Nashville's most unpredictable hitmaker ERNEST is “The Charmer” (MusicRow): a triple threat talent who "creates a sound all his own” (Pollstar) and one of Music City's defining artist-writers who continues to push and challenge the artistic status quo. The 2X ACM Award nominee (2024), 2X CMA Triple Play Award winner, and 2022 / 2023 Varsity Hitmaker fuses influences ranging from Eminem to George Jones, crafting a twist-heavy verse style that's become his signature, proving its mettle, and earning him eleven No. 1 hits as a songwriter and one No. 1 at country radio himself. The eccentric free spirit just released his highly anticipated full-length sophomore album, NASHVILLE, TENNESSEE, a set that "maintain(s) Nashville's tethering to its legendary history while wholly embracing the soul of the city's future" (The Tennessean), featuring 26 new songs and collaborations with genre tastemakers Lainey Wilson, Lukas Nelson, Jelly Roll, HARDY, and more. The album has been shortlisted as one of the Best of the Year So Far by Billboard, The Tennessean, and Country Now, following in the footsteps of its critically acclaimed predecessor, FLOWER SHOPS (THE ALBUM), and its cleverly- expanded deluxe edition, FLOWER SHOPS (THE ALBUM): Two Dozen Roses, which added a baker's dozen of fresh cuts to the bunch. ERNEST headlines this fall on The Legalize Country Music Roadshow before opening arenas for Jelly Roll through the end of the year.

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Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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