:)

https://soundcloud.com/iglooghost
https://soundcloud.com/babiibabiibabii

ui birth bootleg

Here’s our promised p2 from the hypercore gremlins: @DJCAMSLUT & tmagyk's @user662910329 opening b2b from Terminally Online 2. Expect donk, dariacore, and cringe pop edits! 

Get ready for our special hypercore x GFOTY @ola_radio takeover next week, and then back here on hypercore url from April 4th with our favourite terminally online artists & friends <3

TRACKLIST:
furryconvention2005 - gangnam style (baile funk edit).docx
KIRA600 - HEY!WHATSUP??HELLO!
Boxxy - Symphony  
Bovllov - 69
TAYLOR, Theodora - KONGOLESE SOUS BBL (JERSEY EDIT) - Prod. Alex Ebs & Get Lucky
RaeSam - Naruto (NOLA BOUNCE)
KnightTheProducer! - Koopa Bah Bah Bounce ! (Jersey Club)
Milkfish - ILIKEILIKEILIKEILIKEILIKE
Rahul.mp3 - Eusexua 
Aquestion - cartel_edit2
草ブロック - worldwidesuperstar (funkot) +10% Prev
Tracey brakes - Leansharks
Chuck B - Tearz 2 cry
gullyteen - FLAT EARTH JOE (happy birthday Frank)
Saradisc - 174 - #FFFFFF
Cam Winters - Attention deficit 
DJ BROOKLYN DJ - It’s time to get funky

hypercore url : TMAGYK B2B DJ CAMSLUT (part2)

umbrella hat - HOLD up (prod. Very Human)
Hope u enjoy!!

υмвяєℓℓα нαт - нσℓ∂ υρ (prod. Very Human) FREE DOWNLOAD

FX vs. SentryTV for Wikileaks (inquired by ☁) - 19/06/2025

debut sampler(s) | DJ hybrid set

manipulation & recontextualisation of forgotten media
revivifying hand-collected recordings consigned to archival bit-rot
---------------
an impressionistic tour through electroacoustic and synthetic musics of the past ~50 years

A SECOND LIFE AFTER DECAY.

===========

big ups to mel, derrick thomas henry & vbm.

unending thanks to vbm. for offering up this special space for an extended exploration of & rumination upon the past present and future, on the shortest night.

Fricker/Koch/Omni-FB [BLOCK 1] - agateline
Finis-Terre (1978) - Costin Miereanu
L'Heure Alors S'Incline... (1993) - Christine Groult
Trajets (1991) - Marie-Jeanne Wyckmans
dawn chant (2024) - yannick franck
Shepherd (2006) - Phil Durrant, Lee Patterson, Paul Vogel
Sud (1985) - Jean-Claude Risset
Mutations (1969) - Jean-Claude Risset
De Natura Sonorum (1975): 1ère série. Incidences / Résonances - Bernard Parmegiani
Axe Rouge V (2008) - Elzbieta Sikora
Naldjorlak (2005) (Perf. Charles Curtis,Los Angeles,2020) - Eliane Radigue Charles Curtis
Stern/Milstein [BLOCK 2] - agateline
Ave Maria (2000) - Bittonic
A Script for Machine Synthesis (2017) - Hecker
Gendy 3 (1991) - IANNIS XENAKIS
24 Variations (2001) - Horacio Vaggione
Hatchling (2009) - Hapsburg Braganza
Allégeance volatile (2002) - Régis Renouard Larivière
Karita oto (2009) - Manuella Blackburn
Preparations1-3[2013]/Field-1[2012] [BLOCK 3] - agateline
Resynthese FAVN (Iw 0.30 – Sw 1.80) (2024) - Hecker
Snare 7-ApB (2022) - Tony Lugo
Movement (2020) - Jung An Tagen
Sieve Bifurcation (nuPGPG(TK)) (2020) - Marcin Pietruszewski
Divertimento (2021) - Kent Tankred
II. Sources Ergodiques (Disc 2-1,Part 2) (1977) - Roland Kayn
Vaterland (2000) - Antye Greie-Fuchs
Piano-Miroir (1978) - Costin Miereanu

residence - fifth floor - 21-06-25

Bios Contrast & Nilotpal Das - SSAC42
Label: Infinite Machine
CAT#: IM120
Format: Digital
Release Date: June 27th, 2025

Tracklist: 

1. everyth1ng 1n l1fe (feat. K_anti)
2. EXT10 (feat. K_anti)
3. dysph0r1a (feat. K_anti)
4. XSCX
5. N0R
6. ap0calypse 42
7. espress0
8. Blue Box Recovery

Listening to Bios Contrast–aka Nilotpal Das’--SSAC42 for the first time might be likened to the experience of watching sunlight shimmering on the surface of a body of water. There is an effortless spontaneity, a mesmerizing ebb and flow. There is a movement which continually reminds us of itself. We are drawn in without needing to understand why. Curiosity takes hold—not a ‘question-driven’ curiosity–but a quiet immersion in the unfolding moment. It feels familiar, but distant; intimate, yet undeniably alien–the more we surrender to it, the more it transforms. We do not give our attention so much as we permit ourselves to drift along. With each passing moment, we are captivated anew, drawn into the throes of unexpected emotion.

The sonic world of SSAC42 seems to pull influence from various forms of electronic music on the fringes. We hear rapid, intricate drum patterns. We feel the warmth of synth textures, the soft glow of ambient pads collapsing gracefully into themselves. The airy vocals of K_anti play a significant role–gliding in over arrangements at unforeseen moments, bringing us closer to something vast and luminous. We never quite arrive, but feel as though we’re always approaching. The tracks are melodic without being grounded in melody. They coalesce, fracture, and reform. A pattern begins, and vanishes, swiftly replaced by something else entirely. Time loses shape; moments of breathtaking stillness recline over fierce drum sequences.

This warping of time is notable in the first track “everyth1ng 1n l1fe”, where soft atmospheric elements churn slowly above chaotic jittering drums. The juxtaposition stirs, generating an ongoing tension that is never resolved. Ethereal, washed out vocals pull us further into weightless expanse. Lush moments build up and transfigure, revealing new forms with each phrase. The second track “EXT10” takes us further into moments of unanticipated wonder. Through the turbulence, shifting elements are not mourned as they pass, but welcomed; we do not question their departure—we move forward with them.

The third composition, “dysph0r1a” opens with a clear vocal presence.  K_anti’s tender delivery occasionally rises above the evolving terrain of synths—fleeting, decipherable, then submerged once again. Later on, the sixth track “ap0calypse 42” carries us through a striking arc: from softness to percussive fury, and back into calm. The transformation is tumultuous, but also cyclical—destructive and restorative in turn.

The shapeshifting quality of the album can feel disorienting. Just as we find comfort and predictability, it dissolves. Familiarity is teased, and withdrawn. Perhaps it is in this instability that the core of SSAC42’s potential lies. As the unending search for meaning in our human lives is consistently upended and reimagined, SSAC42 seems to quietly posit that moments of solace will reveal themselves amid the chaos; wonder and enchantment persist if we are willing to stay open.

Words by M. Elijah Sueuga



Bios Contrast & Nilotpal Das - dysph0r1a (feat. K_anti)

Bios Contrast & Nilotpal Das - XSCX

end of the earth

Museifu Dystopia w/ DJ Just Like Kevin - 26/08/2025

Dao’s 2nd anniversary

HAPPY HALLOWEEN !! 🎃🦇👻

a relentless haunted hard house stomper with a dreamy fog machine atmosphere - is it a dream? or is it a nightmare?

... i feel such F34R

F34R

fka jackson from online

HIGH ENERGY FORWARD THINKING EMOTIONAL DANCE MUSIC
#hardcore #trance #hardhouse #speedgarage #eurodance

⚠ MIDWEEK MASSIVE ⚠ wednesdays at 5PM PST bi-weekly on datafruits.fm
 🔊🔊🔊

F34R

jackson from

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