pauls  pics

Jackson Brown

my songs

chill/study

Running On Empty - Jackson Browne

Love Is The Drug - Roxy Music (Akbar et Jeff Edit)

The Shins - New Slang

Recorded a very long time ago, this is our tiny homage to Bowie's classic.

Heroes (David Bowie cover)

Stay / Rosie [Digital 45]

Rosie (45 Version)

For Everyman

Love Is Strange

For Everyman (Album)

Late For The Sky (Album)

Running on Empty

Stay (Live)

The Pretender

You Love the Thunder

The Road

The Load Out

Rosie

Nothing but Time

The Very Best Of Jackson Browne

Before the Deluge

How Much I Feel / Ready for Camarillo

How Much I Feel

Every Kingdom

Only Love

Songs About Jane: 10th Anniversary Edition

Sunday Morning (Demo)

http://irationmusic.com

You’ve seen her at a party, she’s doing her rounds 
She likes to get it started, she likes to get loud 
She’s poppin that champagne, she’s taking shots down 
She’s living for the moment, 

She’s a time bomb, trying to take you out, 
The ticking of her heart is the only sound 
She’s a time bomb, about to detonate 
You try to cut her wires but you’re way too late 

Whisky stain on her dress now, she’s wearing it proud 
And there’s nothing you can tell her, cuz she’s starting to shout 
Now she’s spraying that champagne, all over the crowd 
She’s living for the moment 


She’s a time bomb, trying to take you out, 
The ticking of her heart is the only sound 
She’s a time bomb, about to detonate 
You try to cut her wires but you’re way too late

Time Bomb

92 - MANA - LABIOS COMPARTIDOS ( DJ GHOST ROCK 2012 )

'70s Music for Sync Licensing (Film & TV)
http://cleorecs.com/home/contact/
For Inquires please contact: 
Benny Cardenas 
Office (+1) 310-477-4000 I Direct Line (+1) 310-477-3133 I 
email: benny@cleorecs.com 
(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

#70s #Disco #Funk #TV #Film

Ambrosia - Biggest Part of Me

The Who - Who Are You

Written about the feeling of reminiscing and thinking about the days of our youth and how simple yet great the times were.

Summer Nights

Jackson Browne is not only a pivotal figure in the artistic history of Elektra/Asylum – remaining with the label for a remarkable 30 years – but the very existence of Asylum Records was a direct result of his exceptional talent. When artist manager David Geffen was initially unsuccessful in securing a recording deal for the L.A.-based singer/songwriter, he turned to his mentor, Atlantic Records founder Ahmet Ertegun – who suggested that if he truly believed in Browne, he should start his own label as a joint venture with Atlantic. Founded in 1971, Asylum’s earliest releases included Browne’s self-titled debut (1972), followed by For Everyman (1973) and Late For The Sky (1974).
Meanwhile, at the urging of Elektra’s departing founder Jac Holzman, Warner Communications turned to Geffen to lead Elektra, and Browne – along with his friends the Eagles and Linda Ronstadt – became part of the newly merged Elektra/Asylum. It was a fitting turn of events, since Browne’s links with Elektra went back half a dozen years. In 1967, he had signed a publishing deal with Nina Music, a division of Elektra named after Holzman’s then-wife. Browne’s songs were recorded by such artists as Tom Rush and then-girlfriend Nico, and during a brief stint in New York he played in Tim Buckley’s backing band.

Although Browne’s first three albums had been critically acclaimed and commercially successful, he was still not selling as many records as Elektra thought he could. In 1976, it was The Pretender that finally brought Jackson to a wider, deeper audience, with the title track and “Here Come Those Tears Again” among the highlights. Jackson’s introspective examinations of life “caught between the longing for love and the struggle for the legal tender” resonated everywhere. His next release, the 7-times platinum Running on Empty (1977) became his best-selling album, and his role as an iconic artist of his generation was forever cemented. Browne remained with the label until 2002, having charted a rare three-decade career with the first label that had signed him.