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PAO combines sentiment and flow for his debut track ‘Eyes On The Road (feat. Yukimura)’. New to the Australian music scene, his sound explodes with colourful synths layered with vocal chops whilst auto-tuned vocals from Yukimura envelope layers of deeper meaning, the result being a fresh take on future bass. 

Injecting emotion back into an upbeat and pop-laden top line, ‘Eyes On The Road’ encapsulates an accessible understanding of reflective experience for listeners driven by strong bass at its core. Structured and spacious verses of lo-fi vocals from Yukimura and dreamy verbed-out guitar primes the unleashing of a synth heavy drop, rhythmically chopped to counteract any chance of recycled familiarity. The track echoes the excitement associated with connecting to new places and forming new relationships having been produced over multiple locations in Northern WA.

With more releases on the way, PAO continues to innovate future bass, adding a layer of emotion to the bounce we have come to love and know fans will too.

Artwork: @1amsaint

Eyes On The Road

Pao - Eyes On The Road (feat. Yukimura)

written & performed by TYGKO
keys, guitar, bass guitar, trumpet, & additional vocals performed by @camstacey
recorded, produced, mixed, & mastered by @camstacey

I don't mean to be disrespectful
And disappointing
Or a regret for you (Or a regret for you)
But the point is
We really tried it
What we expect to do? (What we expect to do?)
See you on the way down
Oh, I feel a way now
We was talking everyday, something changed now
Maybe I shouldn't have shared what I gave out
I'm the only one I'm allowed to blame now

Shitty I know
River me those
Riddle me this
How did I miss all those signs
Oh, I didn't
All those times I would convince
That shit is crazy
It still amaze me
I'm still wrong
But that's worth saying
I took Ls, I got strong
I must be Saiyan
I'll be great and I'm gone change
I'm gradient
I'm gone blaze and kick shit
I'm Blaziken
It just keep replaying
Keep replaying

You can keep it
Love ain't no cheap shit
Life ain't got sequence
We should just be us
I cannot keep up
So much between us
We gone need a seamstress
We gone need a shrink
But I think you can keep it
Love ain't no cheap shit
Life ain't got sequence
We should just be us
I cannot keep up
So much between us
We gone need a seamstress

I thought I knew who I was
I thought I knew you, too
Gotta be grateful bout the life that we grew to
It's a lose-lose
If I lose cool
Cuz we too too
So so so
"So so so"
Sipping mosos
Fucking before four
Searching for more lows
It's hard to find em
But I just think we should consider reassignment
The likelihood of this being all good
Is shallow as I am

Me or you lyin
The lion Sampson fighting
Me and you lying
That's Sampson and Delilah
We would do better to never take this lightly
We would know better
The answers was inside us
Never too far to reach
Not right behind ya
Never too hard to say this not simple
Aim for my target, I know I'm gone miss you

Why I always get to this point, disjointed
I already told you once
I'm a disappointment
Imma motherfucking run for the hills I'm dying in
And it only take one like it's fucking dieting
I'm the motherfucking one
How you fucking find me?
Searching for a long time at the wrong timing
Giving you a hard time, ain't even my typing
When I'm at the crossroads
Imma go right, nigga

Keep Up - Single

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Residual Velocity is a Drum & Bass album built around motion, memory, and pressure. It moves between liquid warmth, technical precision, and darker club-focused energy, balancing emotional atmosphere with system-ready impact. The record is designed for late-night drives, underground dancefloors, and focused listening, where rhythm becomes a physical force and melody feels like a trace left behind. Clean production, evolving bass design, and cinematic restraint define the sound, aiming for longevity rather than trends.

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