As the Light Wave and the Time Wave hit the Prismatic Juncture they refract and twist, not painful but new. Uncountable bounces, devisions, and revisions, they twyrl and wynd as leaves from a tree, in dialogue, independent.
Then, they exit the Prism as quickly as they entered, but now they're changed, smeared, all at once. They are the same... yet more. Not "divided" -- but their magic of oneness revealed in wonder and honor. As if in a dream, they now will forever pass thru the zRAINBOW SPECTRUME.
How can a Natural Lump of craestal refract such Cosmic Materia.... and so continuously??
The path is not changed but -- somehow -- it is forever renewed.

The Time Wave smeeears into a brown, black, grey shadowy spectrume - an inversed zRAINBOW spectrume. Like a viscous gel warping and contorting and enveloping empty space, it seems to get darker as it moves but seems to dodge simple axioms of logic.
It's refraction is SHADOW and it coalesces in it's current manifestation: Peepee Peters, deep - no doubt - in laet night slumber, dreaming of craestals and large movements, channeling the Time Wave's darkness. Here, Peepee Peter's vision began: to alter sample playback to fit their whimms --> transforming sounds by slowing down their waves, changing their meaning.
Harnessing the Shadow of the T.W., Peepee proceeded to wake up and bend General MIDI to new standards; an Aquarian, the 5th dentist that sees something different than the other 4.
Peepee finds themself suspended in Aether.

The Light Wave - blindingly fast - in an instant fans out from a white beam into a Shimmering zRAINBOW spectrume.
With a light, fleet, and effortless beam it gets no dimmer as if powered by an infinite power source.
The Prism smears it into its refraction: SHIMMER. And some of its beam found its way to Earth... specifically, it found a person of un-specified age: Phoebe FM, up - no doubt - in the cleər morning, looking at the Wylde Flurs, mistaking Rainbow light as simply their iPhone's flashlight thru a Bubble's sheen. It was here that Phoebe FM's SHIMMERing Melodies and Groove started to be borne -->
one instrument transforming into the next in an effortless spectrume, changing their meaning. Harnessing the SHIMMER of the L.W., Phoebe symbiotically bound with General MIDI, growing a new plant of playfulness and cohesion. A Piscetic: a fish swimming upstream in the sumerthyme of Wyntr.
Phoebe finds themself suspended in Aether.

Our 2 Waves Incarnate meet eachother's eyes in the Prismatic Juncture, a crystal-clear craestyl-face - the barrier between them. The Rainbow SHIMMER dancing behind Phoebe, the brown-black SHADOW morphing behind Peepee, they both raise a hand and place it on the wall between them.
Light and Shadow intertwine and rage around the craestil shard suspended in the darkness of Space.
!!!!!Together they form the Warrior of the 30 SMoidi Light 30 ZRainbow Spectrume 2022!!!!!
Is it Fate?

PCoT 01

RAMPTOE )( GENIUS IS KAT MAZUR - Ramhazing Graces (Winner — Devotional)

anchor

//

bare granite
softly framed in seafoam
steeping in twilight

the rarity of weightless overcast
receding into previous day

I am pulled between the edges of then and now
complacently losing the battle

and I place a bowl on that granite
with water seeping through its pores
half-washed
porcelain in defeat

pray I go back down and think a way out
but the waking hours escape me
for once turn the right way,
you flake, you human life

thank the paper blinds for sparing you the shame
of months and months gone by

//

Nascent is about becoming:

The desire to become a better human being, longing to actively participate in the world around you, striving to actualize your potential, and finding meaning in this process.

Equinox

Commissioned by Codes D'Accès
As part of In Quest of Spirit
premiered on November 23, 2022 at Studio Multimédia du Conservatoire - Montreal, Quebec, Canada

Interpolation II – Interfacing Grains

if you liked this track on soundcloud leave a like

subcribe to my on bandcamp and follow me on youtube
if i delte thsis is probably because i wanted to

generative breakcore idk might delete later

opened for @dasychira at the sco' ABOUT A WEEK AGO. the recording from the actual set (2/10/23) is a bit fucked so here's a rehearsal from earlier in the day. it's about as good as job

@dasychira

dasychira practice 3

ALLEGORY for bassoon, live electronics & lights

FOR_VOICE_VERSION_II_2023 for alto voice and live electronics

odds of this surviving soundcloud audio quality are scant, so i tossed it up on bandcamp here if you want a better listen:  
https://jack-hamill.bandcamp.com/album/songs-for-bones-i-ii

🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴🦴
more "composer-ly" stuff for Bones; bird bones in a straightjacket; ice-cold plastic bones; glitchy yummy bones; shivering shuddering bones; earthly passionate bones; molten sputtering bones; 

limits:
mvt. 1: lots of MIDI input->raw bones output-> editing
mvt. 2: lots of MIDI input->raw bones output->basic audio processing-> editing

yeah well that just goes to say: if the last track was music with bones, this is music for bones, or bones for dinner

or,
mvt 1 is basically a slow reveal of the voice-ness of bones
mvt 2 is probably like bones being swallowed up by a vibration living within the depths of the earth, i dont fuckin know 

maybe i'll add more songs later. probably not

(Bones: https://www.plogue.com/products/voice-banks.html)

Songs for Bones I

Performed by Erin Lesser on May 2nd, 2024, at Northwestern University.

Karaksa (2024), for alto flute and electronics

Electronica B • Minor Crush

for Microtonals Accordions ©Xamp
Electric Guitar, Amplified Harpsichord, 
Piano, 3 Percussions, 3 doublebass,
& Wind Ensemble (with NO electronics)

For my beloved friends <3
Tribute to Mark Fell

Conducted by Julien Leroy
With Duo Xamp (F.Vicens & J.-E.Sotty)
R.Reber (Guit.), P.Hattat-Colin (Pno.),C.-U.Kim(Clav.),
& Musicians from the CNSMDP Orchestra
Live Recording by Jean Marc Lyzwa 18th September 2020
Paris CNSMDP
Edit & Mix Samir Amarouch
Master Charles D. Wajnberg

Electronica B • Minor Crush , for 21 musicians | 2020 • J. Leroy

xfHdk&*UJHGhljak≥√a%jlfbja%^&*Uvkajhflasdjfshlja%^&*UJHG˙∆˚sdyt7sdjf»’”hjak≥f6fajhflagsdxcvskdjlfbvkhlja%^&*UJHG˙∆˚sdfajhflasdjfsd7sdjf»’”hjak≥√; https://www.jackhamill.digital

RELEASE: 
probablevoltages.bandcamp.com/album/headliners


LIVE: https://www.youtube.com/watch?v=8LYrHL8TbFc&ab_channel=ProbableVoltages 

SCORE-FOLLOW: https://www.youtube.com/watch?v=EbqRgRBKLzw

okokokyeahyeahyeaah REAL HARSH NOISE: https://blnkelectronics.bandcamp.com/album/scotomata
BIO BIO BIO BIO BIO BIO BIO:::;

no,. wait,,, 

vimeo: https://vimeo.com/jackhamill

b l o g for friday listening sesh:
https://studio3listening.wordpress.com



OK BIO BIO BIO BIO BIO BIO BIO BIO BIO:::;

uhhhuh uhh  uhhh u h hh uhhhhhh sooooooouyhhh…***”jack” hmaiil****  was bron in hhhhhhhohkiihjurcofhicgosmoenthjgn,.then,OBERlinyehea okhahahhah s o yes SO pshhhh smtohgi whateverr,. yeah thats for sure  "a phd ", orwhat.Everahhhha-˙hha˙a˙.8()dhy98e¨·‚uhhhhhh uhhhhhhh uhhhhhh uhhhhhh uhhhhhhhh uhhhhhhh uhhhhhh ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ok ""“””jack””""” is what the  certain People will call a “CONETMPORARY CLASSICAL COMPOSER” or even an “ELECTRO ACOUSTIC” on aauh / orr musicoal aRTISTtrr some shti ikd abt but look ,,,,,,,,,,,goes to big boy nerd school .... . . . listen man,., I”M NOT ABOUT TO BE OVER HERE TAKING MYSLF UP ON ABOUT SOME SHIT ABOUT THE "CLASSICLA "CONTEMPRYROA ev en ELEOCTOR ACOUTIC SMUSIC AT THIS POINT like look im the 1st to be like ok —- ms8ticthejrelikej—heyno doutbt-coooo,lumsic (ughhhhhhhhhhhh)around if ya catchmy.drift [donttttt] so OK OK basically attheENDFOTHEDAYdo i reEAlly evne WANT to Sqy that:::::

A. “his work has employed a heterogeneous variety of aesthetic mediums, including light fixtures, vinyl records, a dysfunctional analog synthesizer, a computer kept at 5% battery, Disklaviers and acoustic ensembles”

OR:
 B. “his work has been performed at festivals in the US and Italy including s****scAPE, C*rtona **ssions, h*gh***RE and SEAMUS” 

oRR:

D. “he particularly loves sitting outside and listening to the frogs, but sadly he has no hobbies” hhhhhhhhHHHHHHhOK OK REAL BIOBIOBIOBIOBIOBIOBIOBIObiobiobiobiobooiopipbiiobiiobii ;::::::::::::::__________+_______what is msot..iuh,, distICNtive about jacks’ Work as ANb Artist Is that nWHst I realky Wnat OYu do TOY DFOi with my Aary  is thTInk abuit.. Tmhmmmm....nooo....yea..w Soemtimes....lsitne......  lookgi I relly just string together ..... some ᴛʜᴇ ꜰᴇᴛɪꜱʜɪᴢᴀᴛɪᴏɴ ᴏꜰ ᴇꜰꜰɪᴄɪᴇɴᴄʏ, ᴘᴜʀɪᴛʏ ᴀɴᴅ ᴘᴏʟɪꜱʜ ɪꜱ ᴀ ꜱᴛʀᴜᴄᴛᴜʀᴀʟ ᴄʜᴀʀᴀᴄᴛᴇʀɪꜱᴛɪᴄ ᴏꜰ ʀɪɢɪᴅʟʏ ʜɪᴇʀᴀʀᴄʜɪᴄᴀʟ ꜱʏꜱᴛᴇᴍꜱ ᴏꜰ ᴘᴏᴡᴇʀ ™*** thing about, alright alright, i've done...uhk ,.,..,.,.,..,.,.,,.., ""installations""" *(have yOU done an "iNstallation">?) afkldjaYwell u have done something like myself at some pt when u...think i rly like going outside and listening to the sounds of frogs.........imagine ... "ꜱᴛᴀᴛᴇ-ɪᴍᴘᴏꜱᴇᴅ ᴄᴏɴᴠᴇɴᴛɪᴏɴꜱ ᴏꜰ ʟᴀɴɢᴜᴀɢᴇ ꜰᴜɴᴄᴛɪᴏɴᴀʟɪᴢᴇ ᴄᴏᴍᴍᴜɴɪᴄᴀᴛɪᴠᴇ ᴇxᴘʀᴇꜱꜱɪᴏɴ ᴛᴏᴡᴀʀᴅꜱ ᴘʀᴏᴅᴜᴄᴛɪᴠᴇ ᴄʟᴀʀɪᴛʏ"™....nothing is really serious, everything comes together, you can listen to my music upside down, speed it up, slow it down, put it in your toaster, wear it on top of your back like a dung beetle and fly around the hungry night sky searching for truth but you'll never find it becausse it has no smell 

ＭＡＮＩＦＥＳＴＯ: 𝕤𝐜я𝔸𝔪𝓑Ĺｅ ⓤ𝕡 ΔĻĹ Øᶠ 丅Ｈ𝒆 丨ⓓ€𝓐𝓈 ιŇ ч๏𝓤я 卄єⓐ๔, Ｄσℕ’𝐓 tＡⓧㄖＮⓄ𝓶Į𝓏ᗴ 𝐭Ｈє𝕄, ∂𝔬𝓷’ᵗ ţƗ𝑒 ᵗ𝐇ⓔ๓ тｏ 𝕣αｔｉᗝℕ𝕒𝓛 𝐑𝐨σт𝓈, βùᵗ 𝓌乇𝔞ѶＥ 𝕋卄𝒆ⓜ ⓐℓｌ 丅ᗝ𝕘є丅н𝐄Ř ᎥⓃ ⓣħε ａ𝓒ｔ 𝓸ｆ ˡ𝒶𝔂𝓘𝐍𝐠 ＴʰⒺϻ ᵒ𝐮t ⓄℕţⓄ 𝐚 𝓱𝔼𝓉έ𝕣όģ𝔢Ｎ€๏ⓊŞ ｇ𝐑Ꭵ𝓭. ί ⓟⒽ𝐑卂𝕤є Įt ℓⓘⓀẸ ⓣｈιˢ 𝔹εⒸÃ𝓾𝕊𝑒 ι 𝐰卂几ᵗ Ў𝓞ᵘ 𝕋𝕆 ｍᵃЌ𝔢 𝐲σＵⓇ ᵒ𝓌ภ ϻ𝔞ⓝ丨千𝔼𝕊ŤＯ. 𝐀๔𝓓 𝔶𝓸υ𝓻 Ỗ𝔀ή 𝕕𝐢𝕄ｅŇ𝐒Į𝑜ⓝ Ｔⓞ 𝐜ＵＴ ţᕼ𝐫συ𝕘Ĥ 𝓽Ħ𝓔 Ｐˡ𝐀𝓃𝐄, 𝕒𝐍Ｄ Ⓣᕼ𝐞几 ςǗⓉ 𝕥𝓗г𝕠𝐔g𝔥 𝔱Ⓗ𝔸𝕥. Ƴ𝕆𝓊 Ｄόή’t 几Ｅ𝑒𝕕 Ŧσ 乃ⓔ ᗩη 𝐀𝐫ｔĮŜ𝐭 tØ в𝒆 ⓐʳ𝕥ι𝐬𝕋ιᑕ. đĮ丂ｍαᑎＴlε, ∂𝔢-ⓢт尺Ã𝓽𝐈Ƒ𝐲, ∂丨𝓢ØʳĞ𝓪Ňίℤ𝒆, 𝐌𝐔𝓛ｔι𝓟ᒪⓎ. cⓞ𝐍𝓃€ς𝓣𝕀ㄖŇs ᗩᑎđ гᵉℱ𝕃ｅℂţ𝔦Ⓞηş 山ᎥĻ𝕝 𝕞卂𝓷𝕚ғєsŤ 𝔦Ň 𝑒𝓋Ẹ𝐫𝓎 ᵈเ𝓡𝓔ᶜⓣί𝓸ℕ

🄼🄰🄽🄸🄵🄴🅂🅃🄾, ②⓪②⓪
ⒿⒶⒸⓀ ⒽⒶⓂⒾⓁⓁ

to be continued...

Songs for Bones I

Jack Hamill

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