This piece belongs to the cycle Fluxus, whose pieces are inspired by elements of physics and in which musical elements that relate to certain physical phenomena related to fluid mechanics are developed. Other pieces of this cycle are Fluxus, Dimensionless sound for flute and electronics (commissioned by Festival for the Liberation of Sound and Image, Paris, 2012), Fluxus, Transitional Flow (commissioned by Festival Primavera, Portugal, 2013), among other compositions in progress. This particular piece uses recorded sounds of aircrafts in the Aero Club of Torres Vedras and synthesis techniques used to simulate types of sounds that relate to the idea of "Lift" in a perspective of aerodynamics and music. The piece was premiered at the Festival Monaco Électroacoustique 2013.

Jaime Reis - Fluxus, Lift (2013) - Excerpt

Jaime Reis
Calmodulin Synthesis (2002), for 5 percussionists

Ensemble 20-21

Marco Fernandes
Miguel Filipe
Pedro Martins
Fábio Dias
Luís Cascão

Maestro Pedro Pinto Figueiredo

The score is available for free at www.mic.pt

This recording took place at Algarve University (Portugal), on November 18th, 2011.

recorded by MPAGDP

Original in
https://vimeo.com/33237840

Directing: Marina Rodrigues and Sofia Afonso 
Sound: Mariana Rodrigues and Sofia Afonso assisted by Jaime Reis

Canon 5d 
Canon 7d 
Beyer Dynamic 
2 RODE NT5


http://www.jaimereis.pt

Jaime Reis: Calmodulin Synthesis (2002) by Ensemble 20-21

Jaime Reis
Sangue Inverso: Magnetite (2016), for piano

Piano: Gian Ponte (Ensemble Fractales)

Recorded at Lisboa Incomum (Portugal)
April 2018

http://www.jaimereis.pt

Jaime Reis - Sangue Inverso: Magnetite (2016) by Gian Ponte

Jaime Reis
Inverso Sangue: Âmbar (2016), for clarinet

Clarinet: Benjamin Maneyrol (Ensemble Fractales)

Recorded at Lisboa Incomum (Portugal) 
April 2018

http://www.jaimereis.pt

Jaime Reis - Inverso Sangue: Âmbar (2016) by Benjamin Maneyrol

Jaime Reis
Sangue Inverso: Ametista (2016), for flute and piano 
Inverso Sangue: Granito (2017), for clarinet, violin and cello

Ensemble Fractales
Piano: Gian Ponte 
Violin: Marion Borgel 
Flute: Renata Kambarova
Cello: Diego Coutinho
Clarinet: Benjamin Maneyrol

Recorded at Lisboa Incomum (Portugal) 
April 2018

http://www.jaimereis.pt

Jaime Reis - Sangue Inverso: Ametista, Inverso Sangue: Granito (2016-2018) by Ensemble Fractales

Jaime Reis
Voces Excipere (2017), for 12 voices
in memoriam Emmanuel Nunes

Soli-Tutti Choir
conducted by Denis Gautheyrie

This recording took place at Musée d'art et d'histoire de Saint-Denis (France, Paris), on november 18th 2018.

For more info, please check my website:
http://www.jaimereis.pt

Jaime Reis: Voces Excipere (2017) by Soli-Tutti Choir (cond. Denis Gautheyrie) - Paris

Jaime Reis
Fluxus, Dimensionless Sound (B) (2012-2017), for flute and electronics

Flute: Pierre-Yves Artaud

This recording took place at festival FLAUTUÉ, organized by Évora University (Portugal), on July 14th, 2017.

This piece is part of a cycle of pieces denominated Fluxus. In dimensional analysis, a dimensionless quantity is a quantity without an associated physical dimension. For this piece, musical processes were created in order to obtain layers with different physical (sound) qualities, where the dimensions of the sounds of the voice and flute are combined, resulting different qualities of perception. The rhythm is characterised by transformations of cells which are often complemented by secondary simultaneous rhythmic transformations on the voice, whose melodic and harmonic content is derived from processes analog to the referred transformations. Each subsection of the piece comprises a cycle of transformations, often expanded or compressed, where a dominant sound characteristic and type of transformation is to be perceived.

For more info, please check my website:
http://www.jaimereis.pt

Jaime Reis: Fluxus, Dimensionless Sound (B) (2012-2017) by Pierre-Yves Artaud

Jaime Reis
Fluxus, Dimensionless Sound (B) (2012-2017), for flute and electronics

Flute: Clara Saleiro

This recording took place at Théâtre des Variétés during Monaco Electroacoustique 2017.

This piece is part of a cycle of pieces denominated Fluxus. In dimensional analysis, a dimensionless quantity is a quantity without an associated physical dimension. For this piece, musical processes were created in order to obtain layers with different physical (sound) qualities, where the dimensions of the sounds of the voice and flute are combined, resulting different qualities of perception. The rhythm is characterised by transformations of cells which are often complemented by secondary simultaneous rhythmic transformations on the voice, whose melodic and harmonic content is derived from processes analog to the referred transformations. Each subsection of the piece comprises a cycle of transformations, often expanded or compressed, where a dominant sound characteristic and type of transformation is to be perceived.

For more info, please check my website:
http://www.jaimereis.pt

Jaime Reis: Fluxus, Dimensionless Sound (B) (2012-2017) by Clara Saleiro

Jaime Reis
Fluxus, Dimensionless Sound (B) (2012-2017), for flute and electronics

Flute: Yuri Matsuzaki

This recording took place at festival new music: touchpoints, organized by Festival DME and Kyiv Contemporary Music Days at Lisboa Incomum (Portugal), on June 15th, 2018.

This piece is part of a cycle of pieces denominated Fluxus. In dimensional analysis, a dimensionless quantity is a quantity without an associated physical dimension. For this piece, musical processes were created in order to obtain layers with different physical (sound) qualities, where the dimensions of the sounds of the voice and flute are combined, resulting different qualities of perception. The rhythm is characterised by transformations of cells which are often complemented by secondary simultaneous rhythmic transformations on the voice, whose melodic and harmonic content is derived from processes analog to the referred transformations. Each subsection of the piece comprises a cycle of transformations, often expanded or compressed, where a dominant sound characteristic and type of transformation is to be perceived.

For more info, please check my website:
http://www.jaimereis.pt

Jaime Reis: Fluxus, Dimensionless Sound (B) (2012-2017) by Yuri Matsuzaki

performed in Festival de Música de Aveiro (2004)

Ensemble Interpercussão
Momentum - Ensemble Contemporâneo
Flute students from Aveiro University

Jaime

(Sobre o processo de)Replicação

União Filarmónica do Troviscal
2011 WASBE Conference performance

2011 WASBE Conference - União Filarmónica do Troviscal

"Omnisciência é um Colectivo" Part II, for Band and Electronics

Cine-Teatro Avenida - Castelo Branco

7 Dezembro 2018

Miguel Rocha - violoncelo
Adriano Aguiar - contrabaixo

Fluxus, Drag - Duo Contracello

Performed by Clara Saleiro
Recorded at Lisboa Incomum
October 18, 2018

Program notes

This piece is part of a cycle of pieces denominated Fluxus. In dimensional analysis, a dimensionless quantity is a quantity without an associated physical dimension. For this piece, musical processes were created in order to obtain layers with different physical (sound) qualities, where the dimensions of the sounds of the voice and flute are combined, resulting different qualities of perception. The rhythm is characterised by transformations of cells which are often complemented by secondary simultaneous rhythmic transformations on the voice, whose melodic and harmonic content is derived from processes analog to the referred transformations. Each subsection of the piece comprises a cycle of transformations, often expanded or compressed, where a dominant sound characteristic and type of transformation is to be perceived.

Fluxus, Dimensionless Sound (B) by Clara Saleiro

Portugal. Degree in Composition - Uni. de Aveiro with João Pedro Oliveira (3 prize scholarships as best student of the uni.). PhD candidate (Musicology) - FSCH-UNL. Composition seminars with Emmanuel Nunes (also PhD co-advisor) and Stockhausen.
He received prizes in Portugal (Jorge Peixinho Competition, 3 Workshop Gulbenkian for Portuguese Composers, etc), his music was selected to be presented at the ICMC 2005 (Barcelona), ICMC 2014 (Atenas), IRCAM Manifeste Academie 2013, 1º prize in competition arte! ⋈ clima 2014 for category "Pobreza Cero. Emisiones Cero" with the work “Omniscience is a Collective”, etc. He took part of several scientific revision committees, namely, ICMC 2012. Researcher at Institute of Ethnomusicology. Member of ASEFUAN. Artistic director of festival Dias de Música Electroacústica (since 2003). Director of Conservatório de Música de Seia (since 2007). Professor at Piaget Institute and Universidade Nova de Lisboa.
Had commissions from UFT/INATEL, Grupo de Música Contemporânea de Lisboa, Festival Primavera, APEM (Portugal), Logos Foundation (Belgium), F.L.S.I. (Paris), etc.
His music has been presented in Europe. He travelled for 5 years to work in Asia (Beijing, Korea, Taiwan, Hong Kong, Tokyo, Philippines, etc) and 4 years to Brazil (UNICAMP, UFBA, UFMG, UDESC, UFRJ, etc).

Jaime Reis

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