Epicene

Back in Time

Soulful Sunday 821

Issa album. Appreciate you if you listen <3

Socials and shiii:
Instagram https://www.instagram.com/ferris_valley/
Spotify: https://open.spotify.com/artist/2bqNlmCNjwqpQL1ZRzaMNH?si=TVSclNtyQYGxzeQxpT4rcw
Apple Music: https://music.apple.com/us/artist/ferris-valley/1507662964
Amazon Music: https://www.amazon.com/s?k=Ferris+Valley&i=digital-music&search-type=ss&ref=ntt_srch_drd_B0871KYY2R
TIdal: https://tidal.com/browse/artist/19065005

Mixing/Mastering: https://soundcloud.com/aywsyke

Album Art: https://www.instagram.com/it.customz/
https://www.instagram.com/bellateebagy/
itcustomzz@gmail.com

Starved

Olympic Power House El Coyote Silva Sept 22

Addicted & Gifted (Prod. by TE'HO SWIFT)

Los absolutos están mal vistos en nuestro mundo actual. El dogmatismo tiene mala prensa y si alguien te tilda de fanático ya estás estigmatizado para siempre a ojos de esa persona. Sin embargo, la fe cristiana histórica es dogmática porque lo que creemos y vivimos es la Verdad (con mayúscula) que nos ha sido entregada por Dios mismo y, por lo tanto, es intolerante ante el error y la falsedad. Dios llama hoy a su Iglesia a ser santamente intolerantes y a combatir ardientemente por la fe que nos fue dada. Judas 1:1-4.

Iglesia Evangelica Bautista de Cordoba 2022

La contienda por la fe 1

La contienda por la fe 1 - Israel Sanz

Czech original with Kanochi Neko about infinity, the number which (in Czech) contains her name (Neko ⊂ Nekonečno) and may be able to answer all her questions.
Český UTAU original s Kanochi Neko o čísle, které obsahuje její jméno a které možná zná odpovědi na její otázky.

Music, lyrics, tuning, artwork: D. K.
Singer: Kanochi Neko (UTAU by Sango312)

Audiomack: https://audiomack.com/d-k-vocal-synths/song/nekonecno

Lyrics / Text:
[Intro]

Myslím si číslo...

Myslím si číslo,
jen jedno číslo,
jediné číslo,
jež odpoví na mé otázky.

[Verse 1 / Sloka 1]

Kolik překážek mám v cestě?
Jaký má ta cesta cíl?
Jak daleko se od něj nacházím?

Kolik výzev musím zdolat
a jak moc náročných?
A kolik s sebou nesou nesnází?

Kolik čeká mě chvil šťastných
a kolik nešťastných?
Jak dlouho od nás smůla odchází?

Kolik otázek mi ještě
má mysl položí?
Tu odpověď já v čísle nacházím.

[Chorus / Refrén]

To číslo v sobě skrývá jméno mé
a zdá se být nedosažitelné.

[Verse 2 / Sloka 2]

Kolik cílů klást si můžu,
kolik z nich se splnit dá
a kolik práce každý z nich mi dá?

Kolik lidí ještě potkám
a jakých vlastností?
Kolik úkolů každý z nich pro mě má?

Kolik rozhodnutí ještě
sama musím učinit?
Jak vážný dopad každé potom má?

Kolik životů na světě
v tuhle chvíli probíhá,
jaké štěstí mám, že jsem to právě já?

[Chorus / Refrén]

To číslo v sobě skrývá jméno mé
a zdá se být nedosažitelné.

[Bridge]

Tak se zamýšlím a přemýšlím,
jak se s tím číslem blíže setkat.
Nenašla jsem žádnou cestu -
jestli to možné je, asi to ví jen

[Chorus 2 / Refrén 2]

Číslo, co v sobě skrývá jméno mé
jenže zdá se být nedosažitelné.

[Chorus 3 / Refrén 3]

To číslo v sobě skrývá jméno mé
a zdá se být nedosažitelné.
Neuchopitelné.
Nespočitatelné.

【UTAU original】 Nekonečno 【Kanochi Neko】

"Marea flusso deriva", for six voices(2022)
From the Book of madrigals "Il Libro dei Margini" © Casa Ricordi.

For a video with score-following: https://youtu.be/1RHXJvHc3us

Dreams are one of the most fascinating and complex experiences of the human psyche. Every night, each of us crosses all thresholds of consciousness, plunges into the unconscious and is catapulted into incredible, frightening, joyful, exhilarating, horrific or enigmatic adventures. It is a journey with a mysterious outward ticket and a reassuring mandatory return that can, nevertheless, bring us back changed. In dreams, physical reality is transcended, verisimilitude lost, perceptions completely distorted and time suspended. Therefore, how can a musician, who modulates time and perception by trade, not be interested in dreams?

Marea Flusso Deriva (Tide Flow Drift) is the opening piece of a Book of madrigals dedicated to the different perceptions one goes through during sleep, namely: the loss of consciousness, the dreams, the vague memory, the quality of time, the voices and sounds hovering in this particular situation.
Each madrigal of The Book focuses on a particular dream or fragments of different dreams. Elements appear and are perceived in a non-linear way; they are confused, blurred, inconsistent. 
The explicit reference to madrigal suggests the intention to immerse the listener in an invisible inner theatre, full of symbolic and allusive sounds that everyone can interpret and connect in various ways, imagining a different story.
I wrote and elaborated the madrigal libretto myself from transcriptions of personal dreams, phrases from everyday life and fragments by Georgi Gospodinov. I used excerpts from the work of the poet Alessandra Conte, who also wrote an original text for this madrigal. Moreover, dramatic situations are also expressed through what I call Pre-Semantic Archetypes: vocal sounds directly recalling primordial emotions such as fear, joy, anger, satisfaction, pain, desire, etc.

"Marea flusso deriva" stages the moment when an imaginary Self, representing each of us, closes its eyes and falls asleep. Echoes of the images and voices perceived during the day overlap chaotically in its mind. Gradually, the disordered rhythm of these images and sounds gives way to the biological and cyclical rhythm of calm night breathing. The durations dilate and we enter the temporal dimension of sleep, dotted with fictitious presences, remnants, memories and mysterious epiphanies, where the enigmatic theatre of dreams comes to life.
In this space, a vague threatening presence takes the form of a bull/Minotaur chasing us into an endless underground city where we try to escape. At the same time, a sentence condemns us to death and the city in which we are escaping turns into our own bowels catching fire.
Once successfully escaped to the surface, we suddenly find ourselves on the shore of a calm sea where we are entranced by the mysterious song of a woman.

EXAUDI Vocal ensemble. Live recording of the WP at Huddersfield Contemporary Music Festival 2022/11/19

Marea flusso deriva

Tonight( Feat. Piano kinz)

Laid Back, Heavy Feelings

accent//aspen out now

contact: core@consumergods.net

Back in Time

Jack House

Recent comments

JFLOXT

Related tracks