Abstract Forms - Independent platform for experimental electronic music, transmitting since 2007.

Abstract Acid - sublabel devoted to Acid music.


COMING SOON
APT16 - NEW JACKSON - SANYO SHINKANSEN (feat ELLLL & Lumigraph remixes)

Purveyor of machine made acid music... Jackee has upcoming 12" releases on Abstract Acid, Snuff Trax and Our House Recordings...



Ian Dalton was born into a musical family.  This lineage runs back to the Spanish Armada of 1588.  Javier Daltonez who was a sailor in the Spanish Armada was eating soup with two spoons on deck to save time between rigging the sails.  A large wave crashed against the ship and the spoons clacked together!  From this moment on the castinet was born.  Javier Daltonez became central to the morale of the fleet with his unique flamenco castinet playing style, called flamenco because of his unusually long pink neck due to sun exposure and lack of vitamin C.   Javier Daltonez washed up on the shores of Waterford and established the Daltonez family name in Waterford.  Due to racial stigma and fear of the letter “Z”, he dropped the “EZ” and adopted the anglicized name “Dalton”.

Centuries past and the Daltons became key figures in the vinyl pressing factory in Waterford City. Ian's grandfather, “No Fingers Dalton” , lost all his fingers in a vinyl pressing accident and retired from public life for a period.  He spent most of his time honing and perfecting what is now known as “mixing” in DJ culture.  The fingerless pioneer that was “No Fingers Dalton' relied on his stubby knuckles to cue, scratch, mix, crossfade, eq and isolate his musical vision, which predates that of one Frankie Knuckles by 15 years.  These skills were passed down to Ian by “No Fingers”.

Ian Dalton has built on this rich family history by refining his skills on a local level for 15 years. When some people went to university to study, Ian stayed at home studying records, soul and rhythm.  He is deeply influenced by the sounds and cultures of Detroit, Chicago & New York's disco scene.

Dj & producer from The Netherlands.
a.k.a. Marco Moschino, Empar.
This is the only official & authorized Soundcloud profile for this artist.

for more mixes go
www.acind.de
two turntables , records and a mixer

Frustrated Funk
Harbour City Sorrow
www.frustratedfunk.com
www.instagram.com/frustrated_funk_
www.facebook.com/frustratedfunk
www.youtube.com/@frustratedfunk/videos

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

Jackee. is following