Hailing from the North Shore of Auckland, New Zealand, disco brothers Matt and Aaron Pony’s particular blend of low brow, hi-fi hedonism kicked off almost a decade ago. 
In that time they have hosted regular debaucherous disco club nights and played alongside handfuls of world class artists such as Diplo, 2manydjs, Erol Alkan, A-Track, Pet Shop Boys, Spank Rock, Kid Koala, Peter Hook, Ian Pooley, Crookers, Ajax, Fake Blood, Soulwax, Horse Meat Disco, Kasabian, Crazy Penis, Dj Craze, Tittsworth, Boy 8-bit, Van She, Sinden, Norman Jay, the Nextmen and even the formidable Jordan Luck. 
Former breakout North Shore Pony Club hits received support from MTV Uk & Europe, Rough Trade as well as numerous blogs and college radio stations. 
Put the needle on the record, open your nose and smell the funk.

David Griffith is the author of A Good War is Hard to Find: The Art of Violence in America (Soft Skull Press).  His work has appeared in the Utne Reader, The Normal School, IMAGE and on-line at Killing the Buddha.  He is at work on a book titled Pyramid Scheme: Making Art and Being Broke in America.

Since his earliest self-produced CD-Rs, Philadelphia psych-pop master Kurt Vile has referred to himself as "Philly's Constant Hitmaker"—and while he gave himself that name with a sly wink, he was also nodding toward the songwriting prowess that would result in him becoming one of his home city's most celebrated rock artists. "I’m always thinking about catchy music, even though it’s fried, or sizzled, out," he says. "It's my own version of a classic thing—it's moving forward and backward at the same time." 
On his latest album, (watch my moves), Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions—and the result is a vibrant, yet meditative album propelled by Vile's laid-back charm and curious spirit. Every lyric has been chiseled down into an aphorism, every bloom of distorted guitar or murmuring synth helping create that "fried" pop. "It's about songwriting. It's about lyrics. It's about being the master of all domains in the music," he says of his ninth album and first in partnership with a major label, Verve Records.
(watch my moves) comes from a period when Vile, whose touring and recording schedule during the 2010s was seemingly constant, stayed in one place. His mind was always swirling, though, puzzling out pointillistic lyrics, dreaming up spit-shined choruses, and checking in on other dimensions. "My favorite pastime these days is sitting drinking coffee in the morning post-breakfast by the window, reading and listening to Sun Ra, sun shining through the forest trees," says Vile. "In that moment, it's all the traveling I'll ever need. This record encapsulates all that—letting two years roll by and staying in my zone, traveling all the while in my brain, at the piano or in my guitar."

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