Miss Anthropocene Out Now  https://grimes.ffm.to/missanthropocene

Download the #GrimesArtKit stems for "You'll Miss me When I'm Not Around" - https://soundcloud.com/actuallygrimes/sets/grimesartkit-remix-project

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Booking : 
thibaud@swarm-mgmt.com
hugo@trafficartistagency.com
Further booking contact & general inquiries : info@dustykid.it

Paolo Alberto Lodde aka Dusty Kid is undoubtedly one of his country’s most exciting electronic music exports. A native of Sardinia, Italy, Lodde is a classically trained musician and an individual who approaches house and techno like few others in his field.
A live act of considerable distinction, he first emerged in the mid ‘00s courtesy of a string of rapturously received releases, the likes of which helped breathe new life in to a scene that was then preoccupied with monotonous, over-hyped minimal sounds. With the benefit of hindsight, Dusty Kid’s emergence was one of many sparks that helped usher in a whole new era of genuinely exciting, intricately produced electronic music that remains to this very day.
An early embracer of all things musical, Lodde started playing the piano at age 4. By 10, he was studying alongside students almost twice his age. However, it was when he swapped the piano for synths and sequencers that his take on music took on a whole new approach. Heavily influenced by the likes of Jeff Mills, Underground Resistance, Jam & Spoon and Daft Punk (and free from what he perceived as the constraints of the piano), he began producing his own electronically-inclined compositions, with his first single, ‘I Found a Reason’.
Boasting a nimble, dexterous and always scrupulously-produced sound aesthetic, his unique way of working quickly brought him to the attention of globally-esteemed labels a la Boxer, Systematic, Southern Fried, Bpitch Control, Suara and Mau5trap, with tracks such as ‘Kore’, ‘Milk’, ‘America’ and ‘Lynchesque’ quickly cementing his name into the hearts and minds of the global electronic music scene.
Alongside his solo releases, Dusty Kid is also an impressively consistent remixer, putting his own stamp on music by the likes of Moby, Armand Van Helden, The Pet Shop Boys, Booka Shade, Robyn and Simian Mobile Disco over the years.
An endlessly consistent purveyor of up-front club fare, Lodde is just as comfortable producing techno- focused records as he is more pop-orientated records, a way of working that’s in keeping with his refreshingly unpretentious take on music.
A truly versatile musician who’s never been shackled by convention, it’s Dusty Kid’s eclecticism and ability to embrace new sounds that means he continues to stick out from the crowd. A musician who continues to electrify and innovate at a rate that would make most of his peers blush, Dusty Kid truly is a talent worth embracing.

zemaunobeats@gmail.com

RELEASES:

Tiburoni Records "Skweee Shanties vol. 2" (2012)
http://tiburonirecords.bandcamp.com/album/skweee-shanties-volume-2

Innocuous Records "Milwauskweee vol. 15" (2012)
https://innocuous.bandcamp.com/album/milwauskweee-vol-15

Phonocake Records "Disco Zambra Remixes vol. 4 - NIGHT-" (2012)
http://www.phonocake.org/discozambraremixes

Phonocake Records "XOCÓLATL" (2012)
http://www.phonocake.org/xocolatl

Tiburoni Records "Skweee Shanties: The Third" (2013)
http://tiburonirecords.bandcamp.com/album/skweee-shanties-the-third

ZEMAUNO - BAGOOR DEE EP - (TIBDIGI003) Tiburoni Records (2013)
http://tiburonirecords.bandcamp.com/album/bagoor-dee-ep

ZEMAUNO - HOT REMIXES - (TIBDIGI004) Tiburoni Records (2013)
http://tiburonirecords.bandcamp.com/album/hot-remixes

Innocuous Records "Milwauskweee vol. 16" (2013)
https://innocuous.bandcamp.com/album/milwauskweee-vol-16

Fresh Yo! "Millelemmi - Cortellaha 2.0" (2014)
http://freshyolabel.bandcamp.com/album/cortellaha-20-fy-030

rec72 "Small Radio - LM3 Remixes" (2014)
http://rec72.net/?p=3601

BEAT.IT Vol.2 (2015)
https://beat-it.bandcamp.com/album/beat-it-vol-02

Intelligent Sound w/ Beat Tape Co-Op "Future Relics Vol.1" (2015)
https://intelligentsound.bandcamp.com/album/future-relics-vol-1

HHabitat Records "LIFE IS BEATFUL" (2015)
http://hhabitatrecords.com/album/life-is-beatful

Skweee Shanties: IV League (2016)
http://tiburonirecords.bandcamp.com/album/skweee-shanties-iv-league

SP​-​Forums Video Game Flips Vol.4 (2016)
https://chopperstapes.bandcamp.com/album/sp-forums-video-game-flips-4

Resonance Vol.3 (2016)
https://astrophuzz.bandcamp.com/album/resonance-vol-3

Saikei Collection Vol.19 (2017)
https://saikeicollective.bandcamp.com/album/saikei-collection-vol-19

BLESS Vol.1 (2017)
https://inneroceanrecords.bandcamp.com/album/bless-vol-1

FUTURES Vol.4 (2017)
https://inneroceanrecords.bandcamp.com/album/futures-vol-4

RUBBER BEATS vol. VI (2017)
https://caoutchou.bandcamp.com/album/rubber-beats-vol-vi

FUTURES Vol. 5 (2018)
https://inneroceanrecords.bandcamp.com/album/futures-vol-5

B o n b o o z e & ZeMauno - Skin Changes (2018)
https://nekubi.bandcamp.com/album/nek059-skin-changes

FUTURES Vol. 6 (2019)
https://inneroceanrecords.bandcamp.com/album/futures-vol-6

Odeeno - Souleving (2020)
https://nekubi.bandcamp.com/album/nek070-souleving

SomaRionda - ReeOnda (2021)
https://somarionda.bandcamp.com/album/reeonda

The Point UK is an alternative rock band from Grosseto, Italy formed in October 2010 by some people that think they live in Manchester in the eighties. Social life can be difficult but they find solace in writing songs about rainy days, flat beer and cheesy tv series. The Lovers EP was out in 2011 followed by The Point 1. The Point 2 was out in Spring 2012 and then the Point 3 in 2013. Then we took some time off to re-invent our way of playing because we were a bit fed up with the driving sound of distorted guitars and in 2015 we recorded Zero, our acoustic EP. In 2017 we recorded The Fifth, our new album.
To get daily updates about The Point UK visit our Facebook page, search for The Point UK

With their roots in the rolling hills of Tuscany, Bosconi Records stands proud as a shining example of creativity and craftsmanship in the Italian music scene. With a back catalogue rich in hand-crafted house music, unique downtempo beats and all the moods in between, the label has worked tirelessly to bring pride back to the musical output of Italy thanks to the work of Dj Fabio della torre, with his fellow friend and partner from Minimono, Ennio Colaci.

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