fragment av en seans

" Musica saltatoria mihi finita est "



TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

 ( LCEEM ® )  founded    by Max Elzholz

PLEASE  VISIT  OUR  MAIN  PAGE  :

https://trampelfad.bandcamp.com
and
https://maxelzholz.bandcamp.com

Note: This site deals with Art - All scientific aspects are artistic considerations - All contributors have respect for scientific work and the research of reputable Institutes .

An ongoing electro-acoustic project beginning in 2009

maladyofknots@gmail.com

https://malady-of-knots.bandcamp.com/

https://m.youtube.com/channel/UCOXEKCLQqswD4IOpfcDxyGw

https://www.mixcloud.com/maladyofknots/

https://www.mixcloud.com/Melodies_for_Knut/

Jag ämnar med tankens kraft förflytta  min märg.

Think of the sound of NIM as the host of angels in Gustave Dore’s illustrations for Dante’s Paradise – radiant and terrifying at once, spinning in a whirlpool of celestial light. This is electronic music that far transcends its material origin and becomes an ethereal entity that belongs to no particular time. Its points of attraction are equally 21st century and Renaissance, science and mysticism, neoclassical and experimental, purity and imperfection, impenetrable depth and unbearable lightness, cosmic harmony and chthonic dissonance. These references define NIM, but not completely, as there is always room for something that escapes words.

Text author: Jurij Dobriakov

noiseismessage@gmail.com

I am a composer from Berlin.
My music is contemporary. I like to write for large orchestras, because I am attracted by the variety of timbres, but also for any other formation, especially if it is unusual.

Ich bin Komponist und lebe in Berlin.
Meine Musik ist zeitgenössisch. Gern schreibe ich für großes Orchester, weil mich hierbei die Vielfalt der Klangfarben reizt, aber auch für jede andere Formation, besonders wenn sie ungewöhnlich ist.

fragment av en seans

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