Henry Gloege is a composer and cellist based in Denver and Chicago. He is currently pursuing a Bachelor's degree in Music Composition at Northwestern University. His work emphasizes experimentation, texture, and process.

Felipe Tovar-Henao is a US-based multimedia artist, developer, and researcher whose work explores computer algorithms as expressive tools for human and post-human creativity, cognition, and pedagogy. This has led him to work on a wide variety of projects involving digital instrument design, software development, immersive art installations, generative audiovisual algorithms, machine learning, music information retrieval, human-computer interaction, and more. His music is often motivated by and rooted in transformative experiences with technology, philosophy, and cinema, and it frequently focuses on exploring human perception, memory, and recognition.

As a composer, he has been featured at a variety of international festivals and conferences, including TIME:SPANS, the International Computer Music Conference, the Mizzou International Composers Festival, the Ravinia Festival, the New York City Electroacoustic Music Festival, WOCMAT (Taiwan), CAMPGround, the Electroacoustic Barn Dance, CLICK Fest, the SCI National Conference, the SEAMUS National Conference, the Seoul International Computer Music Festival, CEMICircles, IRCAM's CIEE Summer Contemporary Music Creation + Critique Program and ManiFeste Academy, Electronic Music Midwest, and the Midwest Composer Symposium. He has also been the recipient of artistic awards and distinctions, including the SCI/ASCAP Student Commission Award and the ASCAP Foundation Morton Gould Young Composer Award.

His music has been performed by international artists and ensembles such as Alarm Will Sound, the Grossman Ensemble, Quatuor Diotima, the Contemporary Art Music Project, the New Downbeat Collective, NEXUS Chamber Music, Sound Icon, the IU New Music Ensemble, AURA Contemporary Ensemble, Hear no Evil, Sociedad de Música de Cámara de Bogotá, Ensamble Periscopio, Andrés Orozco-Estrada, and the Orquesta Sinfónica EAFIT, among many others.

He has held research and teaching positions at various institutions, including the 2023/25 Charles H. Turner Postdoctoral Fellowship in Music Composition at the University of Cincinnati College-Conservatory of Music, the 2021/22 CCCC Postdoctoral Researcher at the University of Chicago, Lecturer in Music Theory and Composition at Universidad EAFIT, as well as Associate Instructor and Coordinator of the IU JSoM Composition Department. He currently works as Assistant Professor of AI and Composition at the University of Florida.

Jack Langdon (b. 1994, Sault Ste. Marie Tribe of Chippewa Indians) is an experimental composer, filmmaker, and writer. His work investigates incompleteness, indifference, mimesis, stagnation, and material brevity. He is currently devising systematic approaches to non-harmony.

As a performer, his mediums are the pipe organ and the Ojibwe wooden flute (bibigwan). The subjects of his films are the landscape, the built environment, memory, and the transmission of these things through people. His writings investigate philosophy of music and political economy of contemporary cultural production.

Jack has written works for ensembles Yarn/Wire, Schallfeld Ensemble, Fonema Consort, Ensemble Dal Niente, Talea Ensemble, Prague Quiet Music Collective, Southland Ensemble, Left Coast Chamber Ensemble, and Trio SÆITENWIND. His orchestral works have been performed by the Minnesota Sinfonia and St. Olaf Orchestra. He has created work together with musicians Jeff Kimmel, Olivia Shortt, Anthony Vine, Webb Crawford, Taylor Ho Bynum, Kelley Sheehan, and Weston Olencki. His work has been supported and presented by the Foundation for Contemporary Arts, Darmstädter Ferienkurse, the Fromm Foundation, The Awesome Foundation, and the Prague City Gallery.

His recordings have been released by IMPREC, Sawyer Editions, Dinzu Artefacts, and Lobby Art Records. His written work has been published by Sound American, Cacophony, and Shred Magazine. He runs an independent record label and music journal called Empty Stage and runs a blog called Challenging Music.

He is a PhD student in Composition and Music Technology at Northwestern University. He holds degrees from Dartmouth College and Saint Olaf College. He was a Graduate Fellow at the Alice Kaplan Center for the Public Humanities in 2024 and 2025. 

Jack grew up in the unincorporated community of Keyeser, Wisconsin. He is an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians.

I live in a world where all coffee mugs read backwards.

xfHdk&*UJHGhljak≥√a%jlfbja%^&*Uvkajhflasdjfshlja%^&*UJHG˙∆˚sdyt7sdjf»’”hjak≥f6fajhflagsdxcvskdjlfbvkhlja%^&*UJHG˙∆˚sdfajhflasdjfsd7sdjf»’”hjak≥√; https://www.jackhamill.digital

RELEASE: 
probablevoltages.bandcamp.com/album/headliners


LIVE: https://www.youtube.com/watch?v=8LYrHL8TbFc&ab_channel=ProbableVoltages 

SCORE-FOLLOW: https://www.youtube.com/watch?v=EbqRgRBKLzw

okokokyeahyeahyeaah REAL HARSH NOISE: https://blnkelectronics.bandcamp.com/album/scotomata
BIO BIO BIO BIO BIO BIO BIO:::;

no,. wait,,, 

vimeo: https://vimeo.com/jackhamill

b l o g for friday listening sesh:
https://studio3listening.wordpress.com

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