https://moormothergoddess.bandcamp.com/
https://twitter.com/moormother

Murder (featuring Moor Mother)

MURDER feat. Moor Mother

Today we share a new song to inspire the weary-disappointed hearts of so many crest-fallen citizens.   We just started working on a new album, but “Smoke ‘em Out” begged to be turned loose on the world now, as a means of participation during these turbulent yet invigorating times.   Joined on guest vocals by our fellow Future Feminist ANOHNI, “Smoke ‘em Out” welcomes the new character who will be occupying the White House with a mob of women and children armed with forks and knives. In the wake of this unnatural disaster, we feel a call to rise, shout, and burn the house down. The future is female.
peace,  Bianca & Sierra Casady

------------
"Smoke 'em Out" (feat. ANOHNI)
Engineered and mixed by Nicolas Kalwill

Bums rush out the door
Mama didn't want you anymore
A thornless rose in her side
Despite being bonded by blood lines
It wasn't the right time
She said no more free load
This is the end of the freak show
Half shake and heart broke
Half slewed half snapped
A rat trap snapping back
Hand bone hand me down
Baloney sandwich lonely clowns
Smoke laugh toke craft 
Porn blood piss grass
Piss miss heart hand
Tried to take a stand
Down dropped sales low
The joys and woes
The curtains slowly close
Burning Down the House
Smoke em out smoke em out the dead girl shouts
I was on the verge like so many times
Got children and wives waving forks and knives
The new sound circles round
Slaughter raging death dice 
Fall hot house burn down
Foes upon foes, west to east it goes
The dead girl says let's just be friends
In the glorious tone of marrow and bone
These days of ore
The chance we meet once more 
The smoke lightning crack asunder
The boom of guns the peel of thunder
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More at: https://www.cocorosiemusic.com
Facebook: https://www.facebook.com/LaRealCocoRosie/?fref=ts
Twitter: https://twitter.com/larealcocorosie
Instagram: https://www.instagram.com/cocorosie_official/
Youtube: https://www.youtube.com/user/larealcocorosie
https://www.womensmarch.com/

Smoke 'em Out(feat. ANOHNI)

Clap your hands and sing along to the tunes of one of our favorite DJs at the moment. 

https://soundcloud.com/mrux
Forthcoming in March: Chinchi

Pingipung Podcasts

Pingipung Podcast 77: M.RUX - Gitarrendamen & singende Männerhände

Live at UHdemo

The 5th release of Dalmata Daniel is the first Budapest-based banger EP, which presents three original tracks from Norwell and one remix by Imre Kiss.

Norwell was engrossed in kosmiche musik and house, while he found his own sound and made some albums on Reckno, Seagrave or Cleaning Tapes. After all he hasn’t stopped yet, rather, he has started to discover the dark side of club music and converted his own sound into electro. The result of this new beginning was the 12-inch "Death of a Star" on Pinkman in 2016.

Now "ODD EP" is the next level: much deeper into the darkness. 
"Arabian Nights", as the title suggests, is an electro-orientalist-exoticism, like an ancient dangerous night in the desert. However, from the second track, we are in the future: in cold dark space. "Outer Delta Dynamics" is the launch rocket, followed by "Celestial Bodies“, which is a cruel and desperate fight in time and space.

Imre Kiss has started with dreamy lo-fi sounds on Farbwechsel, then he improved his music in house and techno on the next two EPs on Lobster Theremin. 
But the banger remix "Crisis '91" is a pretty new thing in his music. This cool jungle rework perfectly matches the whole atmosphere of "DD005", even if the style is somehow different.

The last curiosity of this EP is that all of the tracks were born in Szemlőhegy, which was actually a coincidence (or maybe fate?). Anyway, this place above the city might have had a common influence on the tracks: they have exactly the same vibe. 
(Mx)

Tracklist: 
A1 - Arabian Nights 
A2 - Outer Delta Dynamics 
B1 - Celestial Bodies 
B2 - Celestial Bodies (Imre Kiss 'Crisis' Remix)
credits
releases June 12, 2017

A1-A2, B1 Written & Recorded by Balázs Semsei at Szemlőhegy, Budapest, Hungary, 2016. 
Synthesizers/ MFB Nanozwerg, Korg Arp Odyssey, Roland Alpha Juno 2, Doepfer Dark Energy 2, Korg Poly 800 MK2, MFB-522

B2 Remix by Imre Kiss at Szemlőhegy, Budapest, Hungary, 2017.

Mastered By – A.P

Art Director/Artwork by Daniel Jani / hEY-RES 
www.facebook.com/studioheyres // www.hey-res.com

Distributed by Diana Charité: www.dianacharite.com

ODD EP

Buy 12"

Arabian Nights (DD005)

It's here.

To celebrate Björk's Mixmag December cover, she's recorded an exclusive studio mix.

We'll let the music speak for itself, but here's a message from Björk herself:

dearestest music-lovers !
here is a little set for you . it is most definitely flute and air themed and perhaps reveals the sonic environment my ears were in last year . i thank all the musicians . kindness , björk.

Tracklist: mixmag.net/bjorkmix2017

Tracklist and Feature

The Cover Mix: Björk

NO DIFFERENT remix CX KIDTRONIK

produced by: iszlai (https://soundcloud.com/jiszlai)
cover art: invention (@invention)
Follow Cosmic Dust on facebook(www.facebook.com/dustcosmicmusic/)

iszlai - Rescue Me Alt107

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — C.L.I.T. (PAN 86)

Jackie Triste is the endlessly reanimated pseudo of the artist Péter Szabó, co-founder of performance-noise band Alergische Platze on end of 90s, and the Ovekk_Finn duo in 2004.
Jackie Triste is his last sound solo-project since 2008, making improvised music using an amplified metal box and guitar-pedals

C 2

Jackie Triste

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