̆̑͛̊͛͒̔̈́͆̒̾_ງ➁f.ງ๖_❸ຖƒ≿ງ.ຟƗBimåง_ງ8➃⋝F. ʘ
⌯̴̨̧̩͇̜̭̯̪̞ ͚̄͒͆̆̂̕͝ᯅ̵͕̿̐̂̂͜ḳ̵̛̝͍͍̯͕̏́́̆̅̂̀̿̿̐̂̂̚͜ͅḳ̵̛̝͍͍̯̏́́̆̅̂̀̿̚ͅtktktktktktktktktktktktktk
ț̶̄̿͂͝a̶͚͍̖̙̰̟̺͇̻̲͗̊͆̏̑̓̚e̶̗̙͇̾̋̀̔r̶̨͈̜̦̐tr๖ f t tu pฯ enntaer,v,n ilii๖ฯງeeງ໓ sies. an໓ ri๖rere , ofinງ ¢out ຟnງof mesin໓ on໓ ttraranງitte ງ ฯ th ๖
ʜ҉ ҉ɴ҉ ҉ɪ҉ɴ҉ᴏ҉ᴀ҉ ҉ᴏ҉ᴜ҉ᴛ҉ᴀ҉ɪ҉ᴍ҉ᴘ҉ʟ҉ᴇ҉ᴍ҉ʀ҉ɴ҉
҉ɴ҉ᴇ҉ᴅ҉ɢ҉ᴠ҉.҉ʙ҉ʜ҉ᴅ҉ɪ҉ʙ҉ᴇ҉ᴄ҉ᴀ҉ɴ҉ᴠ҉ɢ҉
҉ᴇ҉,҉ʜ҉ᴛ҉ᴇ҉ᴏ҉ᴘ҉ʙ҉ꜱ҉ ҉ɪ҉ɴ҉ᴅ҉ɪ҉ɴ҉ᴀ҉ɴ҉ᴛ҉ ҉ᴜ҉ɴ҉ɢ҉
҉ᴍ҉ɪ҉ɴ҉ᴛ҉ᴇ҉ᴀ҉ɴ҉ᴠ҉ᴇ҉ᴄ҉ ҉ʙ҉ᴏ҉ᴜ҉ᴛ҉ʜ҉ ҉ᴅ҉ᴇ҉ʀ҉-҉
ᴡ҉ᴀ҉ᴛ҉ɪ҉ᴏ҉ɴ҉ ҉ᴛ҉ɪ҉ᴄ҉ᴀ҉ʟ҉ʟ҉ ҉ʀ҉ᴜ҉ᴍ҉ʙ҉ʟ҉ɢ҉ꜱ҉ ҉,҉
҉ᴅ҉ᴇ҉ᴇ҉ᴘ҉ ҉ɪ҉ɴ҉ɢ҉ ҉ᴀ҉ ҉ᴍ҉ɪ҉ᴅ҉ɪ҉ ҉ᴇ҉ɴ҉ʟ҉ʏ҉ ҉ᴏ҉ɴ҉ɢ҉
҉ꜱ҉ɪ҉ɴ҉ɢ҉ ҉ɪ҉ɴ҉ ҉ᴛ҉ʜ҉ᴇ҉ ҉ꜱ҉ᴛ҉ᴀ҉ʀ҉ꜱ҉ ҉ᴀ҉ʙ҉ᴏ҉ᴠ҉ᴇ҉
҉B҉O҉N҉E҉s҉D҉s҉ ҉;҉ ҉A҉L҉ ҉R҉E҉G҉O҉O҉D҉ ҉M҉I҉D҉I҉ ҉E҉N҉D҉
҉M҉O҉O҉N҉ ҉A҉N҉D҉ ҉T҉H҉ ҉B҉E҉c҉A҉U҉s҉I҉c҉A҉U҉s҉E҉

PURE ALTEREGO BONES; A MUSICAL COMPOSITION ALL FROM MY GOOD FRIEND
BONES!! !! !
MIDI ENVIRONMENT, BECAUSE OF ALL OF THE GRAND MEMORIES WE MADE, SITTING OUT UNDER THE SUN
AND THE MOON AND WATCHING THE STARS FLY ABOVE OUR HEADS; DILATED TRANSLUCENT BODIES,
RESONATING ALONG SILVER-WARPED FIBEROPTIC STRINGS, MUTTERING, SINGING, AND DANCING IN AND
OUT OF TIME: ALL RUMBLING DEEP IN THE ΞΛR T H WITH BONES

W̵̢̔̂̉̂͋͘͘o̸̘̞̫͈̭̼̙̣̓͆̅̽́͘̚ŗ̶͈͍͎̠̜̰̭͓̼̀͝ạ̵̛̫̝̜̱̱̒̅̒̀͛̇͐̈͝ỏ̷̲̄͊͌̉̍͝ȇ̸̫͓̾͋͆̿͛ȯ̵̱̣̟̮͇͙̳͖̜͆͘ͅa̵̼͎͎̍̈́̓̐͘ ̶̳͚̠̱̖̫̰̫̈̔͌̚ ̶͙̖̀̍́̉̈̈͛͌͒̕n̴̨͓͖͓̯͍̞̼̪̂̀͛̑͒̕͠n̴̨ ͓͖͓̯͍̞̼̪̂̀͛̑͒̕͠ Ç̵̢̗͕̪̇e̸̢̢͚̰̘̠̱͍̳͘m̸̖͛̑͊̿̈̉͂͝͠a̶̛͕̩͑t̶͇̮̗̔͗̈́̂̓͗̋̓̓̕ W̴̥̙͇̠͉̭̔̍̽̅̒͆̑̓͊͘ ̴̛̰͖̠́̽͒̊̋̋e̴̡̡̖̼̦̩̹͆͛̃̄̽̓̈́͛̋͝t̶̢̲̀̆͗ ̸̡̜͓͖̩̫̺͙̗̿͗͜͠͠l̷̩͎̜̩͍̼̝̽̋̂̀͊̈̒͠h̸̭̜͓̺͓̓̈́͆͘
̸͔͈̯̫͓̱̳̯̬͇̀͛͐͋p̷̯͓͇̫͓̱͇͝ B̵̨̜̠̜̠͂̾͂̃̾͑͗͗͠ę̵̬͕̗̣̼̲̥͎͆̇͗͆̀͛͝ĺ̷͓͕̜̺͌̓̏̽̐̊͊u̴̧͈͓̐í̷̳̃͂̌͛́̍̎̚͜u̴̧̙̝̣̜̳̥̯̼̓̍̕͜í̷̳̃͂̌͛́̍̎̚͜u̴̧̙̝̣̜̳̥̯̼̓̍̕͜s̴̨̻͎͊̈̐͛̚ņ̴̞͉̰̼́̈́̀n̷̨͓̤͖͕̻͘ D̵̝̣̩̦̮͗̒̀̋͊͠t̷̨̧̳̦̭̯͈̬̫̟̔̂̐̔ Y̷̧̧̨̢͉̠̼͉͈̅͛̽̀͜ ̸̩̼̠͔̱̤̱̺̀̂͆s̸̡̗̟̼̻͖̦̈́̀͊̓̽̑o̵̡̡̨̨̰͉̠̟̩͋̀̃̏͜͝ş̷͔͉̦̳̯͎́́̆̇̊͌̆͝
̴̛̻̃̊̓̆͋̊̊́̋ ̶̮̭̟̰͐͗̎͠ ̴̛̤̹̹̂ ̴̧̣̘̖͍̉̓͜ ̷͍̫̑̓̌̀̐̿̍̕̕a̵̢̡̢̺͇̩͈̗̬̠̅̉̈̑̓̍̈́̽̏́r̴̢͉̱̮̞͉̺͋̓́̍̊̽̅̅̕e̴̞͔̙̹̖̯̦͓͉͚͌̓͋̊̈̓̔͂͝͝o̴̡̓̈́ͅ ̶̛̪̖͖͉̬̙̦̣̳̃̓̐͆̽͘͘

ȍ̸͖̜̰̗̭͍̗̓͂̓̊̌͝F̵̬̳̻͚͔̣̖̊̐̀͌͛i̷̛̯͍̳̗̖̗͉̿̎̈͂̋̄̀̀̃ͅa̷̡̺̣͈͗̋̉ȏ̷̹̟̞̬̪n̵̢̻͍͙͖̠̼͐͘ F̵̡͈̠̗͓̜̄͑͊̌̀͋̈́̾͠m̵̡̥͛̐͐̌̔̓̊͘̚ ̸̤̩̉͛̐͐̌̔̓̊͘̚ ̸̤̩̉
̶̛̙̤̞̳͙̬̦̳̻̦̌̊̏̇͑́̿ǫ̵̥͇̩̹̹̹̘͛͜r̸̨͍̬̗̱̲̚B̴̡̖̲̹̞͇̫͇͇̊͐̿̃͛̒͜l̵̳̺͎̩̲̝̠͕̖̝̎́̎̌̉̈̓i̸̱̭͚͂͗̔̃͋͆͘͝͝h̶̞̣̼̣̥̘̮͊̊̎n̶͈̆̈̈̑͌͘̕l̴̢̧̞̮͎͎̫̺͍̳̿̀̊̎̉͝h̶̡̘̭͓͈͓̗̳̃͐ ̸̠̫͍́͐̈ ̵̮͎̜̤͚̘̲̠́̅̀̒̎̾͝ ̵̘̳̯̱͍̹̟̈́̈́͐͑̕h̴̪̅͆̑:̸͚̼̮̬̒̅̓̍͛̎͆̽͝͝ń̸̰̳̟̫̮̻̭̜ D̸̸̺̰̠̻̼̖̙̫̭̬̰̳̟̫̮̻̭̜̐́D̸̺̰̠̻̼̖̙̫̭̬̐ ̸̢̫̼͓̣̠͒̈̀̈́͘̚͜n̵̢̜̯̥͓̭̰̙̳͗ï̴̧̗̗̖̠̭͕̺͕̆͗͋̋̄͗̕ͅ ̸̨̢̰̟̯̟̱̦̇̍́̑̔ę̸͈̞͎̤͇̘̠̰̍͆̉̍̚ę̶̛̪̺̣̲̝a̸̘̻͐̀ ̸̩͖͋̉͂̇͒̌̋̌͌͝o̵͎͍̙̹̠̜͒̽͂̆̾̋͑̀̀̅e̶͖̿̐́͊͠ ̷̨̢̞̹̩̥̲̼̱̾̐̉́e̵̺̫̳̽̏ͅ ̷̪̙̜̾̎̓̎,̷̰͍̯̱̼̝̯͙̙̽͋̈̒̈̎̋ ̵̛͖͕̈́̉̑̐̌̔̊́͝e̴̛͙̐͐̂̾̂͌͝t̶̠͈͉̯͚͑̃̍͝͝ţ̴̖͉̻̹̖̿̂̊͂̿̑͂̕͝ ̴̢̢̙̜͇̬͚̭͇͙͂̏̄̄̀͛͌̾̕í̴͙̗̙̥́͂̈́̓͂̄̊̒͘i̸̢̢̠̫̺͊̅̾̊́̚͜a̸͕̩̗͍̫̪̞̜̘͚̐̌̆̌̏i̵̥͍̟͖̲̰͚̝̫̐͑́͛̿̄́͝ͅ ̵̨͑́͋͝ ̷̬͗̀͗͛̈́͊̀̕͝͝ä̷̩́̍̓̀̾̍̚̕͝h̶̹̐͒̇̉̍̉͝ Ģ̷̝͔̼̳͔̭̀̈̏́͗͊͊̈D̸̻̗̠̟̼͙̯̘̥͇̓̅̿̒̎t̵̟̻͔̬̲̣̗̗̞͘ͅh̵̢͍͎̞͓̝̙̭̟̤͛̉̅͝ ̷̨̧̧̺̙͚̙͔̖̍̍͋í̵̧̛͔͚̯̊ ̵͕̈́͐̔̍͊̀̔̑̓̚ ̸̪͉͍̱̲̦̜̇̉̔̋͛́͐̓́͘F̶̛̩̙̥̐͂̽͆͆̽̎͌͜s̸̫̳̰̑̈́́̽̈̿͐̕ę̸̧̑̄i̵̛̞̤̩͍̰͎̙̰̭̿̓̀̌̑ͅh̶̞̫̋ͅi̴͈̞̖̥̹̣͋̿̍̐̊̋̋͝͝r̸̛̦̞̞̻͖̍̃̎̉͐̂n̸̜͓̺͉̝̖͒̎̂̽̉̽̚͠m̵̬̩͇͑̑ͅḥ̸̡͕̜̤̘͐͊͊͒̓͐̂͝͠ṷ̶̞̜͗͂̂͌̉̊͑͘͠ ̴̩̮̩̮̻͉̣̾̐͋̎̓́̕l̸̠̇̃̓a̶̯̱͎͖͚̱̾̑́͐̿͝ ̵̙̰̘̬͋ŗ̷̢̬͍̯̽́͑̃͋͂̈́̚͝͠ṉ̶̣̗̺̊̾̅̊͠ ̷̺̝̝̬̰̓̄̃͌̋͌̋̅͝͠ī̷̢̜̬͉͚͔̺̫̂͛̊ͅr̷̘̱͍̤͈̲̼̲̰̈́̈͊̈́̕a̵̡̳̫͔͖̰̅̽̐̈́̀͆́e̵̛͎̙̻͓̱͔̍̔͗̉́̋͊ͅD̶̨̖̤͉̠̟̞͖̥̦̅̂̾͌͗͘̚e̷̱̤̋̂̇̈́̉t̷̹̩̙͇̑̽͝e̴̛̤͎̻̤̽̇̍̒͊i̷̟͑̓̕͝ỏ̵͙͎̯̩͕͖͕͙͔̇̆́̽̄r̴̦͚̞͎̗̐̑͋͂͐l̸̛͉̗̜̬̎̏͛́̓͘͘͝ ̶̩͔̲̟͉́̽̅͑͂̔̔͠͠

°‚°‚°‚°‚°‚°⌠ƞɛᶉ𝐌𝐈𝐃𝐈𝐕𝐎𝐗#5…√ƞɛᶉßʃ▼ßʃ°°ɱ‚°‚°‚°‚°‚°‚°  [EXTENDED CUT] [2023]

odds of this surviving soundcloud audio quality are scant, so i tossed it up on bandcamp here if you want a better listen:  
https://jack-hamill.bandcamp.com/album/songs-for-bones-i-ii

🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴
more "composer-ly" stuff for Bones; bird bones in a straightjacket; ice-cold plastic bones; glitchy yummy bones; shivering shuddering bones; earthly passionate bones; molten sputtering bones; 

limits:
mvt. 1: lots of MIDI input->raw bones output-> editing
mvt. 2: lots of MIDI input->raw bones output->basic audio processing-> editing

yeah well that just goes to say: if the last track was music with bones, this is music for bones, or bones for dinner

or,
mvt 1 is basically a slow reveal of the voice-ness of bones
mvt 2 is probably like bones being swallowed up by a vibration living within the depths of the earth, i dont fuckin know 

maybe i'll add more songs later. probably not

(Bones: https://www.plogue.com/products/voice-banks.html)

Songs for Bones II

Songs for Bones I

⇳̸̛̩̩͓͌̋͌͐̃́⇶̴̯̳̟͇̰̑̎̊̈́̌͘⇶̵̻͇͙̰̭̤̂̍͋̀̂̅̚ͅ↫̵̡̤͍̤͈͇̦̉́́̑͑̃↶̸̭͈̮̘̰̖̲̒↻̸̧̝̲̼͇̳͎͎̓̉͌̅͘  [DEMO]

sc-drone-001 * 10-16-24

i love general midi [demo]

glimmering

glistening

"Dear Pratella,

I am a piano; I am a piano!  I am a piano — I am a piano...Bolder than a professional musician could be... unconcerned by my apparent incompetence... I am a piano."

The Futurist(2019)

Chris Younghoon Kim, conductor
Aleia Gonzales Gulino, guitar
Morgan Sutherland, marimba
Anika Kildegaard, soprano
Ari Streisfeld, violin

Premiered at the Cortona Sessions festival in Italy

"
          [Bray: in the parlour of the house in Martello Terrace]

     Mr. Vance—(comes in with a stick). . . O, you know, 
     He’ll have to apologise, Mrs Joyce.
     Mrs. Joyce—O yes . . . Do you hear that, Jim?
     Mr Vance—Or else—if he doesn’t—the eagles’ll
 come and pull out his eyes.
     Mrs Joyce—O, but I’m sure he will apologise.

Joyce— (under the table, to himself)
 —Pull out his eyes,
 Apologise,
 Apologise,
 Pull out his eyes.
 Apologise,
 Pull out his eyes,
 Pull out his eyes,
 Apologise.
"

-James Joyce

Under the Table, to Himself

asdfghj[;l.aup

xfHdk&*UJHGhljak≥√a%jlfbja%^&*Uvkajhflasdjfshlja%^&*UJHG˙∆˚sdyt7sdjf»’”hjak≥f6fajhflagsdxcvskdjlfbvkhlja%^&*UJHG˙∆˚sdfajhflasdjfsd7sdjf»’”hjak≥√; https://www.jackhamill.digital

RELEASE: 
probablevoltages.bandcamp.com/album/headliners


LIVE: https://www.youtube.com/watch?v=8LYrHL8TbFc&ab_channel=ProbableVoltages 

SCORE-FOLLOW: https://www.youtube.com/watch?v=EbqRgRBKLzw

okokokyeahyeahyeaah REAL HARSH NOISE: https://blnkelectronics.bandcamp.com/album/scotomata
BIO BIO BIO BIO BIO BIO BIO:::;

no,. wait,,, 

vimeo: https://vimeo.com/jackhamill

b l o g for friday listening sesh:
https://studio3listening.wordpress.com

Jack Hamill

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