Organ

track from last year just puttin it on here

lemme know Bb Minor 105bpm

O Traurigkeit (2020 / rev. 2022)
by Adrian Foster

Adrian Foster, organ (recorded at the Sacré-Cœur-de-Jésus, Montréal)
Kimberley Lynch, voice

O Traurigkeit (2020/2022)

Babylon's Waters (2018/rev. 2023), for organ and fixed electronics, by Adrian Foster

Score available from Firehead Organ Works: https://fireheadorganworks.com/product/babylons-waters/

Live performance, March 18, 2023 at église Saint-Léon in Westmount, Québec

Photo credit: Tam Photography

Babylon's Waters - Saint-Léon de Westmount (March 2023)

Obviously this is not me playing but joey🧍‍♂️

5th varie (I think) from Maurice Duruflé's Prélude thème et choral varié sur Veni Creator Spiritus

durufle practice from the hallway May 17

Organ: James E Bobb
Rec: 4/25/15 assisted by Laina Bennett
Boe Chapel, St. Olaf College

"Light Within" is a short concert work for organ written during the Fall of 2014 in Northfield, MN. The piece is effectively an advanced level organ work, as well as the original sketches for a band piece, which will have its premiere performance in Dec. of 2015. The piece explores the ideas of transcendence and unification, and functionally can be used as a prelude to a church service without stepping over explicit theological bounds, but can also be used in secular contexts. The piece is an homage to the great transcendent force which unites all people through the miracle of life. It is effectively a love song.

Specific thanks goes to Prof. Jamie Bobb for being an unequivocal champion of the piece, giving several performances around the upper Midwest.

Light Within (for organ)

Jack Langdon (b. 1994, Sault Ste. Marie Tribe of Chippewa Indians) is a musician, filmmaker, and writer with concentrations in experimental music, minimalist documentary, and cultural politics. 

Across mediums, Jack’s work stages elusive, complex encounters with commonplace subjects, scenes, and sounds. As a musician, he has created extensive work for pipe organs, and regularly performs on a variety of keyboard instruments as well as the Ojibwe wooden flute (bibigwan). His films focus on landscape, the built environment, memory, and their transmission through people. He writes on the political economy of cultural production and the workplace politics of American independent music making.

Jack has composed works for Yarn/Wire, Schallfeld Ensemble, Ensemble Dal Niente, Talea Ensemble, Prague Quiet Music Collective, Southland Ensemble, Left Coast Chamber Ensemble, Trio SÆITENWIND, Yoshi Weinberg, Jack Yarbrough, Miroslav Beinhauer, Sara Constant, Jonathan Hannau, and Graeme Shields. His work has been supported by the Foundation for Contemporary Arts, Darmstädter Ferienkurse, the Fromm Foundation, The Awesome Foundation, MISE-EN_PLACE, and the Prague City Gallery. 

As an improviser, he has projects with Jeff Kimmel, Hunter Brown, Olivia Shortt, Taylor Ho Bynum, Adam Shead, Webb Crawford, Anthony Vine, Erica Miller, Sam Scranton, Kelley Sheehan, Ishmael Ali, and Weston Olencki.

His recordings have been released by IMPREC, Sawyer Editions, Dinzu Artefacts, and Lobby Art Records. His written work has been published by Sound American, Cacophony, and Shred Magazine. Jack is a founding editor for Culture as Care Journal with Eli Namay and John Pippen. He runs an independent record label and music journal based in Chicago called Empty Stage.

He is currently studying for his PhD in Composition and Music Technology at Northwestern University, and holds degrees from Dartmouth College and Saint Olaf College. He is a Graduate Practicum Fellow at the Alice Kaplan Center for the Public Humanities in 2024 and 2025. 

Jack grew up in Keyeser, Wisconsin.