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Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Unpredictability -Aleatoric-Music -Avoid AI

An ongoing electro-acoustic project beginning in 2009

maladyofknots@gmail.com

https://malady-of-knots.bandcamp.com/

https://m.youtube.com/channel/UCOXEKCLQqswD4IOpfcDxyGw

https://www.mixcloud.com/maladyofknots/

https://www.mixcloud.com/Melodies_for_Knut/

Jag ämnar med tankens kraft förflytta  min märg.

Think of the sound of NIM as the host of angels in Gustave Dore’s illustrations for Dante’s Paradise – radiant and terrifying at once, spinning in a whirlpool of celestial light. This is electronic music that far transcends its material origin and becomes an ethereal entity that belongs to no particular time. Its points of attraction are equally 21st century and Renaissance, science and mysticism, neoclassical and experimental, purity and imperfection, impenetrable depth and unbearable lightness, cosmic harmony and chthonic dissonance. These references define NIM, but not completely, as there is always room for something that escapes words.

Text author: Jurij Dobriakov

noiseismessage@gmail.com

I am a composer from Berlin.
My music is contemporary. I like to write for large orchestras, because I am attracted by the variety of timbres, but also for any other formation, especially if it is unusual.

Ich bin Komponist und lebe in Berlin.
Meine Musik ist zeitgenössisch. Gern schreibe ich für großes Orchester, weil mich hierbei die Vielfalt der Klangfarben reizt, aber auch für jede andere Formation, besonders wenn sie ungewöhnlich ist.

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