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Songs for Social Change

Hello, and thank you for taking the time to listen.  
My name is Johnny, a lifelong musician and songwriter whose work is deeply rooted in the pursuit of justice, equality, and meaningful change. For as long as I can remember, music has been my voice, my weapon, and my sanctuary—a way to channel the frustrations, hopes, and dreams of a world in turmoil.  

My songs are a reflection of the turbulent times in which we live. They are anthems for the marginalized, the oppressed, and the forgotten—those who bear the weight of systemic inequality, poverty, and injustice. Through my music, I aim to amplify the voices of minorities, the poor, the sick, and the downtrodden, shining a light on the struggles they endure in a society that often turns a blind eye.  

At the heart of my work is a call to resist the oppressive grip of the billionaire class, whose unchecked power and greed have eroded the foundations of our democracy. My lyrics are a rallying cry, urging listeners to awaken to the realities of our world, to challenge the status quo, and to fight for a future where equity and justice are not just ideals, but realities.  

But my music is not just a critique of what is wrong—it is also a beacon of hope. I strive to inspire others to join the fight, to look in the mirror and confront the uncomfortable truths of our nation’s bloody history. Only by acknowledging the past can we begin to heal and move forward. My songs are a tribute to the dreamers and the activists who came before us, and a call to carry their torch into the future.  

Above all, I seek to honor the vision of John Lennon and countless others who dared to imagine a world of peace, love, and unity. Through my music, I hope to contribute to that vision.  

Thank you for listening, and thank you for being part of the movement for change. Together, we can create a world where justice, compassion, and humanity prevail.

Jackson Browne is not only a pivotal figure in the artistic history of Elektra/Asylum – remaining with the label for a remarkable 30 years – but the very existence of Asylum Records was a direct result of his exceptional talent. When artist manager David Geffen was initially unsuccessful in securing a recording deal for the L.A.-based singer/songwriter, he turned to his mentor, Atlantic Records founder Ahmet Ertegun – who suggested that if he truly believed in Browne, he should start his own label as a joint venture with Atlantic. Founded in 1971, Asylum’s earliest releases included Browne’s self-titled debut (1972), followed by For Everyman (1973) and Late For The Sky (1974).
Meanwhile, at the urging of Elektra’s departing founder Jac Holzman, Warner Communications turned to Geffen to lead Elektra, and Browne – along with his friends the Eagles and Linda Ronstadt – became part of the newly merged Elektra/Asylum. It was a fitting turn of events, since Browne’s links with Elektra went back half a dozen years. In 1967, he had signed a publishing deal with Nina Music, a division of Elektra named after Holzman’s then-wife. Browne’s songs were recorded by such artists as Tom Rush and then-girlfriend Nico, and during a brief stint in New York he played in Tim Buckley’s backing band.

Although Browne’s first three albums had been critically acclaimed and commercially successful, he was still not selling as many records as Elektra thought he could. In 1976, it was The Pretender that finally brought Jackson to a wider, deeper audience, with the title track and “Here Come Those Tears Again” among the highlights. Jackson’s introspective examinations of life “caught between the longing for love and the struggle for the legal tender” resonated everywhere. His next release, the 7-times platinum Running on Empty (1977) became his best-selling album, and his role as an iconic artist of his generation was forever cemented. Browne remained with the label until 2002, having charted a rare three-decade career with the first label that had signed him.

Inspired by 70’s singer songwriters like Jackson Browne, Dan Fogelberg, John Mellencamp - by the west coast sounds of the Eagles, CSNY, Jefferson Airplane, etc., to guitar icons like Santana, Clapton, Alvin Lee, and the finger-picking guitar players like Mark Knopfler & Lindsay Buckingham, to the bluesy swamp music of the Outlaws, Lynyrd Skynyrd and other Muscle Shoals players - artists from many genres and places influenced my tastes.

Followers of Jackson Browne