Six years in the making, FALL FROM THE LIGHT, the highly anticipated album from hip hop icons HILLTOP HOODS, has arrived.

Featuring singles ‘The Gift ft. Marlon’, ‘Don’t Happy, Be Worry’, ‘Laced Up’ and ‘Never Coming Home ft. SIX60’, the 12-track offering takes listeners on a journey that feels as ambitious and triumphant for the fans, as it has been for Suffa, Pressure and Debris themselves.

Blending fun, vulnerability and vignettes that highlight their masterful cadence and technical flow, the ninth record from Hilltop Hoods wastes no time in getting to work upon arrival. Produced by One Above with additional production by Sesta and Suffa, Fall From The Light was recorded in Adelaide, Darwin, Melbourne, and New Zealand and features a range of special guests.

Hilltop Hoods will return to arenas across Australia on their Never Coming Home Tour in Feb/Mar 2026 along with dates in the UK & Europe for Aug/Sep 2025.

Their unparalleled career speaks for itself - over 89 Platinum accreditations, 1.1 million album sales and over 1.8 billion global streams, six #1 albums, the most entries into triple j’s Hottest 100 for an Australian Artist, ten ARIA award wins, and multiple sold-out Arena tours solidifying Hilltop Hoods as one of the Australia’s most successful names in music, period. The music they make is done with the intent to connect and last with fans, regardless of age, background, or creed; time and time again, their formula pays dividends and then some.

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Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

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