Dreams to Dream

Wouldn't Be Gone

I WANT MY LOVED ONES TO GO WITH ME (DELUXE)

Love Is A Canyon

Tumbleweed

How Much Beer

Blessed

"Let's Be Honest" - a raw, unfiltered take on accepting when a relationship has run its course. This outlaw country soul track strips away the pretense and faces the painful truth of a love that's faded beyond repair. With haunting imagery of cracked walls and cold coffee, the song walks listeners through the difficult journey from denial to acceptance. Not every story ends with reconciliation - sometimes the most honest thing is walking away with dignity intact. For fans of authentic country storytelling that isn't afraid to confront life's harder truths. Written and performed by Stephen Ryder.

#OutlawCountry #Americana #CountrySoul #RealTalk #BreakupSong

Let’s Be Honest

Help You Remember

Hard To Love You

There I Go

Over And Over

Good Old USA

About a man who chose to live high in the mountains, on the hard side. 

The Hard Side of the Mountain

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

Wouldn't Be Gone

Jake Owen