rel2

Converted By http://soundiiz.com, Spotify To Soundcloud

House MD Soundtrack

Contemporary Piano/Classic

String Quartets XX Century

Feelin Alright! - Joe Cocker (Matty Blades Remix)

Bela Bartok  Rumanian Folk Dances, Jocul Cu Bata

Philip Glass, Company III

Jonathan Besser, Zesty IV

Jade String Quartet
"Snapshots"
Miranda Adams- violin
William Hanfling- violin
Robert Ashworth- viola
Claudia Price- cello
www.jadestringquartet.co.nz

Philip Glass, Company I

Philip Glass, Company II

La p'tite fée - Le Sextet à Claques

My first Collab with Lena MolFa, more to come...

Thanks Lena for your wonderful Violin !

please support and follow at spotify: open.spotify.com/artist/758yIKdhJhWL6oTuTSFVV6


Wandering (feat. Lena MolFa - Violine) - thanks for following at spotify

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

Colours Of Piano

Richter: Horizon Variations

WALTZ WITH BASHIR / Ari Folman - The Haunted Ocean 1

WALTZ WITH BASHIR / Ari Folman - Andante   Reflection (End Title)

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Licensing this music for use at: www.dexterbritain.co.uk
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Second Class Citizen

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Bristol Proms

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 (2012)

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After I travelled down so many roads the last couple of years I finally met this girl. 
To me she is beauty, she is inspiration, she is hope, she is love. She calls herself butterfly and since she fell in love with that song I dedicate it to her. So, this song is for you my butterfly, may you sit on my heart for a long and never forget how to fly !  


homepage: http://www.maassen-music.com

facebook: www.facebook.com/Dirk.Maassen.Music

youtube: www.youtube.com/user/ascoltadi?feature

Dirk Maassen - To The Sky (follow @dirk_maassen on instagram)

The absolute best christmas songs of all time mixed and compiled by Mark Stylz. This mix will stay in your collection for many years to come. Featuring tracks from Bing Crosby, Frank Sinatra, Ella Fitzgerald, Dean Martin, Jose Feliciano, and many more . . . It will take you back to being a child and reliving the feelings you had staying up all night waiting for Santa Claus and wondering what he is bringing you . . . 

Enjoy and Happy Holidays!

07 - Rudolph the Red-nosed Reindeer ...Burl Ives

https://www.mediafire.com/file/6ygoee93p80xtza/rickie%28final_reEQ2%29.wav/file
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