Entropy In Reverse. Composed with Csound and Perl in 2001, ported to Csound Python Score in 2013.

Code:
https://github.com/jacobjoaquin/csd/blob/master/demo/pysco/entropy_in_reverse.csd

Entropy in Reverse

I'm a math professor.  I'm interested in abstract algrebra and number theory and their applications to cryptography.

I'm also a classical music fanatic.  I'm intrigued by electronic and algorithmic music.

I've written exactly one piece of music, for piano solo, in the Romantic idiom.  Sheet music is at gregspradlin.org .  Sorry, no audio file yet.

I love creating memes too.  See gmotd.tumblr.com

I am making as beginner electronic and experimental music using the CSound programming language and the free environment PureData. These two environments provide composer to create its own textures.

stateside worldwide junglism. cool girl. 🇵🇸🏳️‍⚧️

worldwide stateside junglism
future retro @futureretrolondon
thump musiq @user-499247376
ravefurrest @ravefurrest
twist @twist-612737640
system disk crew @systemdisk
yeska @yeska-beatz-crew
meditator @meditatormusicuk

Jacob Joaquin started tinkering with music on a Commodore 64 while in elementary school. From 1994 – 1996 he ran the Digital Dissonance BBS, an online Fresno community where musicians traded original tracker-based electronic compositions. He received his BA in Music Synthesis from Berklee College of Music in 1999. During his time at Berklee he recieved his first C programming lesson from Max Mathews and was the first recipient of Berklee’s Max Mathews’ award. Jacob completed his Masters Degree in Composition New Media and Integrated Media at California Institute of the Arts in 2002. He has studied composition with Dr. Richard Boulanger, Mark Trayle and Morton Subotnick.


This is my Soundcloud.

https://www.beatport.com/release/keine-zeit/2167806
http://flo-huth.de
https://www.instagram.com/elektrosmogma

Vibration Engineer at SUPERSTITION - the Very Sacred Temple of Pentagonal Cut and Paste

Described as "energetic, exciting, and rhythmically dynamic," composer KENNETH D. FROELICH’s music has been performed internationally in England, Germany, Italy, France, Slovenia, Finland, Canada, Peru, Argentina, Chile, and China, as well as numerous major cities across the United States. Emerging as a vibrant new voice in the world of contemporary chamber and orchestral music, Kenneth has been honored with awards from ASCAP, the National Association of Composers/USA, Meet the Composer, the Percussive Arts Society, the American Composers Forum, and the Society of Composers Inc.

Kenneth’s works have been presented by such acclaimed ensembles as the American Composers Orchestra, Duo46, Earplay, the Empyrean Ensemble, the California E.A.R Unit, the Jolles Duo, the Indianapolis Symphonic Orchestra, Conundrum, the University of New Mexico Percussion Ensemble, the University of Southern California Symphony Orchestra, the Indiana University New Music Ensemble, and the Orpheus Ensemble of Fresno. Some of his more recent works include Crescent Shadows (2012), premiered by the Georgia College Wind Symphony; Visionary (2011), premiered by the Fresno State Wind Orchestra; Nerd Songs (2012), premiered by soprano Ann Moss of CMASH; and Portraits of Mt. Rushmore (2012), premiered by USAF Brass in Blue at Mt. Rushmore National Park.

Kenneth's opera Valentine (2010) was recently recorded and will be released through Heretic Opera in Spring 2013. Other upcoming premieres include Small Messages (2012) for the UNLV Wind Ensemble and Piano Quartet No. 1: Mirror  (2012) for Pacific Serenades.

Kenneth received both his Doctorate of Music and Masters of Music degrees from Indiana University, and received his Bachelors of Music degree summa cum laude from the University of Southern California in 1999. His principal composition teachers include Claude Baker, Don Freund, Sven-David Sandstrőm, Eugene O’Brien, Donald Crocket, Frederick Lesemann, Morten Lauridsen, and Erica Muhl.

Kenneth currently resides in Fresno, CA with his wife Jennifer and daughter Katerina, where he is Associate Professor in Music Composition at California State University, Fresno and director of the Fresno New Music Festival. He previously taught at Ball State University in Muncie, IN, and at the Sewanee Summer Music Festival in Sewanee, TN.

Kenneth’s percussion ensemble work Accidental Migration is available through C. Alan Publications, and his concert band work Tock is available through Wingert-Jones Publications. Additional scores are available through JOMAR Press and his website at www.kennethfroelich.com.
